5 Konzerte für 3 - 4 Solostimmen und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Der Partitur liegt die Stimme für ein Continuo-Instrument beiAusgabe : Singpartitur. Spielpartitur. EinzelstimmeHerausgeber : Ehmann, WilhelmEinband : geheftetInstrumentierung : SingSt, Basso continuoContenu :Schaffe in mir, Gott, ein reines Herz (STB) SWV 291Allein Gott in der Höh sei Ehr (SSTT) SWV 327Nun komm, der Heiden Heiland (SSBB) SWV 301Ich ruf zu dir, Herr Jesu Christ (SSBB) SWV 326Die Seele Christi heilige mich (ATB) SWV 325
SKU: CA.2091000
ISBN M-007-18868-9.
The Kleine geistliche Konzerte by Heinrich Schutz represent solo vocal music right at the height of its time, the result of his (second) journey to Italy and his encounter with Claudio Monteverdi's musico-dramatic works. Part I of the Kleine Geistliche Konzerte, published in 1636, can already by seen as a pattern book of compositions, and based on their structure Schutz was then able to set more extensive pieces. This applies even more impressively to the second book because of its often daring harmonies and more intensive declamation; the book was issued in 1639 and is now newly published in the Stuttgart Schutz Edition in the original keys and with the original order of pieces newly recreated according to the first printed edition.
SKU: BA.BA05965-01
ISBN 9790006497683. 27.5 x 20 cm inches. Preface: Schmidt, Beate Agnes.
TheKleine geistliche Konzerte(Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schutz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schutz a household name shortly after theKleine geistliche Konzertewere published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations; particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home.Unlike the 1963 edition of theKleine geistliche Konzerte(BA 3664, BA 3665, BA 3666) as part of the New Schutz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: M7.DOHR-20090
ISBN 9790202040904. German.
Ich habe mir die Kleinen geistlichen Konzerte von Heinrich Schütz als Vorbild genommen, in Form und Klang aber nicht kopiert. Meine Kompositionen sind besonders für Gottesdienste und geistliche Konzerte geeignet. Die Kleinen geistlichen Konzerte erschienen erstmals 1980 in der Berliner Evangelischen Verlagsanstalt und waren rasch vergriffen. Nun können sie in vorliegender Neuausgabe erscheinen. (Lothar Graap).
SKU: CA.2091011
Score and part available separately - see item CA.2091000.
SKU: BA.BA06947
ISBN 9790006498673. 27 x 19 cm inches.
Johann Vierdanck (1605-1646) was a choirboy in Dresden and a pupil of Heinrich Schütz. After short stays in Lübeck and Copenhagen he became an organist at St Mary's in Stralsund. His 1641 collection of 45 „sacred concerts“ appeared in several editions reflecting its popularity among his contemporaries. All the settings are based on Luther's translation of the Bible and are related stylistically to Heinrich Schütz's „Symphoniae sacrae“ (1629) and “Kleine geistliche Konzerte” (1636). The three psalm settings in this volume are ideally suited for small choirs or solo voices in church or concert performance.
SKU: BA.BA03437
ISBN 9790006434428. 27 x 19 cm inches.
Hodie Christus natus est SWV 315 (S,T) - Rorate coeli desuper SWV 322 (S,S,B) - Veni sancte Spiritus SWV 328 (S,S,T,T). 3 Konzerte fur Solostimmen und Basso continuo. Urtext der Neuen Schutz-Ausgabe. Der Partitur ist eine Bc-Stimme beigelegt.
SKU: CA.2030600
ISBN 9790007034290. Key: F major. Language: German.
SKU: CA.2029500
ISBN 9790007034160. Key: A minor. Language: German/Latin. Text: Weisse, Michael. Text: Michael Weisse.
SKU: CA.2030211
ISBN 9790007034276. Key: F major. Language: German/English.
Sco re available separately - see item CA.2030200.
SKU: CA.2028700
ISBN 9790007034085. Key: G dorian. Language: German/English.
