Matériel : Partition
SKU: LP.765762131521
UPC: 765762131521.
Sing it from the rooftops: our God is Greatly to be Praised! This exciting new hymn of adoration and praise from Steve Fee and Eddie Kirkland is destined to become a staple of your choir repertoire. Russell Mauldin's exuberant arrangement/orchestration is both classic and contemporary and choirs will love the accessible writing and lush harmonies.
SKU: LP.765762179004
UPC: 765762179004.
SKU: ST.PE12
ISBN 9790220222474.
Pres ented in a highly praised new production by Glyndebourne Opera in 2009, this edition of Purcell's third semi-opera, The Fairy Queen, offers a new and definitive version of words and music prepared by two leading scholars in the field. The playtext, anonymously adapted from Shakespeare's A Midsummer Night's Dream, is printed in full, and the role of the various sources, and the relationship of the manuscript theatre score to the printed word-books of 1692 and 1693, are thoroughly reappraised. The other sources include music manuscripts which have not previously been examined, and which prove to have a significant bearing on the musical text. Full account is taken of the varied instrumental resources and conventions accessible to the Restoration composer, reflected in the multi-purpose performing material for the edition which is available for rental (HL390).
SKU: GI.G-10202
UPC: 785147020219. English.
Contains: His Name Should Be Praised, Worthy Is the Lamb, Great Is God in My Soul, Jesus, the Son of God, Thank God for the Blood, Precious Savior and Have You Learned the Precious Secret
SKU: PR.114409470
UPC: 680160014200. 8.5 x 11 inches.
The idea of Song in Winter came from the imagination of the pine and the bamboo. They are so persistent and dauntless. Standing in the frigid winter, they are evergreens. In Chinese paintings, they are featured characters; in Chinese literature, they are praised as symbols against evil influences and unhealty trends. Chen Yi admires their beautiful appearances and their strong spirit and expresses their feelings through their music, which combines Chinese and Western musical materials and medium. The silence between the gestures is like the space in brush painting and calligraphy.Song in Winter is a trio written for harpsichord, dizi (bamboo flute) and zheng (Chinese zither). My idea for this piece came from the pine and the bamboo. Such persistent and dauntless trees! Standing in the frigid winter, they are evergreens. In Chinese paintings, they are the featured characters, while in Chinese literature, they are praised as symbols against evil influences and unhealthy trends. I admire their beautiful appearances and their strong spirit. I express my feelings through my music, which combines Chinese and Western musical materials and media. Using the harpsichord, an old Western instrument, and the zheng and dizi, two old Chinese instruments, I mix keyboard, plucking and blowing instruments into a whole. The silence between the gestures is like the space in Chinese brush painting and calligraphy. Although I have been living in a western society for seven years, I have found my thinking closely linked with Chinese arts. I merged them into my musical language in the trio. Song in Winter was commissioned and inspired by Prof. Joyce Lindorff, the winner of the Pro Musicis Foundation's international competition, for her March 23, 1994 concert at Weill Recital Hall at Carnegie Hall in New York, sponsored by the Foundation. It is dedicated to Ms. Lindorff and Ms. Susan Cheng, the founder and executive director of Music From China, who has been enthusiastically supporting Chinese new music in New York for many years. The work has been recorded on the album “Sparkle: Chamber Music of Chen Yi” on CRI, released in New York in 1999. The trio has also been adapted for quartet: flute, zheng (Chinese zither), piano and percussion, for ALEA III, for the premiere concert in Feb. 4, 1994, in Boston.—Chen Yi(born in China, 1953).
SKU: WD.080689583230
UPC: 080689583230.
Silencing shame, It Is Finished, arranged and orchestrated by Cliff Duren, is an upbeat, exuberant anthem bound to bring an exciting energy to your Easter worship and beyond. Let every voice be heard as they amplify a symphony of grace through Christ’s final words on the cross, “It is finished”…words that ended condemnation and defeated death forever. God be praised!
SKU: BR.OB-5253-12
ISBN 9790004337578. 12 x 9 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: BR.OB-5216-19
,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)
ISBN 9790004332085. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).
SKU: CA.630800
ISBN 9790007012472.
SKU: BR.OB-5214-12
ISBN 9790004331057. 9 x 12 inches.
SKU: CA.4012911
ISBN 9790007217693. Language: German/English.
Men delssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and part available separately - see item CA.4012900.
SKU: HL.14028423
SKU: ST.MB77
ISBN 9790220220050.
Pott er's Tenth Symphony was probably the most frequently performed of all his orchestral pieces, and this edition is believed to be the first of his symphonic works ever printed in full score. Potter, who was praised by Wagner for his contrapuntal skill, was Principal of the Royal Academy of Music from 1832 to 1859, and he was also notable for introducing the music of Beethoven to English audiences. CONTENTS Symphony in G minor 1. Allegro con fuoco 2. Andante con moto 3. Scherzo: Vivace 4. Finale: Allegro assai The full performing material for this symphony is available for rental.
SKU: BR.OB-5386-19
ISBN 9790004334591. 10 x 12.5 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions.The popular Concerto Op. 4 No. 6 in B flat major was originally a harp concerto (and is thus called Concerto per la Harpa in the autograph) and was performed in this version at its premiere in 1736, when it was inserted into Handel's oratorio Alexander's Feast in order to illustrate the harp playing of the Greek singer Timotheus. A harp edition is also in preparation.I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik)Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: BR.PB-5212
ISBN 9790004209431. 9 x 12 inches.
SKU: KJ.9166
UPC: 084027047033.
This stirring text from Psalm 65 speaks to the wonders of God's creation and can be used throughout the year for general praise. Daniel Nelson brings us a versatile setting - the soprano solo may also be sung by a small section, and the accompaniment may be played on organ or piano.
