Johann Sebastian Bach: The Six English Suites

DVD-The chapel organist Johann Sebastian Bach is enraged. Its bad enough his boss Duke Wilhelm stifles his creativity. Now the bumbling fool has given him a servant he suspects is a spy! But soon the temperamental composerrecognizes a kindred soulin his new 10-year-old assistant Frederick. For both know too well whats its like not to be able to follow your dream. Set in 1717 Bachs 32nd year Bachs Fight for Freedom passionately arguesthat the only master you can serve faithfullyis your own heart. Formatted with English Spanish and French languages. 53 minutes.

from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. This chorale movement is one of his most enduring works however the melody was originally composed before Bach’s time in 1642 by Johann Schop. Utilising the already existing melody Bach wrote this setting of Jesu Joy Of Man’s Desiring in 1716 as the 10th and last movement of the church cantata ‘Herz und Mund und Tat und Leben’ (BWV 147) one of the over three hundred cantatas written by the master of the Baroque period.This edition of the familiar melody which is often performed at weddings and Christian festive seasons like Christmas and Easter is arranged for SATB Chorus and Organ. All four verses of the lyrics are provided in English translation along with the original version in German.

Johann Sebastian Bach’s three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites that have long been by far the mostpopular and this was also the case at the time that they were written. However this also creates problems for an editor preparing an Urtext edition because a vast number of copies of them were made by Bach’s circle of pupils and these contain many presumably authentic variants. In this revised Henle Urtext edition Ullrich Scheideler explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes;where there are major differences both versions of individual movements are printed in full. Our opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext edition has beencompletely revised and also offers new fingerings. It enables pianists and Bach enthusiasts alike to re-discover Bach’s universe for themselves!

Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier. / Piano

Volume with detailed booklet in English. Par BACH JOHANN SEBASTIAN. About The Aria Book - TenorBy Johann Sebastian Bach (1685-1750), edited by Charlotte Lehmann. Collection (with pull-out supplement) for tenor voice and piano accompaniment. Urtext of the New Bach Edition. Text language German/English. 76 pages. Published by Baerenreiter-Ausgaben (German import). (BA. BA5213-04) ISBN M006503841. With vocal melody, lyrics, piano accompaniment, performance notes, suggestions for practice and introductory text. Baroque. 9x12 inches. Contents:Unser Mund Und Ton Der Saiten BWV 1, No. 5, F Major, from 'Unser Mund Und Ton Der Saiten'. Was Willst Du Dich, Mein Geist, Entsetzen BWV 8, No. 2, C# Minor, from 'Liebster Gott, Wenn Werd IchSterben'. Was Ist Der Schnode Mensch - Bleibt, Ihr Engel, Bleib Bei Mir BWV 19, No. 4, 5, E Minor, from 'Es Erhub Sich Ein Streit'. Kein Ungluck Ist In Aller Welt - Ewigkeit, Du Machst Mir Bange BWV 20, No. 2, 3, C Minor, from 'O Ewigkeit, Du Donnerwort'. Bache Von Gesalznen Zahren BWV 21, No. 5, C Minor, from 'Ich Hatte Viel Bekummernis'. So Schnell Ein Rauschend Wasser Schiesst BWV 26, No. 2, C Major, from 'Ach Wie Fluchtig, Ach Wie Nichtig'. Ich Will Leiden, Ich Will Schweigen BWV 87, No. 6, Bb Major, from 'Bisher Habt Ihr Nichts Gebeten In Meinem Namen'. Erholet Euch, Betrubte Sinnen BWV 103, No. 5, D Major, from 'Ihr Werdet Weinen Und Heulen'. Ihr Menschen, Ruhmet Gottes Liebe BWV 167, No. 1, G Major, from 'Ihr Menschen, Ruhmet Gottes Liebe'. Auf Meinen Flugeln Sollst Du Schweben BWV 213, No. 7, E Minor, from 'Lasst Uns Sorgen, Lasst Uns Wachen'./ Répertoire / Tenor et Piano

Par BACH JOHANN SEBASTIAN. Langue: English(US)/Deutsch/Français/Nederlands / Date parution : 1905-07-01/ Répertoire / Guitare

Par BACH JOHANN SEBASTIAN. Langue: English(US)/Deutsch/Français/Nederlands/ Répertoire / Flûte Traversière et Guitare

Par BACH JOHANN SEBASTIAN. Langue: English(US)/Deutsch/Français/Nederlands/ Répertoire / 4 Flûtes Traversières

Bach, Johann Sebastian Johann Sebastian Bach. The Well-Tempered Clavier I BWV 846-869 ?The ?Well-Tempered Clavier? is the Old Testament, Beethoven's sonatas the New.We must believe in both.? Hans von Bülow The preludes and fugues of ?The Well-Tempered Clavier? embrace an entire cosmos of compositional devices and musical characters ? the ?ne plus ultra? of ?unity through diversity?. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution.His treatment of the keys marked a turning point in music history. The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work. This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work?s genesis and the characteristics of Bach?s handwriting. Martina Rebmann(Staatsbibliothek zu Berlin) describes the subsequent history of the autograph. BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: ? A facsimile in high-quality colour printing ? Scholarly commentary ? Attractive cover design Edition no.: BVK 2368 ISBN: 9783761823682 Volume / Series: Documenta musicologica II/50 / Bärenreiter Facsimile Editor: Bach-Archiv Leipzig Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 90/28 S. - 36,7 x 23,0 cm

Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.

The combination of Flute and Guitar is becoming increasingly popular among music school pupils and concert performers. This publication From Renaissance To Ragtime expands the fairly narrow repertoire for this combination of instruments to include arrangements of famous compositions such as variations on the famous English Renaissance song Greensleeves famous melodies by Johann Sebastian Bach (Air Siciliana Badinerie) the popular Minuet by Luigi Boccherini Chopin's virtuoso Variations on a Theme of Rossini and Scott Joplin's popular ragtime tune The Entertainer(familiar from the film The Sting). In order that these relatively demanding arrangements can be enjoyed by a broad spectrum of performers editor Pavel Kloub selected compositions which can easily be played not only on the Flute but also on the Oboe or Violin.Contents:Green Sleeves (variations on the english renaissance song) [Fleury Louis]Le Basque [Marais Marin]Air [Bach Johann Sebastian]Siciliano [Bach Johann Sebastian]Menuet [Bach Johann Sebastian]Badinerie [Bach Johann Sebastian]Menuet [Boccherini Luigi]Variations on a theme of Rossini [Chopin Frederic]The Entertainer [Joplin Scott]

Klavierauszug -Revised edition. Par BACH JOHANN SEBASTIAN. The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724, 1725, around 1730 and during the last years of Bach 's life. They often contain two or more readings for the same passage, or even different movements that on different occasions occupied the same place in the work. Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information. - Full score, performance material (BA5037), vocal score (BA5037-90) and study score (TP197) available for sale. / Niveau : 4 / Répertoire / Solistes (T (Evangelist), B (Jesus), SATB), Choeur