SKU: HL.49013783
ISBN 9790220100079. 8.75x12.25x0.008 inches.
Handel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common practice to replace a solo instrument with another one. This arrangement is therefore equivalent to an original work since each note in the score is an original one by Handel except for the realization of the basso continuo, of course, though this, too, follows Handel's original organ part.
SKU: M7.DOHR-20753
ISBN 9790202007532.
SKU: M7.BP-1754
ISBN 9790015175404.
SKU: M7.BP-953
ISBN 9790015095306.
SKU: M7.BP-954
ISBN 9790015095405.
SKU: M7.BP-951
ISBN 9790015095108.
SKU: M7.BP-999
ISBN 9790015099908.
SKU: M7.BP-998
ISBN 9790015099809.
SKU: M7.BP-2020
ISBN 9790015202001.
SKU: GI.G-9672
UPC: 785147967200. English. Text by George Herbert.
Hampton produced a small, but significant body of hymn tunes that expanded the notion of what a hymn tune and its accompaniment could be. Melodic sequences and an accompaniment cast in trio sonata form were common compositional devices he employed, both are found in the tune MacDOUGALL. is set for two mixed voices (or equal voices, if desired) is taken from e Calvin Hampton Hymnary, G-2339. In the composer’s notes from that collection, Hampton suggests a tempo of quarter note = 76, saying: “the accompaniment can be played by hands alone, omitting the vocal line [found in the keyboard treble clef]. The accompaniment figure could be played on the guitar, piano, or harpsichord.” Listen to the recording and follow along with the score in this preview video: .
