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Naji Hakim: Hommage A Igor Stravinsky (Organ): Organ: Instrumental Work
22.99
Naji Hakim: Hommage A Igor Stravinsky (Organ): Organ: Instrumental Work
En Français
Orgue
[Partition]
Leduc, Alphonse
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studi...
(+)
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studied under Jean Langlais at the Paris Conservatoire before succeeding Olivier Messiaen as organist of the Saint Trinity Church in Paris. Considering his significant musical training Hakim's compositions are created from a wealth of knowledge and understanding Hommage À Igor Stravinsky being no exception. Composed in 1990 Hommage À Igor Stravinsky is a Triptych for Organ. As suggested by the title Hakim's work reflects Stravinsky's style and therefore is highly modern in composition.With a typical performance lasting about 16 minutes and 40 seconds the concerto is made up of three movements; Prelude Dance and Finale. The Organ addresses many virtuosic techniques making for a challenging yet exhilarating performance. For all advanced organists seeking varied modern repertoire Hakim's Hommage À Igor Stravinsky is an essential addition to the repertoire.
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Igor Stravinsky: March Waltz And Polka: Clarinet: Instrumental Work
10.99
Igor Stravinsky: March Waltz And Polka: Clarinet: Instrumental Work
Clarinette et Piano
[Partition]
Chester
March Waltz And Polka were first composed in 1915 as a collection of three Pia...
(+)
March Waltz And Polka were first composed in 1915 as a collection of three Piano duets Three Easy Pieces by the Russian composer Igor Stravinsky. They were written for the composer to playwith his children as they were learning the Piano so had a considerably easier second part. They have been arranged for Clarinet and Piano by the American musician Ray Jackendoff a Professor of Linguistics who has also had awide-ranging performance career s a classical clarinettist. Igor Stravinsky (1882-1971) was born and brought up in Saint Petersburg before settling first in Paris and finally in America. Despite his classical musicaleducation he is best remembered as one of the main proponents of serialism.
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Igor Stravinsky: Igor Stravinsky: Renard Study Score: Orchestra: Study Score
39.99
Igor Stravinsky: Igor Stravinsky: Renard Study Score: Orchestra: Study Score
Orchestre
[Conducteur d'étude / Miniature]
Chester
The Chester Stravinsky Edition-Igor Stravinsky's masterpiece Renard in a newly...
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The Chester Stravinsky Edition-Igor Stravinsky's masterpiece Renard in a newly engraved and corrected study score format edited by Millan Sachania taking account of all available sources for the first time.Russian textwith transliteration as well as the original French singing translation by C.F.Ramuz.
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Igor Stravinsky: Funeral Song Op. 5: Orchestra: Study Score
17.50
Igor Stravinsky: Funeral Song Op. 5: Orchestra: Study Score
Orchestre
[Partition]
Boosey and Hawkes
The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer...
(+)
The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer as an orchestral memorial to his teacher Nikolai Rimsky-Korsakov disappeared after just one performance in 1909. Following its rediscovery in 2015 and world premiere in St Petersburg last December orchestras around the world have swiftly added Funeral Song into their current seasons. The Funeral Song score has been reconstructed from the complete set of parts by Dr. Natalia Braginskaya and the St Petersburg Conservatory in collaboration with Stravinsky?s publisher Boosey and Hawkes. This new addition to the iconic HawkesPocket Score range provides a unique insight into the music of the young Stravinsky before he found international success with his ballet The Firebird. The Hawkes Pocket Score edition of Stravinsky?s Funeral Song op.5 is an essential addition to the collections of all musicologists scholars students and music lovers.
17.50 GBP - vendu par Musicroom GB
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Igor Stravinsky: Suite Italienne: Violin: Instrumental Work
17.50
Igor Stravinsky: Suite Italienne: Violin: Instrumental Work
Violon et Piano
Boosey and Hawkes
from Pulcinella-Igor Stravinsky's Suite Italienne arranged for violin and piano ...
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from Pulcinella-Igor Stravinsky's Suite Italienne arranged for violin and piano by the composer and Samuel Dushkin. The Suite is made up of 6 attractive movements - written in Stravinsky's Neoclassical style of composition. It is suitable for advanced players.Many string players will be familiar with 'Suite Italienne' which Stravinsky wrote in collaboration with leading performers of the time. This version was arranged for violin by the composer himself in collaboration with Samuel Dushkin in 1933.
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Elliott Carter: Canon for 3 - In Memoriam of Igor Stravinsky: Chamber Ensemble:
7.50
Elliott Carter: Canon for 3 - In Memoriam of Igor Stravinsky: Chamber Ensemble:
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Score and Parts-Composer's NoteThe Canon For Three - In Memoriam Igor Stravinsky...
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Score and Parts-Composer's NoteThe Canon For Three - In Memoriam Igor Stravinsky (for three equal instrumental voices: at the augmented fourth by inversion and at the unison) was composed for one of the Stravinsky memorial issues of the English music magazine Tempo at the request of David Drew its editor.In proposing the canonic form to a group of European and American composers he was following the lead of Stravinsky himself who wrote a number of commemorative pieces in this form.This canon may be performed by three trumpets with different mutes; or by 1) muted trumpet 2) Clarinet 3) Oboe; or by any three instruments having the range of the score written inC.To facilitate performance this edition contains 'playing scores' both in C and B-flat.
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Igor Stravinsky: Composer Portraits: Igor Stravinsky: Piano: Artist Songbook
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Igor Stravinsky: Composer Portraits: Igor Stravinsky: Piano: Artist Songbook
Piano seul
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Intermédiaire/avancé
Amsco Wise Publications
The Composer Portraits series offers unique and original monographs on individua...
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The Composer Portraits series offers unique and original monographs on individual composers. Text and music introductions written by experts are combined with carefully chosen selections of newly-engraved music to give aconcise but informed overview of the life and work of each composer.This edition focuses on the life and works of the Russian pianist and composer Igor Stravinsky.With notes by Jon Paxman.Writing inthe European Piano Teachers Association Journal Angela Fogg calls Composer Portraits 'a well thought-out and well presented series of books offering fantastic repertoire for students in the later grades. I cannotrecommend them enough!'
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Igor Stravinsky: Renard: Vocal: Vocal Score
24.99
Igor Stravinsky: Renard: Vocal: Vocal Score
Voix seule
Chester
Igor Stravinsky's Renard is a one-act opera that tells a burlesque tale of a dev...
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Igor Stravinsky's Renard is a one-act opera that tells a burlesque tale of a devious fox who deceives a number of other animals. This corrected and revised edition of the Vocal Scoreis edited by Millan Sachania. Renard was composed in 1916 after being commissioned by socialite Winaretta Singer. The lyrics of the work are in Russian Russian transliteration and French.Renard is often seen by critics as a satire either on political or religious themes with Renard the fox and the other farmyard animals symbolising key figures of authority at the time. The premiere wasstaged in Paris in 1922 by the Russian ballet to great national and international attention. Stravinsky's brilliant work for Ensemble and Voices is now available in VocalScore format. Pick it up today for an unusual opera-ballet with interesting historical and political undertones.
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Igor Stravinsky: Alleluia: SSA: Vocal Work
Chorale 3 parties
SSA
[Partition]
Chester
Igor Stravinsky was still three years away from the incendiary premiere of his b...
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Igor Stravinsky was still three years away from the incendiary premiere of his ballet The Firebird in Paris when he wrote the Pastorale from which this Alleluia has been adapted. The Pastorale was originally scored as a songwithout words for Soprano and Piano and dedicated to his teacher Rimsky-Korsakovâs daughter Nadia. Stravinsky himself transcribed it several times over several decades for a variety of ensembles.In this version the simple textâAlleluiaâ has been added parts for three Voices devised and an optional Piano accompaniment added.
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Darius Milhaud Elliott Carter Igor Stravinsky: Percussion Masterclass: Timpani:
20.00
Darius Milhaud Elliott Carter Igor Stravinsky: Percussion Masterclass: Timpani:
Meredith Music
works by Carter Milhaud & Stravinsky-This latest work in the Meredith Music mas...
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works by Carter Milhaud & Stravinsky-This latest work in the Meredith Music master class series presents a comprehensive interpretive analysis and performance guide of three legendary compositions for timpani and percussion. Together Morris Lang Charles Dowd andAnthony J. Cirone have put a lifetime of performance and study experience into an extensive volume featuring Eight Pieces for Four Timpani by Elliott Carter Concertino for Percussion and Small Orchestra by DariusMilhaud and l'Histoire du Soldat by Igor Stravinsky. This in-depth one-of-a-kind publication includes: corrections of wrong notes rhythms phrasings and dynamics; far-reaching suggestions on interpretation; revisednotation when original music was difficult to read; suggested muffling to enhance interpretation; additional articulations when appropriate; suggested sticking to increase musical phrasing; historical references.
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Stravinsky, Igor : Le Sacre du Printemps
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Stravinsky, Igor : Le Sacre du Printemps
Orchestre
[Partition]
Schott
[The Rite Of Spring] / Illustration : Nicolas Roerich / Igor Stravinsky / Partit...
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[The Rite Of Spring] / Illustration : Nicolas Roerich / Igor Stravinsky / Partition /
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Igor Stravinsky: Three Pieces For Clarinet Solo: Clarinet: Instrumental Work
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Igor Stravinsky: Three Pieces For Clarinet Solo: Clarinet: Instrumental Work
Clarinette
[Partition]
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Intermédiaire/avancé
Chester
Igor Stravinsky's Three Pieces for solo Clarinet. Revised and edited by Nicholas...
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Igor Stravinsky's Three Pieces for solo Clarinet. Revised and edited by Nicholas Hare in 1993.
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Igor Stravinsky: Two Poems by K. Balmont: High Voice: Vocal Score
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Igor Stravinsky: Two Poems by K. Balmont: High Voice: Vocal Score
Voix haute, Piano
[Vocal Score]
Boosey and Hawkes
Published together with Three Japanese Lyrics-Two poems by Konstantin Balmont a...
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Published together with Three Japanese Lyrics-Two poems by Konstantin Balmont a poet from the Silver Age of Russian Poetry plus Three Japanese lyrics all set to music by Igor Stravinsky. This is the full Vocal Score of these five expressive pieces for High Voice with a Piano accompaniment and features complete lyrics in Russian French German and English.
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Igor Stravinsky: Concertino (1952) for 12 Instruments: Chamber Ensemble: Score
34.99
Igor Stravinsky: Concertino (1952) for 12 Instruments: Chamber Ensemble: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Concertino for 12 Instruments. Arrangement of the original work for a string qua...
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Concertino for 12 Instruments. Arrangement of the original work for a string quartet (1920) made by Igor Stravinsky in 1952. Study score also available: WH27104BParts are for hire: hire@ewh.dk
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Igor Stravinsky: Five Pieces For Guitar Duet: Guitar: Instrumental Album
13.99
Igor Stravinsky: Five Pieces For Guitar Duet: Guitar: Instrumental Album
2 Guitares (duo)
Guitare classique
[Partition]
Chester
Five pieces by Igor Stravinsky arranged for guitar duet by Arthur Levering. Inc...
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Five pieces by Igor Stravinsky arranged for guitar duet by Arthur Levering. Includes two copies.
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Tributes (Clarinet And Piano)
29.39
Tributes (Clarinet And Piano)
Clarinette et Piano
Novello & Co Ltd.
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes...
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Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano
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Igor Stravinsky: Pater Noster: SATB: Vocal Score
6.50
Igor Stravinsky: Pater Noster: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Boosey and Hawkes
Igor Stravinsky's Pater Noster for SATB Choir a cappella. This new version featu...
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Igor Stravinsky's Pater Noster for SATB Choir a cappella. This new version features Latin Text and a Piano part for rehearsal only.
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John Tavener: In Memorium Igor Stravinsky: Chamber Ensemble: Score
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John Tavener: In Memorium Igor Stravinsky: Chamber Ensemble: Score
FLT/ORGA/PERC::Flûte Traversière/Accompagnement Orgue/Percussion
[Partition]
Chester
A short piece for chamber organ two alto flutes and hand bells written in memor...
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A short piece for chamber organ two alto flutes and hand bells written in memory of the great Russian composer Igor Stravinsky.
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Igor Stravinsky: Concertino For 12 Instruments: Chamber Ensemble: Study Score
Orchestre de chambre
[Partition]
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Intermédiaire/avancé
Wilhelm Hansen
Study score for Concertino for 12 Instruments by Igor Stravinsky dating from 195...
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Study score for Concertino for 12 Instruments by Igor Stravinsky dating from 1952. Parts are for hire: hire@ewh.dk
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Igor Stravinsky: Requiem Canticles: Mixed Choir: Vocal Score
Solistes (AB), Choeur Mixte Et Orchestre
Boosey and Hawkes
The vocal score to Igor Stravinsky's Requiem Canticles. Latin text.
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Suite italienne (STRAVINSKY IGOR)
32.16
Suite italienne (STRAVINSKY IGOR)
Contre Basse
[Partition]
Boosey and Hawkes
Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-sca...
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Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-scale composition by Igor Stravinsky to enter the double bass solo repertoire. Brian Powell, Associate Professor of Double Bass at the Frost School of Music, University of Miami, has adapted the versions of Suite italienne for violin and for cello as best suits the double bass. Moreover, he has widened the selection of movements, thus continuing a practice Stravinsky established with his instrumental collaborators (Dushkin and Piatigorsky) of allowing the performers to select material from the ballet Pulcinella. In this case the movements comprise Introduzione, Serenata, Aria, Vivo, Tarantella, Gavotta con due variazione, Scherzino and Minuetto e Finale. The Vivo movement is derived directly from the orchestral Pulcinella Suite: widely recognised by classical bassists as one of the most significant solos in the orchestral repertoire, the bass part is faithfully reproduced as in the original score. Suite italienne has music that will appeal to bassists of various performance levels solo, chamber and orchestral bassists alike will appreciate different aspects of this music. The suite also possesses an abundance of flare and technical virtuosity that will excite audiences./ Répertoire / Contrebasse
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Karl Aage Rasmussen: Le Tombeau De Pere Igor: Chamber Ensemble: Score
24.99
Karl Aage Rasmussen: Le Tombeau De Pere Igor: Chamber Ensemble: Score
Wilhelm Hansen
Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work fo...
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Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello Clarinet and Piano by Karl Aage Rasmussen one of the most important post-war Danish composers.Manuscript copy.Programme noteThis piece was suggested to me at visiting the grave of Igor Stravinsky at San Michele Venezia September 1977. It was written in Rome. The musical material is derived from Stravinsky’s “The Rake’s Progress” which was premiered in Venezia sept. 11 th 1957.Parts available:WH00598
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March Waltz Polka Clt/Po (STRAVINSKY)
15.16
March Waltz Polka Clt/Po (STRAVINSKY)
Clarinette
[Partition]
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Facile
Chester
Arranged From Three Easy Pieces By Jackendoff.. Par STRAVINSKY. March, Waltz, An...
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Arranged From Three Easy Pieces By Jackendoff.. Par STRAVINSKY. March, Waltz, And Polka were first composed in 1915 as a collection of three Piano duets, Three Easy Pieces, by the Russian composer Igor Stravinsky. They were written for the composer to playwith his children as they were learning the Piano, so had a considerably easier second part. They have been arranged for Clarinet and Piano by the American musician Ray Jackendoff, a Professor of Linguistics who has also had awide-ranging performance career s a classical clarinettist. Igor Stravinsky (1882-1971) was born and brought up in Saint Petersburg, before settling first in Paris and finally in America. Despite his classical musicaleducation, he is best remembered as one of the main proponents of serialism. / Niveau : Facile / Rép Classique / Répertoire / Clarinette
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4 Russian Songs Voix/Piano (STRAVINSKY)
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4 Russian Songs Voix/Piano (STRAVINSKY)
Piano, Voix
[Partition]
Chester
Par STRAVINSKY. Igor Stravinsky 's compositional career was notable for its styl...
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Par STRAVINSKY. Igor Stravinsky 's compositional career was notable for its stylistic diversity which clearly marks his Four Russian Songs written while transitioning from his Russian period to his neoclassicalperiod and thus carrying the unique marks of both. The four songs ( Canard, Chanson Pour Compter, Chant Dissident and Le Moineau Est Anssis ) for high Voice with Piano accompaniment can beperformed as separate pieces but work best when played together. Duration is approx. 7 minutes. French translation by C. F Ramuz. Russian composer, pianist and conductor Igor Fyodorovich Stravinsky is widelyconsidered one of the most important and influential composers of the 20th century. / Rép Classique / Répertoire / Chant et Piano
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La Stravinskyenne
36.13
La Stravinskyenne
Marimba
[Partition]
Dhalmann
Pour marimba solo avec 4 cymbales et un tam tam.Cette pièce trouve son origine ...
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Pour marimba solo avec 4 cymbales et un tam tam.Cette pièce trouve son origine dans la troisième pièce pour quatuor à cordes d'Igor Stravinsky (1914), sorte de choral litanique, harmonisé de manière dissonante. Le thème est entendu au début et suivi de douze variations de caractère, d'allure et de tempo certes différents, mais cherchant toutes à mettre en relief la virtuosité ou la dimension harmonique de cet instrument.La Stravinskyenne a été écrite pour l'examen du prix de percussion du Conservatoire National Supérieur de Musique de Lyon. / Marimba Solo, 4 Cymbales Et Un Tam Tam
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Mass (STRAVINSKY IGOR)
23.86
Mass (STRAVINSKY IGOR)
Choeur d'Enfants, Choeur d'Hommes, 2 Hautbois, Cor
Boosey and Hawkes
Par STRAVINSKY IGOR. Stravinsky had been a member of the Russian Orthodox Church...
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Par STRAVINSKY IGOR. Stravinsky had been a member of the Russian Orthodox Church since 1926. It may therefore seem peculiar that he would choose to write a concerted Latin mass. However, the choice of the traditional Latin text of the Catholic Mass was a practical one: the Russian Orthodox Church prohibited the use of instruments in services, and Stravinsky did not want to write an unaccompanied vocal work. For SATB Chorus and double Wind Quintet./ Répertoire / Choeur d'Enfants, Choeur d'Hommes, 2 Hautbois, Cor
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