Matériel : Octavo
SKU: HL.14009288
SKU: HL.14009287
Work for Organ.
SKU: HL.14009505
SKU: HL.14009286
SKU: HL.14009504
SKU: HL.14009289
14.25x10.25x0.048 inches.
SKU: HL.14033923
UPC: 884088538699. 8.25x11.75 inches.
Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras, carefully structured in two levels. The 'Easy' level does not normally exceed Grade 2 in difficulty with most parts playable in first position, while the 'Moderately Easy' level includes some parts of around Grade 3 standard. At easy level, alternative parts are provided so that the absence of viola or a double bass does not prevent the piece from being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles, including classical pieces, folk tunes and Christmas collections. Playstrings is an ideal introduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1, 4 x Violin 2, 4 x Violin 3, 2 x Viola, 3 x Cello, 2 x Double Bass/Cello 2.
SKU: CF.CAS18
ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.
A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.
About Carl Fischer Concert String Orchestra Series
Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: HL.233603
UPC: 888680683054. 6.75x10.5x0.036 inches.
From Pete Townshend of The Who, this rock hit from 1978 is a blast from the past that will unite the generations in the synth-driven sounds of an earlier era!
SKU: DS.658001
SKU: HL.14011420
ISBN 9780853604945. English.
Suitable for young beginners, this book by S. J. Townshend, provides short exercises in the elementary rudiments of music including questions on clefs and staves, notes and values, accidentals, rests, tones and semitones, introduction to major scales, key signatures, tonic triads, time-signatures and musical terms.
SKU: DS.670001
SKU: DS.770001
SKU: JK.01896
UPC: 093285018969. Ephesians 6:10-18, 2 Nephi 28:7-8, 20-28</ifr am.
T. Chemain Evans' arrangement of this well-loved hymn, Hope of Israel, is beautiful and expressive. This setting is for SATB and Organ, but also works very well as an SATB and Piano piece. The song subtly references 'The Spirit of God' throughout the piece and It features a simple beginning, a brief a cappella section and a powerful ending.Composer: William ClaysonArranger: T. Chemain EvansText: Joseph L. TownsendDifficulty: Medium / medium acc.Performance time approx: 3:00References: Ephesians 6:10-18, 2 Nephi 28:7-8, 20-28< /ifram.
SKU: HL.233604
UPC: 888680683061. 6.75x10.5x0.036 inches.
SKU: DS.745001
SKU: JK.01240
Reference:Doctrine and Covenants 1:38, Doctrine and Covenants 84:43-45.
Arran gement of the hymn Oh, Holy Words of Truth and Love for mixed chorus (SATB) and piano.Composer: Joseph L. Townsend Arranger: Catherine Tibbitts Lyricist: Edwin F. Parry Difficulty: Medium-easy Performance time: 2:20Reference:Doctrin e and Covenants 1:38, Doctrine and Covenants 84:43-45.
