| Ferdinand David: Twenty
Four Etudes For The
Intermediate Violist:
Viola: Study Viola World
Twenty Four Etudes For The Intermediate Violist by Ferdinand David which test a...(+)
Twenty Four Etudes For The Intermediate Violist by Ferdinand David which test and develop bowing fingering and rhythmic technique.
15.20 GBP - vendu par Musicroom GB Délais: En Stock |
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| Ferdinand David: Konzert
(Konzertino op. 4) op. 4:
Bass Trombone:
Instrumental BTBN/PFA::Bass Trombone with Piano
Accompaniment [Partition] - Intermédiaire/avancé Zimmermann
Tiefe Ausgabe in B-Dur-Ferdinand David's Concerto In B Flat for Bass Trombone.
12.99 GBP - vendu par Musicroom GB |
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| Concertino, Op. 12 (DAVID
FERDINAND) Clarinette Basse, Piano Metropolis Music Publishers
Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for ...(+)
Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano
29.66 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| S. David: Concertino Es
Op.4: Trombone:
Instrumental Work Trombone et Piano Zimmermann
Ferdinand David's Concertino In Eb Op.4 for Trombone and Piano. Edited by Robert...(+)
Ferdinand David's Concertino In Eb Op.4 for Trombone and Piano. Edited by Robert Muller.
12.50 GBP - vendu par Musicroom GB |
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| Mendelssohn F. -
Concerto In E Minor Op.64
(1844) - Violon and Piano Violon et Piano Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
30.10 EUR - vendu par Woodbrass Délais: Sur commande |
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| Concerto For Violin And
Orchestra E Minor Op. 64
(MENDELSSOHN-BARTHOLDY
FELIX) Orchestre, Violon Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance.
The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice.
This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
19.67 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Felix Mendelssohn
Bartholdy: Konzert In E:
Violin: Instrumental Work Violon Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
26.00 GBP - vendu par Musicroom GB |
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| Felix Mendelssohn
Bartholdy: Konzert In E -
Performing Edition:
Violin: Violon et Piano Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
22.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Felix Mendelssohn
Bartholdy: Performance
Practices Barenreiter
In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s ...(+)
In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s Violin Concerto Op.64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099) available for sale- Parts of both early and late versions (BA9050) available for sale- Violin & Piano in the revised late (popular) version (BA9099-90)
16.50 GBP - vendu par Musicroom GB |
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| Felix Mendelssohn
Bartholdy: Konzert Für
Violine und Orchestre:
Orchestra: Score Orchestre Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...(+)
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
57.50 GBP - vendu par Musicroom GB |
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| Mendelssohn F. -
Concerto In E Minor Op.64
(1845) - Violon and Piano Violon et Piano Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
26.40 EUR - vendu par Woodbrass Délais: Sur commande |
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| Tonleitern / Scales /
Gammes Vol. I: Violin Violon [Partition + CD] Dowani
Chaque volume contient 26 gammes très faciles de Cherubini Mazas Bériot Dan...(+)
Chaque volume contient 26 gammes très faciles de Cherubini Mazas Bériot Dancla Wohlfahrt David Kayser Gebauer Pennequin et Sevcik. Nous avons renoncé dans la présente édition de gammes destinées aux violonistes débutants aux explicationsconcernant les tonalités l'harmonie les degrés etc. Il est laissé à l'appréciation de chaque professeur d'ajouter des informations complémentaires selon l'âge et le tempo de travail individuel de l'élève. De ce fait il ne s'agit pas d'une méthodede théorie musicale mais d'un concept méthodique didactique dont les exercices s'adaptent aisément aux enfants tout en abordant un objectif pédagogique moderne.1 Franz Wohlfahrt: Nr. 1 D-Dur2 Ferdinand David: Nr. 2 A-Dur3 Charles Dancla: Nr. 3 D-Dur4 Heinrich Ernst Kayser: Nr. 4 G-Dur5 Luigi Cherubini: Nr. 5 D-Dur6 Otakar 'evcÃk: Nr. 6 G-Dur7 Heinrich Ernst Kayser: Nr. 7 D-Dur8 Charles-Auguste de Bériot: Nr. 8 D-Dur9 Charles-Auguste de Bériot: Nr. 9 G-Dur10 Franz Wohlfahrt: Nr. 10 G-Dur11 Jean Pennequin: Nr. 11 D-Dur12 Jacques-Féréol Mazas: Nr. 12 G-Dur13 Jean Pennequin: Nr. 13 G-Dur14 Charles Dancla: Nr. 14 G-Dur15 Charles-Auguste de Bériot: Nr. 15 E-Dur16 Jacques-Féréol Mazas: Nr. 16 A-Dur17 Jacques-Féréol Mazas: Nr. 17 E-Dur18 Charles-Auguste de Bériot: Nr. 18 A-Dur19 Jacques-Féréol Mazas: Nr. 19 D-Dur20 Luigi Cherubini: Nr. 20 A-Dur21 Franz Wohlfahrt: Nr. 21 e-moll22 Luigi Cherubini: Nr. 22 a-moll23 Charles-Auguste de Bériot: Nr. 23 e-moll24 Franz Wohlfahrt: Nr. 24 A-Dur25 Jacques-Féréol Mazas: Nr. 25 e-moll26 Michel-Joseph Gebauer: Nr. 26 A-Dur
18.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| The High School Of The
Violin Vol.4 Masters Music Publications
18th Century Sonatas for violin & pianoEdited and arranged by Ferdinand DavidTar...(+)
18th Century Sonatas for violin & pianoEdited and arranged by Ferdinand DavidTartini: Sonata in DVitali: Ciaconna in G minorLocatelli: Sonata in G minorGeminiani: Sonata in C minor
24.02 EUR - vendu par Woodbrass Délais: En Stock |
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| Felix Mendelssohn
Bartholdy: Violin
Concerto In E Minor
Op.64: Violin: Orchestre, Violon Simrock
On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Lei...(+)
On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Leipzig telling him that he would like to write a Violin Concerto for him: One in E minor goes through my head and the beginning will not leave me in peace. This Violin Concerto is now a pillar of the Violin repertoire and is commonly known as the Mendelssohn Concerto.
12.99 GBP - vendu par Musicroom GB |
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| Felix Mendelssohn
Bartholdy: Violin
Concerto In E Minor
Op.64: Violin: Violon et Piano Dover Publications
One of the most beloved concertos in the violin repertoire this piece features ...(+)
One of the most beloved concertos in the violin repertoire this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David his close friend and concertmaster of the Leipzig Gewandhaus Orchestra for which the composer served as conductor. An instant success upon its 1845 premiere the concerto remains essential to the repertoire of every aspiring violin virtuoso.Edited by the distinguished teacher and performer Leopold Auer this authoritative practice and performance edition includes a 16-page insert of a separate removable violin part.Professional and amateur musicians alike will appreciate this durable yet inexpensive edition which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.Reprint of the Carl Fischer New York 1917 edition.
23.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Franz Wohlfahrt: Sixty
Studies For The Violin:
Violin: Instrumental
Album Violon Dover Publications
A great way for beginning violinists to practice and build up their technique t...(+)
A great way for beginning violinists to practice and build up their technique this classic book of exercises has served generations of music students and their teachers. The studies provide practice in string crossing bow strokes shifting and finger patterns.A native and lifelong resident of Leipzig Germany Franz Wohlfahrt (1833–84) studied with one of the world's greatest violinists Ferdinand David. Wohlfahrt's Sixty Studies for the Violin  has remained a mainstay of the beginning violinist's education from the nineteenth century to today. The sixty etudes are divided into two volumes: Volume 1 focuses on studies in the firstposition and Volume 2 advances to third position employing more complex rhythms and bowings. Diligent practice of these studies will improve students' sight reading advance their rhythm skills and prepare them for a more difficult repertoire. Reprint of the G. Schirmer Inc. New York edition.
10.20 GBP - vendu par Musicroom GB Délais: En Stock |
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| Violin Concerto #1 In G
Minor Op. 26 Orchestre
(BRUCH MAX) Orchestre [Partition] Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...(+)
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?'
The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Orchestre
58.83 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tomaso Antonio Vitali:
Ciaccona: Violin:
Instrumental Work Violon et Piano Schirmer
Arranged for Violin and Piano by Ferdinand David.
10.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Violin Concerto #1 In G
Minor Op. 26 Violon 2
(BRUCH MAX) Violon [Partition] Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...(+)
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?'
The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Violon 2 (Partie Séparée)
6.55 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Hector Berlioz: Rêverie
Et Caprice Score:
Orchestra: Score Orchestre, Violon [Partition] Barenreiter
Romance pour le violon-Die auf dem Material seiner Oper ?Benvenuto Cellini? basi...(+)
Romance pour le violon-Die auf dem Material seiner Oper ?Benvenuto Cellini? basierende ?Rêverie et caprice? von 1841 ist eines der populärsten Werke Berlioz? und wurde von den bedeutendsten Violinisten des 19. Jahrhunderts Ferdinand David Heinrich Wilhelm Ernst Henri Wienia
17.50 GBP - vendu par Musicroom GB |
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| Franz Schubert: Three
Sonatinas Op. 137:
Violin: Instrumental
Album Violon et Piano - Intermédiaire/avancé Schirmer
Edited by Ferdinand David.
13.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Giovanni Battista Viotti:
Concerto No. 22 in A
Minor: Violin:
Instrumental Work Violon et Piano Schirmer
Composed by Giovanni Battista Viotti (1755-1824). Revised after the edition of F...(+)
Composed by Giovanni Battista Viotti (1755-1824). Revised after the edition of Ferdinand David by Henry Schradieck.
9.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| David Grimes: Classical
Guitar Solos - Favorite
Sonatinas: Guitar Solo: Guitare Guitare classique Mel Bay
Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music h...(+)
Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music historian David Grimes presents 20 ?small sonatas? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest? exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate? plus three more composers in a similar vein? promoting confident, enjoyable sight-reading by guitarists of all levels.
20.99 GBP - vendu par Musicroom GB |
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| Théodore Lack: Tableaux
Enfantins: Piano:
Instrumental Tutor Piano seul Broekmans en Van Poppel
An Anlehnung von Ferdinand Davids Fassung für 2 Violinen und Klavier ein gelung...(+)
An Anlehnung von Ferdinand Davids Fassung für 2 Violinen und Klavier ein gelungener Versuch Mozarts Vierhändig-Sonate für 2 Flöten und Klavier zu adaptieren. Lohnend.
8.40 GBP - vendu par Musicroom GB |
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| Jazz Harmony Formation musicale - Solfège [Partition] Advance Music
' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. ...(+)
' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. Il est bien écrit et magnifiquement organisée, et les informations qu'il contient soient throgoughly l'objet de recherches et authentiquement presentes. Je le recommande fortement ' David Bake-' si vous êtes un enseignant, un étudiant, un playre ou un auditeur qui veulent savoir ce qu'il faut écouter dans un concert de jazz, Jazz harmonie de Andy Jaffe vous aidera à faire ce que vous faites le mieux. Check it out! ' Billy Taylor. En angalis. / Théorie Solfège / Partition
49.21 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concertino (DAVID
FERDINAND) Trombone et Brass Band [Partition] - Avancé Editions Marc Reift (Swiss import)
Par DAVID FERDINAND. / Niveau : Avancé / Répertoire / Trombone et Brass Band...(+)
Par DAVID FERDINAND. / Niveau : Avancé / Répertoire / Trombone et Brass Band
195.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concertino (DAVID
FERDINAND) Trombone et Orchestre à Vent [Partition] - Avancé Editions Marc Reift (Swiss import)
Arrangeur: John Glenesk Mortimer. Par DAVID FERDINAND. / Niveau : Avancé / RÃ...(+)
Arrangeur: John Glenesk Mortimer. Par DAVID FERDINAND. / Niveau : Avancé / Répertoire / Trombone et Orchestre à Vent
272.00 EUR - vendu par LMI-partitions Délais: 7-9 jours |
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| Concertino E flat major
op. 4 for Trombone and
Orchestra (DAVID
FERDINAND) Trombone et Piano [Partition] G. Henle
Par DAVID FERDINAND. Part for Tenor Trombone/ Répertoire / Trombone et Piano
13.72 EUR - vendu par LMI-partitions Délais: En Stock |
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