Publié par Sulyok Imre, Mező ImreInstrument: PianoSérie: Liszt Separate EditionsGenre: RomanticPages: 4 ppDate du parution: 1984
SKU: LM.PB224
ISBN 3137990002244.
BEET HOVEN : Adagio Cantabile - SCHUBERT : Ave Maria - MENDELSSOHN : Chanson de printemps - BRAHMS : Celebre valse - BEETHOVEN : Clair de lune - LISZT : 2e rapsodie hongroise - SCHUBERT : La Truite - CHOPIN : Nocturne en Mi bemol - LISZT : Reve d'amour.
SKU: YM.GTP01100090
ISBN 9784636100655. 8.5 x 12 inches.
Easy arrangements for adults to start playing the piano for the first time. Features large, easy-to-read music sheets.
SKU: YM.GTP01098166
ISBN 9784636981667.
Ther e are many music sheet books available for children, but not many for adults who have just started playing the piano. The Otona Piano series is designed for those adults who are beginner piano players. Here is a great piano collection for those who want to take their piano playing to the next level! It is also a great selection for live performances!
SKU: YM.GTW01097944
ISBN 9784636979442.
Flut e scores for famous songs from J-Pop to classical music. This selection is perfect for concert programs, recitals, encores, and more. The impressive and beautiful sound of these arrangements will captivate the audience.
SKU: BT.EMBZ14505
English-German-Hungari an.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.