In Recital with Popular Music, Book 1

In Recital® with Popular Christmas Music series features fabulous popular Christmas music edited and performed by Helen Marlais. The intermediate level student is provided with a wide array of popular Christmas selections of their choice. Such titles as: I Heard the Bells on Christmas Day A Marshmallow World Breath of Heaven (Mary's Song) a new popular original by Edwin McLean Light One Candle and more will become favorite Christmas repertoire. Includes a CD with special listening activities as well as background information about the pieces and composers.

In Recital® with Popular Christmas Music series features fabulous popular Christmas music edited and performed by Helen Marlais. Book 4 for the early intermediate student offers such hits as: Here We Come A-Wassailing; Christmas Eve in My Home Town; Mary Did You Know? and a soon to be popular original by Kevin Olson Mister Snowman. Your early intermediate student will have these plus many more selections to choose from to fill their holiday with great Christmas music! A CD with listening activities plus interesting information about the pieces and composers are included.

In Recital® with Popular Christmas Music series features fabulous popular Christmas music edited and performed by Helen Marlais. The late intermediate level student will love the arrangements created for Book 6. Carol of the Bells Let It Snow! Let It Snow! Let It Snow! Home for the Holidays I'll be Home for Christmas and It's the Most Wonderful Time of the Year are just a few of the titles that students will enjoy throughout the Christmas season. Includes a CD with special listening activities as well as background information about the pieces and composers.

from Tone and Performance Studies. Par WEISSENBORN JULIUS. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. / Pièce de concert / Recueil / Basson

The In Recital: Duets range offers a terrific collection of some of the most musically engaging duets by leading composers and arrangers. The selection is diverse too and you will find original duets as well as duet arrangements of classical themes and popular songs. The purpose of the series is to focus on this fabulous repertoire with the intention of motivating students with entertaining pieces and outstanding arrangements. Comprising six levels that feature a comprehensively levelled curriculum with gentle transitions between each stage In Recital: Duets has something for all students even those who work ahead at their own pace! This is VolumeOne - Book Three which contains material suitable for Late Elementary Pianists with wonderful pieces such as Tchaikovsky’s Sleeping Beauty Waltz and the popular traditional piece Chopsticks addressing a wide variety of different musical and technical abilities as well as different genres. The enclosed companion CD is a superb teaching and learning tool which help to get the best from students. Listen to the demonstration recording as a reference to hear the personality of each track and then Play-along with the performance tracks. As a further aid the series provides practice tips rehearsal suggestions and duet performance strategies to help students be even more successful!

The In Recital: Duets range offers a terrific collection of some of the most musically engaging duets by leading composers and arrangers. The selection is diverse too and you will find original duets as well as duet arrangements of classical themes and popular songs. The purpose of the series is to focus on this fabulous repertoire with the intention of motivating students with entertaining pieces and outstanding arrangements. Comprising six levels that feature a comprehensively levelled curriculum with gentle transitions between each stage In Recital: Duets has something for all students even those who work ahead at their own pace! This is VolumeOne - Book 2 which contains material suitable for Elemenatary Pianists with wonderful pieces such as Camptown Races and Beethoven's Ode To Joy addressing a wide variety of different musical and technical abilities as well as different genres. The enclosed companion CD is a superb teaching and learning tool which help to get the best from students. Listen to the demonstration recording as a reference to hear the personality of each track and then Play along with the performance tracks. As a further aid the series provides practice tips rehearsal suggestions and duet performance strategies to help students be even more successful!

The In Recital: Duets range offers a terrific collection of some of the most musically engaging duets by leading composers and arrangers. The selection is diverse too and you will find original duets as well as duet arrangements of classical themes and popular songs. The purpose of the series is to focus on this fabulous repertoire with the intention of motivating students with entertaining pieces and outstanding arrangements. Comprising six levels that feature a comprehensively levelled curriculum with gentle transitions between each stage In Recital: Duets has something for all students even those who work ahead at their own pace! This is VolumeOne - Book Four which contains material suitable for Early Intermediate Pianists with wonderful pieces such as Pachelbel’s Canon In D and Hebrew Folk Song Hava Nagila addressing a wide variety of different musical and technical abilities as well as different genres. The enclosed companion CD is a superb teaching and learning tool which help to get the best from students. Listen to the demonstration recording as a reference to hear the personality of each track and then Play-along with the performance tracks. As a further aid the series provides practice tips rehearsal suggestions and duet performance strategies to help students be even more successful!

The In Recital: Duets range offers a terrific collection of some of the most musically engaging duets by leading composers and arrangers. The selection is diverse too and you will find original duets as well as duet arrangements of classical themes and popular songs. The purpose of the series is to focus on this fabulous repertoire with the intention of motivating students with entertaining pieces and outstanding arrangements. Comprising six levels that feature a comprehensively levelled curriculum with gentle transitions between each stage In Recital: Duets has something for all students even those who work ahead at their own pace! This is VolumeOne - Book One which contains material suitable for Early Elemenatary Pianists with wonderful pieces such as Yankee Doodle and Beethoven's Ode To Joy addressing a wide variety of different musical and technical abilities as well as different genres. The enclosed companion CD is a superb teaching and learning tool which help to get the best from students. Listen to the demonstration recording as a reference to hear the personality of each track and then Play along with the performance tracks. As a further aid the series provides practice tips rehearsal suggestions and duet performance strategies to help students be even more successful!

Arranger : David Heyes The Transcriptions Series series Recital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass. Czardas for violin and piano is Monti's only famous work, believed to have been composed in the early years of the 20th-century, and has been composed for almost every instrument, every instrumental combination, and performed by every gipsy orchestra or ensemble. The slow rhapsodic introduction quickly leads into the main theme which is full of rhythmic fire and gipsy passion. A slow section, primarily in double stops, is then repeated in high harmonics before a brief return of the fast viruosic music which leads into a reprise of the Czardas material, but now in the tonic major. A fast and energetic finale brings the piece to a rousing and successful conclusion. This exciting new arrangement by David Heyes offers musical and technical challenges in equal measure and the edition includes accompaniments for both solo and orchestral tunings. An arrangement for double bass quartet is in preparation. Italian composer, conductor and violinist, Vittorio Monti was born in Naples on 6 January 1868 and died on 20 June 1922. He studied at the Conservatorio di San Pietro a Majella with F. Pinto (violin) and Paolo Serrao (composition) and moved to Paris in 1886 where he studied violin with Camillo Sivori, Paganini's most famous pupil. For many years Monti was a member of the Lamoureux Orchestra in Paris, also conducting the orchestra on occasions, and composed ballets, operettas and instrumental music during his years in the French capital.

SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.

A graded collection of effective solos and duets in the easy to intermediate levels with original miniatures from Baroque to Jazz tasteful arrangements of popular themes and pieces ideally suited for the beginner's first recital.

Bass-Time Beginners is a set of six short and easy pieces for the progressing beginner bassist. They offer simple musical and technical challenges using a limited number of keys and positions to encourage confidence in the early years of study also introducing simple harmonics and pizzicato effects to create a greater awareness of the possibilities of the double bass.The piano accompaniments are independent and supportive written for the double bass teacher with some pianistic skills creating music which is useful for both educational and concert use.Written in a popular and accessible style Bass-Time Beginners isaimed at about Grade 2-4 level and the six pieces were composed in 2010 for Recital Music's BassLines Project to create new repertoire for beginners.

Moving On Again! was written in 2007 for the young English bassist Eloise Riddell. Commissioned by her family the suite of three pieces uses a range of jazz and popular styles to create new and exciting music for the young progressing bassist who is confident in thumb position. Blues with a Swing is lively and rhythmic with effective syncopations to move the music swiftly along. The piece begins and ends with a jazz pizzicato figure contrasting a 'swinging' middle section played arco which employs a range of unison melodies with an independent and incisive piano accompaniment. Cool Jazz the shortest of the three movements has a dance-like feel a jig almost but with anumber of popular music influences. Much of the melodic material is given to the double bass and a strong rhythmic drive and momentum push the piece to a strong and successful conclusion. Wild Ceilidh is full of rhythmic energy and drive with an alternating 2/4 and 6/8 format throughout. A more relaxed and cantabile middle section is framed by music of great rhythmic momentum for both players. This is high octane music which offers effective musical and technical challenges and would suit anyone who has enjoyed Junior Jazz Book 1 and 2. This is typical of the player-friendly music by Tony Osborne and the pieces have been a great success in performance. Music to get the toes tapping!

A very well constructed brief 'serious' work this short piece offers effective and accessible music for the intermediate bassist using almost a three octave range with scope to demonstrate a range of sounds colours and moods. Two editions included together - for solo double bass or for 2 or more bassists. 'Erkon Elegia is accessible to advanced beginning bassists with the ability to perform with confidence into the lower thumb positions.' [ISB] 'Erkon Elegia is a versatile little piece that can be played as a solo duo trio or ensemble. In only 49 bars and using elementary music Hauta-aho manages to use many of his trademark compositionalcharacteristics...it's friendly geography and varied colourscape should prove popular with beginning bassists.' [Double Bassist]