Johann Sebastian Bach: Missa In G Major, BWV 236 (Lutheran Mass 4)

SKU: CA.3150200

ISBN 9790007187132.

This part of the complete edition contains: Masses, Passions and Oratorios (1 slip case) vol. 1: Mass in B minor BWV 232 Sanctus in D major BWV 232III (version 1724) vol. 2: Missa in F major BWV 233 Kyrie Christe du Lamm BWV 233a Missa in A major BWV 234 Missa in G minor BWV 235 Missa in G major BWV 236 Sanctus in C major BWV 237 Sanctus in D major BWV 238 Magnificat in D major BWV 243 Inserts for the Magnificat (in D major) vol. 3: St. Matthew Passion BWV 244 St. Mark Passion BWV 247 vol. 4: St. John Passion BWV 245 in all surviving versions vol. 5: Christmas Oratorio BWV 248 vol. 6: Easter Oratorio BWV 249 Ascension Oratorio BWV 11 With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - contains all the cantatas, oratorios, passions, motets and masses. An edition in the tried and tested Carus quality - and the only modern Bach edition for which complete performance material is available for sale! - Reader-friendly and handy format (like a vocal score) - Outstanding legibility through clear presentation of the musical image and precise printing on the tried and tested Carus music paper - Robust and practicable binding - High-quality slip case for practical storage - User-friendly structure of the volumes - Rapid location of desired work: each cantata volume contains an overview of the cantatas in the church year.

SKU: CA.4033300

ISBN 9790007104894.

SKU: CA.3070115

ISBN 9790007041038. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score and part available separately - see item CA.3070100.

SKU: CA.3070112

ISBN 9790007041007. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score and part available separately - see item CA.3070100.

SKU: CA.3070113

ISBN 9790007041014. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score and part available separately - see item CA.3070100.

SKU: CA.3070119

ISBN 9790007204389. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score and parts available separately - see item CA.3070100.

SKU: CA.3070114

ISBN 9790007041021. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score and part available separately - see item CA.3070100.

SKU: CA.3070111

ISBN 9790007040994. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score and part available separately - see item CA.3070100.

SKU: CA.3070106

ISBN 9790007040987. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score available separately - see item CA.3070100.

SKU: CA.3070105

ISBN 9790007040970. Language: Latin.

The Jena organist Johann Nikolaus Bach, the eldest son of Johann Christoph Bach, was long believed to have been the xomposer of the Missa brevis Allein Gott in der Hoh sei Ehr, but this is now known to be a work by the Meiningen Court Kapellmeister Johann Ludwig Bach. The only composition undoubtedly by Johann Nikolaus Bach is the boisterous student music Der Jenaische Wein- und Bierrufer. Score available separately - see item CA.3070100.

SKU: CA.3500911

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SKU: CA.3550311

ISBN 9790007213473. Text language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SKU: CA.3550348

ISBN 9790007213497. Language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SKU: CA.3909700

ISBN 9790007097516. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts.

SKU: CA.3500913

ISBN M-007-25281-6. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SKU: CA.3909709

ISBN 9790007133108. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and parts available separately - see item CA.3909700.

SKU: CA.3500919

ISBN M-007-25284-7. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SKU: CA.3550349

ISBN 9790007213503. Language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SKU: CA.3500912

ISBN M-007-25280-9. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SKU: CA.3909714

ISBN 9790007215316. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and part available separately - see item CA.3909700.