Pastoral

SKU: HL.48182083

UPC: 888680850371. 9.0x12.0x0.058 inches.

“Pastoral and Harlequinade for Woodwind trio of Flute, Oboe and Piano was written by Eugène Goossens. Difficult to play, it is divided into two distinct pieces: the Pastoral (Andante con motto) and the Harlequinade (Allegro). The Piano, which starts the Pastoral on its own during six measures, is joined by the Flute and followed seven measures later by the Oboe. This first is quite slow, with sounds reminiscent of the countryside. To the contrary, the Harlequinade begins with the Flute and Oboe which are then followed by the Piano. More cheerful from the beginning, it features a dialogue between the Flute, the Oboe and the Piano. These very lyrical pieces are a delight to play and to listen to and should definitely be programed for a recital. Eugène Goossens was an English composer renowned by his peers, who also worked for the Sydney Symphony Orchestra. He was knighted in 1955.”.

SKU: HL.48187550

UPC: 888680850388. 9.0x12.5x0.112 inches.

“Christma s Pastoral by André Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet?s work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Christmas Pastoral features four sections: L?étoile (the Star), Les Mages (the Wisemen), La Vierge et l?Enfant (the Virgin and the Child) and Entrée et Danse des Bergers (the Shepherds? dance). Each of these parts describes a part of the Christmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. André Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music.”.

SKU: HL.48181592

UPC: 888680845681. 9.0x12.0x0.068 inches.

“Conte Pastorale is a piece for Oboe and Piano accompaniment by Eugène Bozza. Dedicated to F. Legrand, a professor at the Valenciennes Conservatoire, this work is quite difficult and would be ideal for upper intermediate/advanced players. It is divided in three parts: 1. Moderato 2. Andantino 3. Allegro - Scherzando This volume features the score and parts. It is a really nice for concerts and recitals. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.”.

SKU: HL.1161349

ISBN 9781705187609. UPC: 196288121947. 9.0x12.0x0.051 inches.

Written for Conor Hanick, Pastoral (Indoors/Outdoors) plays true to the title, but with small, illuminating tensions.

SKU: HL.48183027

UPC: 888680877927. 9.0x12.0x0.154 inches.

“Bohuslav Martinu (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. Pastorales for Cello and Piano was published in 1931 and is made up of six pieces. Martinu himself was a violinist and the beginning of his experiments in composing for solo instruments saw him write for strings. Pastorales for Cello exemplifies the composer's influence of Stravinsky, Debussy neoclassicism, surrealism and jazz. The piece is excitingly virtuosic in its use of double stops, complex rhythms, chromaticism, and ensemble between the Cello and Piano. As a varied, substantial work for the Cello repertoire, Martinu's Pastorales is essential for the advanced performer.”.

SKU: HL.48182284

UPC: 888680840051. 0.062 inches.

French composer and conductor, Henri Tomasi (1901-1971) published Three Pastorales for Flute Trio in 1964. As with his other wind compositions, Three Pastorales was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The Three Pastorales are named; 1) Bolivian, 2) Cretan, and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio, providing an exciting alternative addition to the ensemble repertoire..

SKU: HL.48183485

UPC: 888680865924. 9.0x12.0x0.073 inches.

Eugene Bozza: Pastorale (Oboe & Piano).

SKU: HL.48185976

UPC: 888680979928. 9.0x12.0x0.088 inches.

Fantaisie Pastorale Op 37 Arr Nicole Sop Sax/Pno.

SKU: HL.14005631

8.25x11.75x0.063 inches.

Prelude, Pastorale and Fugue is scored for solo Organ.

Craig Seller Lang (1891-1971) was a British composer, organist and musical pedagogue, who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ's Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books, but he also created prolific volumes of material in both sacred and secular choral genres.

SKU: CA.1808200

ISBN 9790007164003.

This volume presents 64 Pastorale compositions for organ (harpsichord/pianoforte) of the 18th century from Germany, Bohemia, Austria and South Tyrol. Charming melodies shaped by natural notes, bordoun basses, a lyrical-cheerful or sensitive tone - these are some of the common characteristics of the works in this collection. Several of them are connected to the custom of the Kindlwiegen or cradle song. Those in search of new discoveries will also find a number of first editions here. Almost all of the pieces can be played manualiter and range from easy to moderate level of difficulty. Together, both Pastorale volumes display an impressive kaleidoscope of the different national characteristics of the pastorale and offer a rich repertoire for organists, not only at Christmas time.

SKU: CA.2706919

ISBN 9790007138882. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and parts available separately - see item CA.2706900.

SKU: CA.2706900

ISBN 9790007093624. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas.

SKU: HL.48183325

UPC: 888680873752. 9x12 inches.

“Cell ist, conductor, composer and musicologist, René Berthelot (1903-1999) was influential in leading the Orleans Conservatory to obtain a high profile reputation. His Pastorale and Rustic Dance for Flute and Piano contributes to a significant catalogue of compositions by the composer. Published in 1976, a typical performance of Pastoral and Rustic Dance lasts around 5 minutes and 45 seconds. Characteristics include, complex rhythms, variation in time signatures and much contrast between the two movements. suitable for advanced flautists, Berthelot's Pastoral and Rustic Dances also provides alternative scorings for more difficult passages. For all advanced flautists, this Berthelot provides an exciting, alternative performance work.&rdquo.

SKU: HL.48186484

UPC: 888680828844. 9x12 inches.

“Engl ish Horn (or flute or clarinet or alto), Violin & Cello Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri's Lyric Interlude: 'A Study in Pastoral Style'. When, in 2008, the composer received the commission for a piece with English horn from Cecilia Benner, patron of the Chamber Music Society of Detroit, he immediately thought of the duo between this instrument and the oboe that Berlioz, in the Symphonie fantastique, placed at the beginning of the 'Scène aux champs', making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 at one of the Scarab Club Concerts in Detroit, the Lyric Interlude for English horn, violin and cello (Op.110a) nonetheless proclaims another tradition: that of British pastoralism, illustrated by the music of Ralph Vaughan Williams (1872-1958), the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint, the undulating lament of the beginning, rhythmically supple, evokes the waving wheat, as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion, briefly interrupted by a scherzo in 6/8, again pours out, making the work evolve towards a slow, ecstatic atmosphere, close to the last of the English composer's Three Preludes on Welsh Hymn Tunes. Far from bucolic, postcard clichés and servile imitation, this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English horn (or flute, clarinet, or viola) and piano, Op.110b (AL 30 750)&rdquo.

SKU: CA.2706905

ISBN 9790007130077. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score available separately - see item CA.2706900.

SKU: CA.2706949

ISBN 9790007199937. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.

SKU: CA.2706911

ISBN 9790007199906. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.

SKU: CA.2706912

ISBN 9790007199913. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.

SKU: CA.2706909

ISBN 9790007199890. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and parts available separately - see item CA.2706900.

SKU: CA.2706913

ISBN 9790007199920. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.

SKU: CA.4068309

ISBN 9790007220273. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SKU: CA.4068319

ISBN 9790007138158. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and parts available separately - see item CA.4068300.

SKU: CA.4068305

ISBN 9790007112486. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score available separately - see item CA.4068300.

SKU: CA.4068312

ISBN 9790007220297. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SKU: CA.4068313

ISBN 9790007220303. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. Score and part available separately - see item CA.4068300.

SKU: CA.4068300

ISBN 9790007087319. Key: C major. Language: Latin.

The Missa pastoralis in C, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a ,,Cursus sacro-harmonicus, which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The Missa pastoralis in C is a pastoral Mass for the matutinal service at Christmas. As in the Missa Pastoralis in B flat, in this Mass Ryba makes use of concertante instruments: trumpet and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character.