Léo Ferré

Leos Janacek almost seventy years old characterised the wind sextet he had just finished as 'a kind of memory of youth' in a letter to Kamila Stösslová. The suite Youth was written in the summer of 1924 prompted by the composer's need to take stock on the occasion of his 70th birthday. Janacek also heard the Parisian ensemble Societe moderne des instruments a vent several times in Salzburg and Brno. He expanded the classic quintet scoring by the addition of a bass clarinet.Janacek referred to an earlier part of his life in this work not only by quoting a theme from March of the Blue Boys but particularly through his general freshness ofexpression astute humour and use of form which adhered to the classical style.The piece was enthusiastically received by both critics and the public and appeared in print as early as 1925 issued by the Prague publisher Hudebni matice.Wind sextet in the classical styleUrtext based on the Critical Complete Edition of the Works of Leos JanacekNew foreword by Jiri Zahradka (Cz/Eng/Ger)

Dans cette édition complète de musiciens Institut des leçons privées, Ed Roscetti obtient à l'intérieur les styles et les sillons de blues, avec des applications pour le rock, funk et approches jazz blues de tambour. Le forfait comprend un CD contenant la démonstration et jeu-le long de voies ferrées, surdos rainures et remplissages et plus encore pour faire un guide complet pour les tambours. / Batterie

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Dans son nouveau volume de la série Bilderklavier, Monika Twelsiek prend des jeunes pianistes lors d'un voyage autour du monde. À partir de l'Allemagne, elle va en Autriche et en Italie. L'Afrique est atteint par le navire avant - retour sur le continent européen - elle énonce d'Espagne à l'extrême nord, par la Pologne, la République tchèque, Hongrie, Russie et enfin à la Chine, l'Amérique et même les îles de la mer du Sud. Ce volume avec 34 pièces pour piano faciles est Veillée d'illustrations - et particulièrement adapté pour des leçons de piano imaginatifs pour les enfants. / Piano

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Musicians Institute Master Class-Do you play acoustic Piano? Electronic Keyboard? Hammond Organ? Clavinet? Whether your preferred genre is rock pop soul funk or blues  Pop Keyboard Concepts will teach you all of the basics required to master both the instrument and your desired style - from scales and chord progressions to rhythm and melody. Topics include: scale types and application chord types and progressions rhythmic subdivision and syncopation improvisation concepts comping patterns ideas for soloing and more. Pop Keyboard Concepts belongs to an official series from the Musicians Institute Southern California's renowned music school. Theinstitute boasts some of the finest musicians in the world and here they share their vast knowledge and experience with you. This book was written by Christian Klikovits tutor of Digital Notation and Arranging and Keyboard Private Lessons. With Pop Keyboard Concepts you'll learn the best way - through practical application. Useful demonstration tracks for all of the exercises can be accessed online for download or streaming using the unique code in the book.

Grab a private lesson with one of the true innovators of the five-string banjo Eddie Adcock and discover the secrets to his unmistakable Bluegrass style in this unique DVD tutorial.Adcock's style combines the traditional Scruggs-style bluegrass with country folk blues gospel and rockabilly sounds. Working with some of his most-requested instrumentals Adcock analyses licks and chord shapes for each tune opening up new techniques and a host of ideas for the picking student. Discover how a basic Travis picking guitar line can be transferred to the banjo (complete with a damped bass string and bluesy details). Larn how to create pedal-steel style hammer-ons anddouble bends as well as how to play melodic lines and scales with single string rolls.