Gaelic Dance and Ayre
by Carl Strommen
Bassoon - Sheet Music

Item Number: 22006743
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Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Oboe, Percussion, Piccolo, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Triangle, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 3

SKU: CF.CPS235F

Composed by Carl Strommen. Sws. Cps. Full score. 20 pages. Duration 3:15. Carl Fischer Music #CPS235F. Published by Carl Fischer Music (CF.CPS235F).

ISBN 9781491158098. UPC: 680160916696. 9 x 12 inches.

The adancea is a bright, lively Gigue (or Jig, dotted quarter note = 78), a dance form derived from the German "Geige." After the introduction, the opening theme is stated at m. 9 (winds and trumpet) and re-appears at m. 25 (low brass) along with its variations at m. 33. The ritardando at m. 41 leads to the "Ayre" (Concert Db) at m. 44, with an opening alto saxophone solo which slowly expands to full ensemble at m. 59. "Ayre" presents the conductor with a great deal of latitude in regards to interpretation (ritardando, rallentando, etc.). The opening theme returns at m. 75 and to its conclusion at m. 94.
The "dance" is a bright, lively Gigue (or Jig, dotted quarter note = 78), a dance form derived from the German "Geige." After the introduction, the opening theme is stated at m. 9 (winds and trumpet) and re-appears at m. 25 (low brass) along with its variations at m. 33. The ritardando at m. 41 leads to the "Ayre" (Concert Db) at m. 44, with an opening alto saxophone solo which slowly expands to full ensemble at m. 59. "Ayre" presents the conductor with a great deal of latitude in regards to interpretation (ritardando, rallentando, etc.). The opening theme returns at m. 75 and to its conclusion at m. 94.
The “dance” is a bright, lively Gigue (or Jig, dotted quarter note = 78),a dance form derived from the German "Geige." After the introduction, the opening theme is stated at m. 9 (winds and trumpet) and re-appears at m. 25 (low brass) along with its variations at m. 33. The ritardando at m. 41 leads to the "Ayre" (Concert Db) at m. 44, with an opening alto saxophone solo which slowly expands to full ensemble at m. 59. "Ayre" presents the conductor with a great deal of latitude in regards to interpretation (ritardando, rallentando, etc.). The opening theme returns at m. 75 and to its conclusion at m. 94.