Pop Looks Bach

SKU: SP.TS180

ISBN 9781585604623. UPC: 649571101800.

Varie ty lies at the core of 83 Classified Piano Solos published by Santorella Publications. It combines eighty-three songs from seven different genres to form an incredibly unique product. From Hymns to Marches, Waltzes to Folk songs and Classics to Boogie, 83 Classified Piano Solos has everything that a beginning piano student needs. Boredom is a major obstacle to learning which students and teachers have encountered. They have found it extremely difficult to maintain interest when using a single resource. Often, supplemental materials are needed to keep study interesting and exciting since it is nearly impossible to find adequately diverse books. This adds a significant and unnecessary financial burden on both parties. 83 Classified Piano Solos from Santorella Publications is different. This best-selling easy piano title eliminates the need for costly supplemental materials while exploring many composers in varied genres and keeping study fun and interesting. To take full advantage of the variety, we strongly urge that you jump around from section to section and explore all that 83 Classified Piano Solos has to offer. This Jonathon Robbins best seller from Santorella Publications includes a performance CD which serves as a great tool for the beginning student. He or she can listen to a performance of each piece performed at the appropriate tempos, dynamics and stylings, then emulate this during their own performance, practice or study sessions. Just take a look at the incredibly diverse range of titles found in this great Santorella title: WALTZES - WALTZ (From, The Sleeping Beauty) - Tchaikovsky - EMPEROR WALTZ - Strauss - WALTZ IN A MINOR - Chopin, WALTZ IN Bb - Schubert - WALTZ IN C - Schubert - WALTZ IN C - Brahms - WAVES OF THE DANUBE - Ivanovici - WALTZ OF THE FLOWERS (From, The Nutcracker) - Tchaikovsky COWBOY MUSIC RED RIVER VALLEY - HOME ON THE RANGE - POOR, LONESOME COWBOY - GOOD BYE OLD PAINT - BIG ROCK CANDY MOUNTAIN - I'D LIKE TO BE IN TEXAS - THE COLORADO TRAIL - TO BURY ME NOT ON THE LONE PRAIRIE - WHOOPIE TI-YI-YO! (Git Along Little Dogies!) HYMNS ABIDE WITH ME - I NEED THEE EVERY HOUR - WHAT A FRIEND WE HAVE IN JESUS - ETERNAL FATHER - STRONG TO SAVE - HEAR OUR PRAYER - O LORD - I LOVE TO TELL THE STORY - ROCK OF AGES - COME, THOU ALMIGHTY KING - MY FAITH LOOKS UP TO THEE - NEARER, MY GOD TO THEE - HE LEADETH ME - ALL HAIL THE POWER OF JESUS' NAME - HOLY, HOLY, HOLY - SWEET HOUR OF PRAYER - IN THE SWEET BYE AND BYE - FAITH OF OUR FATHERS FOLK MUSIC BILLYBOY - ALOUETTE - ON TOP OF OLD SMOKY - CRAWDAD SONG - TURKEY IN THE STRAW - THE FARMER IN THE DELL - SKIP TO MY LOU - SHE'LL BE COMIN''ROUND THE MOUNTAIN - PUT YOUR LITTLE FOOT - JOHN PEEL - OH, WHERE HAS MY LITTLE DOG GONE - MARY HAD A LITTLE LAMB - FOR HE'S A JOLLY GOOD FELLOW - POLLY WOLLY DOODLE MARCHES THE STARS AND STRIPES FOREVER - AMERICAN PATROL - MARCH OF THE PRIESTS (From, Athalia) - GRAND MARCH (From the Opera, Aida) - DIXIE - THE MARINES' HYMN - SOLDIER'S CHORUS (From the Opera, Faust) - HAIL TO THE CHIEF - ANCHORS AWEIGH - THE THUNDERER CLASSICS CRADLE SONG - Brahms - TURKISH MARCH (From, The Ruins of Athens) - Beethoven, NOCTURNE IN F - Chopin - MINUET IN G - Bach - MUSETTE - Bach - FANTASIE IMPROMTU - Chopin - GAITE PARISIENNE (Can Can) - Offenbach - THEME FROM SURPRISE SYMPHONY - Haydn - MARCHE MILITAIRE - Schubert - UNFINISHED SYMPHONY THEME - Schubert - LARGO (From the Opera, Xerxes) - Handel - TOREADOR SONG (From the Opera, Carmen) - Bizet - JUNE - Tchaikovsky - BRIDAL CHORUS (From the Opera, Lohengrin) - Wagner - BARCAROLLE (From, The Tales of Hoffman) - Offenbach, HALLELUJAH CHORUS (From, The Messiah) - Handel - LA DONNA E MOBILE (From the Opera, Rigoletto) - Verdi. BOOGIE WOOGIES (Jonathon Robbins) BOOGIE WOOGIE BLUES - DOODLIN'- RIDE THE BOOGIE WOOGIE TRAIN - THE LAZY BOOGIE WOOGIE - ONE NOTE BOOGIE - MR. BOOGIE WOOGIE - THE NON-STOP BOOGIE - THE HORSE BACK BOOGIE.

SKU: HL.50601600

8.0x11.75x0.067 inches.

The “small suite in the old style” was created in September 1992. It is not an outward stylization of early music, but rather an attempt to adopt a kind of Baroque-style thinking. But since we are 200 years older, our thinking is more reflective. That is, our C major sounds sadder today, more nostalgic, our 6/8 Presto more desperate than then, and we do not have the courage to finish the work tonally. Something is not working, although the sounds are always the same. And the quote from Bach's “Chromatic Fantasy” looks like a gem; Nevertheless, can not we already hear something about our resignation in this famous motif? That is, we remember today Bach's prophecies, we make, so to speak, a double time travel ... –Vassily Lobanov.

SKU: HL.49014459

ISBN 9790220129667. English.

SKU: HL.49014460

ISBN 9790220129674. English.

SKU: HH.HH433-FSP

ISBN 9790708146391.

Gius eppe Torelli (1658–1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie’s archive was returned from Kiev (where it had been hidden away since the Second World War), his four-movement motet Ite, procul abite, maestitiae (‘Go, begone, sadness’) for soprano, two violins and continuo is a splendid example of its genre. Torelli probably wrote it at Ansbach during a brief interregnum around 1700 when his employer, the Basilica di San Petronio in Bologna, temporarily suspended its orchestra, leaving its members to seek their fortune elsewhere. This exciting and technically challenging work, full of exquisite touches, reaches the heights of similar motets by Alessandro Scarlatti and looks forward to Vivaldi.

SKU: HH.HH434-FSP

ISBN 9781910359419.

Gius eppe Torelli (1658–1709) was the reputed father of the instrumental concerto, yet he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie’s archive was returned from Kiev (where it had been hidden away since the Second World War), his five-movement motet O fideles, modicum sustinete tempus (‘O ye faithful, pause a short while’), for alto (contralto), two violins and continuo, is a splendid example of its genre. Torelli probably wrote it at Ansbach during a brief interregnum around 1700 when his employer, the Basilica di San Petronio in Bologna, temporarily suspended its orchestra, leaving its members to seek their fortune elsewhere. Like the four-movement Ite, procul abite, maestitiae (Edition HH, December 2016), this is a vibrant, technically challenging work full of exquisite touches that reaches the level of similar motets by Alessandro Scarlatti and looks forward to Vivaldi.

SKU: HH.HH435-FSP

ISBN 9790708146414.

Gius eppe Torelli (1658–1709) was the reputed father of the instrumental concerto, yet he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademie’s archive was returned from Kiev (where it had been hidden away since the Second World War), his three-movement Christmas motet Totus orbis, umbra canit (‘The whole world, the darkness sings’), scored for soprano, two violins and continuo, is a splendid example of its genre. Torelli probably wrote it at Ansbach during a brief interregnum around 1700 when his employer, the Basilica di San Petronio in Bologna, temporarily suspended its orchestra, leaving its members to seek their fortune elsewhere. Like its predecessors in the series (Edition HH, Dec. 2016 & Jan. 2017), this is a vibrant, technically challenging work full of exquisite touches that reaches the level of similar motets by Alessandro Scarlatti and looks forward to Vivaldi.

SKU: GI.G-5960

English. Text by Catherine Bell Robertson.

A Guide for Your First Year of Teaching From fundraisers to irate parents, from meeting other teachers to measuring for new marching band uniforms, your teaching methods class never covered this territory! In Confessions of a First-Year Maestro, author Catherine Bell Robertson takes readers along as she rides the roller coaster of first year teaching! Centered on journal entries written during her first year as director of all bands, choirs, and ensembles at a parochial high school, this book captures the surprises, joys, and woes of her hectic year. As a survivor and now veteran teacher, she also looks back on this challenging time and offers insightful reflections. Robertson's journal and commentary are filled with lessons that every future teacher should read, especially those who will teach music. But while offering inspiration and a few warnings for education students, the humorous and often touching stories in this book also offer encouragement and understanding for teachers in their own first year, as well as a trip down memory lane for many veterans. A delightful and sincere look into the world of a first-year teacher as she begins her real education! Kate Robertson teaches at Arrowhead High School in Hartland, Wisconsin (not the school described in this book). She graduated with highest honors from the University of Wisconsin-La Crosse with a Bachelor of Science in Music Education and has been teaching for four years. In her spare time, she enjoys traveling, hiking, gardening, cross-country skiing, and spending time with her husband, Cal, and their dog, Jake. Currently, Ms. Robertson is pursuing a Master's Degree in Education and is beginning work on her follow-up book to Confessions of a First-Year Maestro, entitled More Confessions: A Fellowship of Teaching Strategies, Stories, and Ideas. For more information, or to contribute to this collective book, please contact Ms. Robertson at teacherconfessions@yahoo. com.