Matériel : Set de Parties séparées
SKU: UT.XXS-107
ISBN 9790215323865. 9 x 12 inches.
Racconto (Tale)/ Capri/ Cielo sereno (Clear sky)/ Tano/ Napolitango/ Luci della spiaggia (Beach lights)/ Fantasia mediterranea (Mediterranean fantasy)/ Una lacrima ridente (A smiling tear)/ Quartieri spagnoli/ Marcia dei pomodori (March of the tomatos)Being interested in certain aspects of popular music, I became aware of several similarities between popular Neapolitan melodies and the Argentinean tango. Napolitango is based on an imaginary journey to Naples and Buenos Aires. In retaining certain characteristics of the original music, Napolitango embodies an inspiration and an almost theatrically passionate character which is common to these two genres.The piece has been composed for the Parisian Festival Paris Banlieues Tango 2001.(S. Di Stefano).
SKU: UT.XXS-84
ISBN 9790215320413. 9 x 12 inches.
SKU: HL.48189201
Liszt Venezia E Napoli Annees De Pelerinage Volume 2 Piano Book.
SKU: HL.48189200
Liszt Venezia E Napoli Annees De Pelerinage Volume 1 Piano Book.
SKU: UT.NAP-10
ISBN 9790215320901. 9 x 12 inches.
P erformance Material on Hire[S olo: SSAB - 2.2.0.0 - 2.0.0.0 - Str - Bc].
SKU: UT.NAP-9
ISBN 9790215320895. 9 x 12 inches.
P erformance Material on Hire[S olo: SSAT - 0.0.0.0 - 0.1.0.0 - Str - Bc].
SKU: UT.NAP-9R
ISBN 9790215322387. 7.7 x 10.6 inches.
SKU: UT.NAP-8
ISBN 9790215320215. 9 x 12 inches.
Rorate caeli; Iam sole clarior; Infirmata, vulnerata; Totus amore languens; Mortales, non auditis?; Mitissime, dulcissime; Quae est ista; Diligam te, Domine; Properate, fideles; Est dies trophaei; Salve ReginaP erformance Material on Hire
SKU: UT.NAP-10R
ISBN 9790215322264. 7.7 x 10.6 inches.
SKU: PE.EP72783
ISBN 9790577011097. 232 x 303mm inches. English.
While the first volume of Liszt's Années de pèlerinage ('Pilgrim Years') was inspired primarily by the landscape of Switzerland, the creative impetus for the second volume was the art and literature of Italy.
Edition Peters is proud to continue its acclaimed series of Liszt critical editions from world-renowned Liszt expert and concert pianist Leslie Howard with this new urtext edition of Années de pèlerinage, Deuxième Année - Italie. Containing an extensive critical commentary and introductory notes, the edition (like its predecessor Première année - Suisse, (EP72782)) also contains reproductions of the half-tint illustrations by Robert Kretschmer that appeared in the first edition.
Also included in this prestige volume, a must-have for any serious Liszt pianist, is the supplementary volume Venezia e Napoli, beautiful and ingenious revisions of earlier works based on Italian street music.
SKU: UT.NAP-12
ISBN 9790215320918. 9 x 12 inches.
P erformance Material on Hire[S olo: SSAT - 1.1.0.0 - 0.1.0.0 - Str - Bc].
SKU: UT.XXS-78
ISBN 9790215319714. 9 x 12 inches.
SKU: LM.P1362
ISBN 9790230916462.
COTT RAU : Santa Lucia (Chant national napolitain) - DIABELLI : Piece melodique Op.149 - GRETRY : Une fievre brulante (Richard Coeur de Lion) - LACK : Le bapteme de la poupee Op.61 bis - LANDRY : Valse espagnole op.77 - LAVIGNAC : Priere et Choral - SOR : Galopade - THOME : Alsacienne Op.58 bis - En chasse Op.58 bis - WOHLFART : L'Ami des enfants Op.87.
SKU: HL.48185320
UPC: 888680858407. 9x12 inches.
Francis Kleynjans: Chanson napolitaine Op.113 in E minor (Guitars 2).
SKU: UT.NAP-5
ISBN 9790215318465. 9 x 12 inches.
Napoli e l'Europa (Naples and Europe) - Masterpieces of the Neapolitan School selected by Riccardo Muti for the Salzburg Whitsun Festival Project in association with the Ravenna Festival Betulia liberata, for four voices, strings, two oboes, two horns and basso continuo, was the second oratorio by Niccolo Jommelli (1714-1774), following Isacco figura del Redentore. It was composed in 1743 to a commission from the Fathers of the Congregation of the Oratorio of Saint Philip Neri, and was widely performed in Italy throughout the 18th century, as well as in Prague and in London. Metastasio's text proved popular with composers, and Jommelli's version of this text is one of the most felicitous on account of its impact, variety and consistent inventiveness, and also for the care he took in matching the music to the drama.The brilliant combination of different styles and forms, the attention to dramatic characterisation, and the power of invention displayed by Jommelli in Betulia liberata make him the foremost Italian composer of the mid-eighteenth century, pre-eminence recognised by the music critics and historians of his age.