Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII). Par DONIZETTI GAETANO. Gaetano Donizetti’s Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizetti’s most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. However, one of the important new features of the edition is that it includes several fully orchestrated passages that, for unknown reasons, were cancelled very close to the time of the first performance. It also features in the third-act mad scene an obbligato part for the glass harmonica, an instrument that Donizetti had chosen for this extraordinary scene, and drafted in his autograph score, but was then constrained to substitute with a solo flute when the glass harmonica player got into contractual difficulties with the theatre. While the glass harmonica part was considered a mere “musicological curiosity” some decades ago, the critical edition now convincingly argues for its legitimate restoration as part of the composer’s preferred concept. The Sources section of the edition includes a detailed examination of all contemporary sources for the opera. The composer’s autograph score is of course the most important of these, but also of great value is the first printed vocal score of the opera, which in some numbers has a piano reduction prepared by the composer and contains many vocal variants (all reported in the score) that will be a great value to performers. There are also a number of early manuscript copies of the full score, several of which are valuable in outlining the first interpretations of Donizetti’s music. The critical edition restores the original keys, thus maintaining Donizetti’s overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. Three transposed pieces – which may have had Donizetti’s approval – will be made available available in the material for hire to theatres. / Date parution : 2022-03-05/ Répertoire / Orchestre

Italian composer Gaetano Donizetti full name Domenico Gaetano Maria Donizetti is best known for his operatic works but he also wrote music in a number of other forms totalling more than 600 pieces. Clarinet Concertino In B flat is one of Donizetti's less famous pieces and is a challenging yet pleasant piece of music.

Composée par Donizetti Gaetano pour les pratiquants de Flûte Traversière cette partition Sonate en Ut s'adresse aux musiciens ayant un niveau Cycle 2. Elle est disponible aux éditions YLC Flûte Edition. / Flûte Traversière Et Piano / 24 + 12 pages / niveau : Cycle 2 / Partition reliée 2 pts métal avec encart

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence CP04168904, cette partition de Donizetti Gaetano a pour titre LUCIA DI LAMMERMOOR . A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Par GAETANO MARIO. For beginning drum students of all ages, this book progresses quickly but methodically, beginning with simple rhythms and sticking patterns, and concluding with advanced rhythmic and stylistic study. The etudes contain a part for bass drum. The book contains 35 lessons and 28 etudes. Also included is information on snare drum maintenance, tuning, drumsticks, drum heads, snares, etc. / Niveau : Débutant à Intermédiaire / All Styles - Technic / Méthode / Caisse Claire

Originaltexte mit deutschen Übertragungen. Par DONIZETTI GAETANO. Originaltexte Mit Deutschen Übertragungen / Classique / Date parution : 1905-06-30/ Répertoire / Chant et Piano

Par DONIZETTI GAETANO. Fulvio Caldini presents a lovely little solo for oboe and piano (or harp?) in a first edition. It is possible that this virtuoso piece had been conceived as part of a sonata. Although the completion of the fragmentary accompaniment goes far beyond the usual duties of an editor, Caldini has mastered this task with knowledgeability and an unerring sense of style. / Répertoire d'Examen / Répertoire / Hautbois et Piano

Arrangeur: Drechsler. Par SCHIASSI GAETANO MARIA. / Niveau : Intermédiaire / Répertoire / 4 Trompettes, Cor, 3 Trombones et Tuba

E-Dur. Par DONIZETTI GAETANO. Langue : Latin / Messe / Répertoire / Choeur SATB et Orgue

En 1771, en même temps, deux compositeurs à Madrid, Luigi Boccherini et Gaetano Brunetti ' découverte ' et établi le quintette à cordes comme un nouveau genre musical. Tandis que les oeuvres de Boccherini sont effectuées aujourd'hui encore, le oeuvre de son collègue, membre de l'Orchestre Royal, doit encore être découvert. Son Quintet en si bémol majeur, opus 7/3 fournit une bonne occasion de le faire. Comme des contributions à ce genre de Mozart, il est inscrit pour deux violons, deux altos et violoncelle. Ecrit dans un style concertant, le travail de cinq-mouvement permet de tous les artistes interprètes ou exécutants ont leur mot à dire musical, contenant des figurations solos virtuoses et solos mélodiques. Un ajout précieux au répertoire quintet chaîne - avec un vraiment agréable de jouer et de l'expérience d'écoute garantis ! / 2 Violons, 2 Altos Et Violoncelle