English Pub Session Tunes

De toute évidence, des airs populaires fréquemment entendus en anglaises sessions ont été sélectionnés pour cet ouvrage. Cependant, il y a un léger biais vers le plus exotique et légèrement plus obscur, aux côtés de certains des s Mally favoris personnels. En outre, vous trouverez plusieurs airs extrêmement difficiles vers la fin. Les mélodies sont adaptés pour tous les instruments associés à la musique traditionnelle et seulement 14 notes sont nécessaires pour jouer tous. Ils conviennent parfaitement pour jouer à des danses du pays, ceilidhs, danses de la Grange et hoe-downs et la plupart ont été enregistrée par des personnalités et des groupes remarquables. / Instruments En C

Nick Barber has been part of traditional English music sessions up and down the country for many years. His copious notes have resulted in this tune book suitable for any melody instrument (fiddle, accordion, tinwhistle, recorder, etc.). The tunes are accurately transcribed, referring to original sources wherever possible. Also included is information about each tune, with Nick's choice of chords suitable for squeezebox and guitar players alike. If you'd like to join in with the delights of sharing tunes with others in an English session, this book is a good reference point. Every tune is a gem, tried and tested by generations of players who have made the tunes what they are today. Mally's and UK product #AP107. / Instruments En C

A lively and wide-ranging collection of great tunes from all around England suitable for playing on piano accordion melodeon and other squeezeboxes! Included are many well-established favourites for dance bands and informal sessions plus some lesser-known gems and recent compositions. Reels jigs hornpipes and slow airs drawn from the 17th Century to the present day with chord suggestions background information on the tunes and detailed guidance on how to get the best out of this vibrant music.

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art. Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition. The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions. Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it's hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don't even have a composer. However, it's what's NOT written on the page that makes folk fiddle so interesting and challenging. This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing. Key areas covered include: Tune types and structures Ornamentation Bowing Modes and scales Scordatura Starts, endings and links Variation, improvisation and composition Playing tunes in 'sets” Regional and individual style Playing in sessions, for contests, and for dancing / Niveau : 3 / Pédagogie / Etude / Violon