Play American Songs and Pieces

For Fingerstyle Guitar. Par BAKER DUCK. This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. The easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. The bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. For the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Tablatures / Guitare Tablatures

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

For Fngrstyle Guitar-This volume is intended as a folio of arrangements from the repertoire of a working musician. As such there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with theAmerican style called fingerpicking or fingerstyle guitar which is quite distinct from other kinds of guitar playing will be at an advantage. The easiest arrangements here are early intermediate level while the other end of thescale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. The bulk of the tunes presented are fiddle tunes with a couple of banjo tunes and severalsongs as well as tunes originally played on other instruments such as harp pipes or accordion. There are even a small number composed for the guitar. For the most part differences in approach among the tunes here are unrelatedto the instrumental sources. All the tunes are presented in notation and tablature. Includes access to online audio.

A collection of 30 pieces. Relax at the Piano with this exceptional collection of satisfying profoundly beautiful pieces to play. These pieces have been specially arranged for easy piano, suitable for the grade 2-4 level pianist wanting to unwind with this tranquil section. / Niveau : Facile / Recueil / Piano

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Violin Play-Along Volume 65-The Violin Play-Along series has been created to help you play your favourite songs quickly and easily. Just follow the music listen to the online audio to hear how the Violin should sound and then play along using the separate backing tracks. With the melody and lyrics included in the book you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio includes Playback features that allow you to loop passages change the tempo and more. This volume contains eight TV film and video game themes as covered by the American violinist and composer Taylor Davis. It includes the pieces Colors ofthe Wind (Pocahontas) Dearly Beloved (Kingdom Hearts) Dragonborn (Skyrim Theme) Fairy Tale Theme Game of Thrones He's a Pirate (Pirates Of The Caribbean) Last of the Mohicans (Main Theme) and Sadness and Sorrow (Naruto). 0

This exciting new teaching method by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch or for those returning to the piano after a break from playing.Using classical music as a basis for learning this method introduces interesting varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps beginning with simple fingering patterns and exercises onto some of the most beautiful melodies and pieces from the baroque classical and romantic eras such as the Ode to Joy Für Elise and the BlueDanube Waltz.Leading the student through a range of exercises repertoire pieces theory checks tips on practising playing and technique and composer biographies the process of learning is made interesting informed and fun.The four supplementary volumes present further material to help learning at each stage of the students? development as well as offering up a wider range of beautiful pieces for the solo pianist or piano duet.The method books and duet collections are accompanied by a CD recording of all pieces performed on a grand piano by a professional concert pianist as well as some additional accompanying parts which can be used as play-along tracks.ContentHeumann: Merry and SadHering: Wild HorsemanHeumann: PassionLe Couppey: Melody No. 12Küffner: MarchGerman Folk Song: Hansel and Gretelfrom Salzburg: LullabyHeumann: Rock FeverMozart: Oragnia figata faL. Mozart: MinuetFrench Folk Songs: For He's a Jolly Good FellowHeumann: Perfect DayAmerican Folk Tune: Banks of the OhioCzerny: The Little Pianist op. 823 No. 6Gurlitt: Morning Greeting op. 210 No. 1Gurlitt: Little Melodic Exercises for Beginners op. 187 No. 13Gurlitt: Little Melodic Exercises for Beginners op. 187 No. 14Gurlitt: Little Melodic Exercises

Sing and Play the Hits of Country's Top-Reigning Women-Sing and play the hits of country's top-reigning women! Collect 34 songs total from the queens of the country music world. From country music legend Martina McBride to American Idol favorite Carrie Underwood to pop and country icon Faith Hill this book offers classic country songs from country music's finest females. Music includes lyrics melody and chord changes with professionally arranged piano accompaniment. Thirty-four titles total include: Anyway (McBride) · Because of You (Reba McEntire and Kelly Clarkson) · Everybody Knows (Dixie Chicks) · I Could Not Ask for More (Sara Evans) · Leave the Pieces (The Wreckers) · Nothin' Better to Do (Leann Rimes) · Red Umbrella(Faith Hill) · So Small (Carrie Underwood) · Things That Never Cross a Man's Mind (Kellie Pickler) · and many more.

By 2008 over 165 of DioGuardi's songs had appeared on multi-platinum albums for a variety of stars. Here are 19 of the best from this hitmaker and new American Idol judge: Ain't No Other Man - Escape - First - Pieces of Me - Play My Music - Rich Girl - Sober - Somebody's Me - Taking Chances - Walk Away - and more.