Recorder Jazz Time

This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark's lush setting can also be used as a tenor sax feature and includes a brief double-time swing section.

This standard from the 40's has been recorded countless times in recent years and remains a staple in jazz libraries everywhere. Mike Tomaro's creative version shines new and invigorating light on this classic with a contemporaryshuffle groove and fresh harmonies. Includes solos for alto and piano.

Composed in the 40s and originally recorded by the Andrew Sisters Christmas Island has been recorded countless times since then notably by Ella Fitzgerald and also by Leon Redbone (used in the movie Elf). PaulMurthas version is setin a medium swing style with great-sounding voicings for young ensembles.

This Santana hit has endured through the years and been recorded countless times. Here it is like you've never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn it has substantial solo spacefor alto sax but other soloists include trombone trumpet and guitar. The opening features a laid back cha-cha feel with colorful scoring (flute is optional) before developing into a real powerhouse for the rest of the chart.

Description A collection of 120 drum set exercises designed to help the beginning to intermediate drummer develop coordination, independence and accompanying skills between the snare and bass drum while keeping steady jazz time on the ride cymbal. The play-along tracks will help students develop the ability to recognize the 12-bar blues and 32-bar AABA form, two of the most popular song forms in jazz music. Practicing with the tracks will also help you develop better clock time and should inspire some creative interaction with the recorded music. Exercises include patterns using quarter notes, quarter and eighth note combinations, and triplets and other combinations. The 32-bar AABA song form is practiced with and without drums, and at slow and fast tempos with a bass track. The 12-bar blues form is practiced with various combinations including drums, bass, both, or neither. All tempos from the CD are indicated in the book. A helpful glossary of musical signs and symbols is also included.

Now you can play as featured soloist on eight specially recorded Jazz arrangements! 'Take the Lead' is an integrated series for piano, flute, clarinet, alto sax, tenor sax, trumpet and violin. In edition all the songs are at the same concert pitch, so all the instruments can play together. Each song is carefully slelected and edited, chord symbols are at concert pitch for use by piano or guitar. The CD contains full backing tracks, professionally arranged and recorded and full demonstration recordings help in learning the songs. / Date parution : 2005-05-27/ Recueil / Violon et Piano

Now you can play as featured soloist on eight specially recorded Jazz arrangements! 'Take the Lead' is an integrated series for piano, flute, clarinet, alto sax, tenor sax, trumpet and violin. In edition all the songs are at the same concert pitch, so all the instruments can play together. Each song is carefully slelected and edited, chord symbols are at concert pitch for use by piano or guitar. The CD contains full backing tracks, professionally arranged and recorded and full demonstration recordings help in learning the songs. / Rép International / Date parution : 2005-05-27/ Recueil / Trompette et Piano

Joueurs de l'enregistreur s'intéressent de plus en plus en jouant de la musique populaire et jazz. Dans cette collection, le musicien de jazz britannique Leslie Searle présente ses propres compositions dans une variété des styles musicaux plus courants du jazz moderne et de la musique de danse. Avec / Flûte A Bec Soprano Et Flûte A Bec Alto

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

Filmed at the Smithsonian Jazz Cafe Randy Johnston makes the classics soar with his performances of Body and Soul Here's That Rainy Day and If Ever I Would Leave You. The jazz times never stop onthis classic 12 track DVD.On March 18th 2005 with his latest CD approaching the pinnacle of the jazz chart Randy Johnston captured the energy of the moment in front of a packed house at the Smithsonian JazzCafe. Bassist Tom Pietrycha and drummer Tony Leone joined Randy on this exhilarating blend of originals and covers including John Coltrane’s Impressions and Don Militello's Seems Like Times Are Changin.Aseasoned professional with several world tours under his belt Randy has performed and recorded with Lou Donaldson Dr. Lonnie Smith Houston Person Etta Jones Lionel Hampton Brother Jack McDuff Warne Marsh Lee Konitz JoeyDeFrancesco Tom Harrell Irene Reid Rashid Ali and other jazz notables. Born in Detroit Randy studied at the University of Miami before moving to New York City in the early 1980s.

Patterned after the well-known version recorded by Ray Charles this effective swing chart for young players opens with the hard-hitting introduction followed by a sultry solo trumpet on the stop-time verse. There are solo spots for alto sax and trumpet along with terrific ensemble scoring throughout. A classic!

The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Bb