Horn Concerto No. 2 in E-flat Major, K. 417

SKU: BR.EB-10704

In Cooperation with G. Henle Verlag

ISBN 9790201807041. 9.5 x 12 inches.

Prank or Color Code? Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

In Cooperation with G. Henle Verlag.

SKU: BR.OB-15131-16

In Cooperation with G. Henle Verlag

ISBN 9790004342657. 10 x 12.5 inches.

Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

SKU: BR.OB-15131-30

In Cooperation with G. Henle Verlag

ISBN 9790004342688. 10 x 12.5 inches.

Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

SKU: BR.OB-15131-19

In Cooperation with G. Henle Verlag

ISBN 9790004342664. 10 x 12.5 inches.

Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

SKU: BR.OB-15131-15

In Cooperation with G. Henle Verlag

ISBN 9790004342640. 10 x 12.5 inches.

Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

SKU: BR.EB-10702

In Cooperation with G. Henle Verlag

ISBN 9790201807027. 9.5 x 12.5 inches.

Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.

with parts for horn in F and Eb major.

SKU: BR.OB-15130-16

In Cooperation with G. Henle Verlag

ISBN 9790004341254. 10 x 12.5 inches.

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.

SKU: BR.OB-15130-15

In Cooperation with G. Henle Verlag

ISBN 9790004341247. 10 x 12.5 inches.

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.