Every Time I Feel the Spirit
Full Score and Parts
by Virginia Croft
String Orchestra - Sheet Music

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS18

Full Score and Parts. Composed by Spiritual. Edited by Amy Rosen. Arranged by Virginia Croft. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #FAS18. Published by Carl Fischer Music (CF.FAS18).

ISBN 9780825851919. UPC: 798408051914. 8.5 X 11 inches. Key: D major.

The keyboard and a lively pizzicato introduction of the ostinato pattern in the lower strings set the mood for this dynamic and uplifting spiritual. The pentatonic melody, so common to spirituals, lends itself well to young players and should be brought out wherever it occurs. All parts should find this setting fun and rewarding to play. The augmentation in the final melody (violin 2 and viola) eliminates any need for a ritard. and allows the piece to romp joyously to its end.
The keyboard and a lively pizzicato introduction of the ostinato pattern in the lower strings set the mood for this dynamic and uplifting spiritual. The pentatonic melody, so common to spirituals, lends itself well to young players and should be brought out wherever it occurs. All parts should find this setting fun and rewarding to play. The augmentation in the final melody (violin 2 and viola) eliminates any need for aA ritard. and allows the piece to romp joyously to its end.
The keyboard and a lively pizzicato introduction of the ostinato pattern in the lower strings set the mood for this dynamic and uplifting spiritual. The pentatonic melody, so common to spirituals, lends itself well to young players and should be brought out wherever it occurs. All parts should find this setting fun and rewarding to play. The augmentation in the final melody (violin 2 and viola) eliminates any need for a ritard. and allows the piece to romp joyously to its end.
The keyboard and a lively pizzicato introduction of the ostinato pattern in the lower strings set the mood for this dynamic and uplifting spiritual.The pentatonic melody, so common to spirituals, lends itself well to young players and should be brought out wherever it occurs. All parts should find this setting fun and rewarding to play.The augmentation in the final melody (violin 2 and viola) eliminates any need for a ritard. and allows the piece to romp joyously to its end.