Music for Four, Volume 1, Part 1 - Flute/Oboe/Violin

Music For The Irish Harp - Volume 3 is part of a four-volume treasury of Ireland's most beautiful songs and airs selected and arranged by Nancy Calthorpe. Also suitable for Piano.

Music For The Irish Harp - Volume 2 is part of a four-volume treasury of Ireland's most beautiful songs and airs selected and arranged by Nancy Calthorpe. Also suitable for Piano.

Music For The Irish Harp - Volume 4 is part of a four-volume treasury of Ireland's most beautiful songs and airs selected and arranged by Nancy Calthorpe. Also suitable for Piano.

Miscellaneous Writings-As well as being a highly individual composer and a pioneer editor of early music Philip Heseltine (Peter Warlock) did much else in his short life (1894-1930). He was a prolific journalist and commentator on music and this the fourth volume in a series which has brought together all his occassional writings. The core of this volume is a series of programme notes on a very wide range of composers from Bach to Strauss two vintage lectures articles on three of his particular interests Delius Van Dieren and Sorabji plus an early schoolboy effort on the Welsh railway system.

Par . This volume from the series Music from Chopin's Land includes three (differing in terms of form and style) works by Polish composers for a piano duo. These compositions, dedicated for students aged 14-16 and amateur pianists, shall help acquaint them with the issues of a piano duo and the charm of four-hand piano playing. Four-hand piano playing poses an exceptional challenge. It develops a wide concept of sound diversification, control over hands and their technique, and a unique ability to unify articulation of both pianists. The pianists, while listening to their individual play and concentrating on the play of their partners, become enriched with special sensitivity to the sound quality. A piano duo teaches sensitivity to the other person and mutual responsibility for the preparation and performance of the work. This constitutes the biggest challenge to chamber music, bringing remarkable satisfaction and joy out of mutual music making. / Date parution : 2023-11-03/ Recueil / Piano 4 Mains

Suite à la méthode Best-seller de Jazz pour les flûte, les ' Elaboration Jazz Technique pour les flûte ' aidera le joueur intermédiaire et prendre leurs compétences jazz à un nouveau niveau. Les 22 morceaux sont écrits dans une variété de styles, y compris les blues, swing, Nouvelle-Orléans, ragtime, Valse jazz, bossa nova, samba, salsa, calypso, reggae et Afrique du Sud. Un accent particulier est donné à aider l'étudiant à improviser sur des séquences de corde, tels que la progression II-V-I. Des effets idiomatiques comme le vibrato, subtone, glissandi et ' flexion ' notes sont traitées. Plusieurs nouvelles échelles sont introduits, y compris le ton ensemble et échelles a diminué, et une section dédiée aux patrons contient de nombreuses idées pour pratiquer dans toutes les clés de douze. Une section rythmique superbe fournit le soutien pour toutes les pièces et les exercices sur le CD qui l'accompagne. / Flûte Traversière

The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century.The fourth volume of the complete edition of the mass tropes includes 20 tropes to the Agnus Dei representing the Bohemian tradition from the 12th to early 16th century.Similar to previous volumes with the repertory of ordinary tropes the older repertory is represented by the unique collection of tropes included in the so-called St Vitus?s Troparium which is distinctly French. Included in the volume is an introductory study that summarises basic factsand explains the unusual development of the Sanctus and Agnus Dei tropes in late medieval Bohemia.As in the other volumes the edition is complemented by comprehensive commentaries an introduction and plates (Czech/English).This publication will be of interest to both the academic community as well as those interested in performance.Hana Vlhová-Wörner studied musicology in Prague and Basel Switzerland. From 1993 to 2006 she worked at the Institute for Musicology Charles University Prague (Ph.D. 2000 Habilitation 2009). Since 2006 she has lived in the U.S.A. where she has taught at Duke University and UNC Chapel Hill. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Kancionál..Also available:- Part 1: Tropi ordinarii missae. Tropi proprii missae H7878- Part 2: Tropi ordinarii missae. Kyrie eleison / Gloria in excelsis deo H7959- Part 3: Tropi ordinarii missae. Sanctus H8017

Baroque Violin Pieces is a four-volume graded anthology which acts as an introduction to the style and repertoire of Baroque music for solo Violin and Continuo. The editor's aim has been to select immediately attractive pieces which are at the same time of educational value in style and technique. The contents of each volume are arranged roughly in order of difficulty. The pieces in this volume Book 1 are of Grade 2 standard and progress in difficulty over the first three books. This volume has been edited by Richard Jones. The solo violin part is also included on a separate insert.

Bwv 1001-1006. Par LAWRENCE GOLAN. Edition du Dr Lawrence Golan des chefs-d'oeuvre de Bach pour violon solo combine l'authenticité et l'exactitude d'une édition savante de Urtext avec la valeur concrète et l'obligeance d'une édition d'exécution. Un fac-similé du manuscrit autographe de Bach a été utilisé dans la préparation de cette édition et les intentions du compositeur ont été conservées jusqu'au dernier détail. Mention particulière est le fait que toutes les tiges ont été retransmises ensemble tels qu'ils apparaissent dans le manuscrit autographe. C'est d'une grande importance lors de la prise de décisions d'interprétation concernant les rythmes en pointillé. Utile de doigté et de s'incliner suggestions sont fournis par l'éditeur, mais sont distinguent clairement de notation originale de Bach, ce qui permet à l'interprète la liberté d'accepter ou de rejeter toute suggestion donnée. Le volume se complète d'essai du Dr Golan ' exécution Bach : parsemé de rythmes et de trilles dans les sonates et Partitas pour violon Solo,' qui comprend également des discussions savantes de vibrato, doigtés, styles de l'archet et ritard... / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Violon

Method for the French Horn - Vol.4 is the fourth volume out of seven of a method for French Horn by Daniel Bourgue. Following the knowledge and technique acquired in the first three volumes this book will help the players to progress further with the help of comments to ensure they maintain their good techniques. This fourth volume focuses on scales and articulations bars on 3/8 6/8 and their rests/rhythms low notes transpositions in G and in A and on waltzes and marches among other aspects. Some revisions are also part of this book. Daniel Bourgue is a French musician who plays theCello and the Horn and who studied harmonies and chamber music. He played around the world as a soloist and worked as a great pedagogue too.

Karl Hoyer (1891-1936) was a highly regarded pupil of Max Reger and Karl Straube the Kantor of St. Thomas’s Church Leipzig. He held several positions including that of professor at the famous Institute for Church Music in Leipzig. For a long time his Chorale Preludes Op.57 were only available in libraries or second hand bookshops but the publication of the third of a four-volume edition makes another part of this important collection available once more. These pieces are characterised by formal variety brevity and are mostly modest in their technical demands. They were extremely well-known amongst organists duringHoyer’s lifetime a period which marked the transition from late Romanticism to that of the German Organ Movement of the 1920s. In comparison with the first edition the keys correspond with those in the “Evangelisches Gesangbuch” and “Gotteslob (Protestant and Catholic hymnbooks)”. Each volume includes appropriate indices for practical use in “Protestant or Catholic” churches. - Chorale preludes from the period between late Romanticism and the beginnings of the German Organ Movement- Appropriate keys for the “Evangelisches Gesangbuch” and “Gotteslob (Protestant and Catholic hymnbooks)”

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.