/ 2 Orgues
SKU: BR.KM-2268
Handel was one of the composers whom Beethoven revered throughout his life and whose works he copied or arranged for study purposes.
ISBN 9790004501696. 9 x 12 inches.
Handel was one of the composers whom Beethoven revered throughout his life and whose works he copied or arranged for study purposes. Among the pieces he arranged is the orchestral fugue from the overture to Solomon. In this first edition of Beethoven's adaptation, this work becomes a string quartet which is both a historical document and an inspired ensemble piece.Handel was one of the composers whom Beethoven revered throughout his life and whose works he copied or arranged for study purposes.
SKU: HL.49017965
ISBN 9790001154536. 9.0x12.0x0.45 inches. Latin - German.
Many pieces with a classical cycle of movements lead to an examination of baroque counterpoint in the form of a fugue. Widmann's fifth string quartet, which closes his first cycle in this genre like a finale, wants to remain a deliberately tentative 'Versuch uber die Fuge', through it's dialogue with the singing voice's quotation from the Bible: 'That which is, is far off and exceedingly deep. Who can find it out? - Vanitas vanitatum omnia vanitas!'.
SKU: HL.48182142
UPC: 888680835002. 0.336 inches.
<Strong& gt;Concert for Quartet by Jeanine Rueff is a piece for four Saxophones (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone). This edition features all the scores, including the conductor?s. Very difficult, it is dedicated to the ?Marcel Mule Quartet?. Divided into six parts and lasting 17?30 minutes, this work is really melodious and contains a fugue, minuet and a passepied: 1. Entree ? Largo (4/4) 2. Fugue ? Allegretto (2/4) 3. Menuet - Andantino (5/4) 4. Passepied ? Allegreto (3/8) 5. Air ? Largo (4/4) 6. Final en forme de Rondo ? Presto (2/4) Jeanine Rueff composed numerous pieces for Saxophones often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet..
SKU: BR.EB-9259
World premiere: Stockholm (Festival O/MODERNT), June 19, 2017
ISBN 9790004185599. 9 x 12 inches.
When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.
SKU: BR.EB-9260
ISBN 9790004185605. 9 x 12 inches.
