Never Alone

Andrea Ramsey Choral Series-This poignant text by famed Irish poet Thomas Moore is filled with nostalgia and inherent melody. The poet lost in thought in the middle of the night wrestles with past memories of boyhood whilst contemplating his journey to the present--friendships and loneliness smiles and tears. Even as the poet grapples with sadness of former days gone by the feeling of hope remains when voices unite in song reminding us that we are never alone on our journey.

From the opening notes this sacred song presents a special gentleness that engages the mind and encourages the spirit. The substantial text amplifies the promises of God and reminds listeners that we are never alone. Unison singing brings a clarity to the words and makes richer four-part moments even more luscious. A worshipful testament of the faithfulness of Christ!

L'édition officielle des partitions de l'album du même nom « Piano Songbook » chez Sony Classical. Elle contient des arrangements et des fantaisies sur des œuvres populaires, du baroque au romantisme, ainsi que des compositions originales de Martin Stadtfeld. Niveau de difficulté facile à intermédiaire - idéal pour les jeunes et ceux qui se remettent au piano.
« Les œuvres rassemblées dans ce volume m'ont accompagné toute ma vie. Dans des périodes difficiles, cette musique m'apporte du réconfort et de la certitude.
Les arrangements sont en partie libres et subjectifs, distillant ce qui est essentiel pour moi. La devise était : le moins de notes possible. C'est également ce que je revendique pour mes dix propres compositions dans la troisième partie. Ainsi, la plupart des pièces peuvent être jouées dans des cours de piano. Même ceux qui se remettent au piano après une longue période peuvent commencer avec ces pièces. Je souhaite que beaucoup de gens, lorsqu'ils les joueront, ressentent ce que j'ai ressenti lorsque j'ai écrit ce volume : contemplation, approfondissement, force intérieure. »
(Martin Stadtfeld)
Part I, 10 piano songs after Händel, Bach, Beethoven and Schumann: I Hymn (after Händel’s “Zadok the Priest”)
II Never alone (after Bach’s “Bist Du bei mir”)
III Shepherd’s song (after Bach’s “Schafe können sicher weiden”)
IV Nature song (after Beethoven’s “Pastorale”)
V Organ piece I (after Bach’s “Toccata in C”)
VI Study (after Schumann’s “Die Rose, die Lilie, die Taube, die Sonne“)
VI Organ piece II (after Bach’s “Sonata No. 5”)
VIII Choral (after Schumann’s “Aus meinen Tränen sprießen”)
IX Siciliano (after Bach’s “Erbarme Dich”)
X Hymn II (after Händel’s “Zadok the Priest”)
Part II, 10 piano songs after Bach, Dvorak, Schubert, Vivaldi, Purcell, Beethoven and Mozart: I New song (after Bach’s “Singet dem Herrn ein neues Lied”)
II Folksong (after Dvořák’s “Dumka from piano quintet”)
III Passacaille (after Bach’s “Crucifixus”)
IV Night song (after Schubert’s “Nachtstück”)
V Aria (after Vivaldi’s “Sovente il sole”)
VI Bach meets Vivaldi (after Vivaldi’s “Sovente il sole”)
VII Canon (after Bach’s “Ich folge Dir gleichfalls mit freudigen Schritten”)
VIII Lamento (after Purcell’s “When I am laid in earth”)
IX Folksong (after Beethoven’s “Eroica”)
X Variation (after Mozart’s “Marsch der Priester”)
Part III, Ten Piano Songs: I Lullaby
II Choral
III Old song
IV Passacaille
V Minuet
VI Eichendorff song
VII Natural loud
VIII Choral
IX March
X Lullaby
Encore 1: Eroica Dance (after Beethoven’s “Eroica”)
Encore 2: Jesu my joy (after Bach’s “Jesu bleibet meine Freude“) / Partitions classique / Piano - instruments à clavier / Piano / SCHOTT

Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do - Cabaret - Defying Gravity - Do You Hear the People Sing? - Edelweiss - Getting to Know You - Guys and Dolls - Hello, Dolly! - I Dreamed a Dream - If I Were a Bell - Luck Be a Lady - Mame - The Music of the Night - Ol' Man River - People Will Say We're in Love - Seasons of Love - Send in the Clowns - The Surrey with the Fringe on Top - Think of Me - Tomorrow - What I Did for Love - You'll Never Walk Alone - and many more. / Saxophone Alto

Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans

ShowTrax CD-Rodgers and Hammerstein’s 1945 musical Carousel is one of the most revered and remembered of all Broadway shows bringing together fabulous tunes and a dramatic plot that were previously unseen. The highlight of this work is You’ll Never Walk Alone a charged and passionate number . One reason why it is well known is that it was adopted as Liverpool F.C.’s unofficial anthem and the motto even adorns the hallowed Anfield gates. Renowned around the world for the supporters rousing rendition which blasts out of the Kop a stirring and momentous event that takes place several times each Saturday! This show-stopping Gospel arrangement by Mac Huff isa superb powerhouse from start to finish it is ideal for a graduation ceremony or spring concert feature or fans of Liverpool F.C. who want to swap the stands for the stage! This is the Showtrax CD which features a complete demonstration of the piece as well as instrumental accompaniment for performance or rehearsal.

You'll Never Walk Alone est une chanson bien connue des amateurs de football un hymne régulièrement repris dans les stades. Une expérience unique quand elle chantée en coeur par tout un stade parcouru de frissons. Reprise par de nombreux grands artistes du King Elvis à Ella Fitzgerald la chanson orginale de Gerry and the Pacemakers (1963) fait toujours merveille.

You?ll Never Walk Alone est une chanson bien connue des amateurs de football un hymne régulièrement repris dans les stades. Une expérience unique quand elle chantée en coeur par tout un stade parcouru de frissons. Reprise par de nombreux grands artistes du King Elvis à Ella Fitzgerald la chanson orginale de Gerry and the Pacemakers (1963) fait toujours merveille.

26 of His Best-Richard Rodgers' contributions to the musical theatre of his day were extraordinary his influence legendary. This collection arranged for easy piano includes twenty-six of his best including If I Loved You You'll Never Walk Alone and Some Enchanted Evening.

You'll Never Walk Alone from the magnificent Rodgers and Hammerstein musical Carousel. Arranged here for SSA Choir and Piano accompaniment by Johnny Mann.

You'll Never Walk Alone est une chanson bien connue des amateurs de football un hymne régulièrement repris dans les stades. Une expérience unique quand elle chantée en coeur par tout un stade parcouru de frissons. Reprise par de nombreux grands artistes du King Elvis à Ella Fitzgerald la chanson orginale de Gerry and the Pacemakers (1963) fait toujours merveille.