First Studies, Op. 86

30 petites pièces mélodiques et rythmiques pour alto/ 30 Short Melodic and Rhythmic Pieces For Viola-Written for 2nd and 3rd year instrumental students My First Studies To Play Together for Viola presents itself as the little brother of the collection for Violin available under reference number AL30683. Valerie Bime-Apparailly once again deploys her usual teaching talent by transforming this genre often seen as boring and austere into a progressive introduction to the mysteries of technique captivating students with its clear clean design and focus on fun. In My First Studies To Play Together for Viola each unit begins with the melody that the young musician is to learn. The technical challenge to master is indicatedin boxed text. Explanations may follow (on the notation of Da Capo for example) after which comes the complete score and the accompaniment to be played by the teacher. Mozart Spohr and Beethoven but also great teachers like Charles de B?riot Jean-Delphin Alard and Maurice Hauchard help students absorb fundamental musical concepts like slurs syncopation appogiatura and bow indications without losing sight of the most important part: the pleasure of playing music.

Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

En deux volumes-20 Little Studies for Piano Op.91 - Volume 1 is the first volume of a series of two written by Moritz Moszkowski. The volume 1 of this Opus 91 contains the 10 first studies with increasing difficulties for Piano and was first published in 1913. Starting with a G Major study the key then changes for each of the following ones. Advanced beginners and Intermediate players will find this studies very useful to develop their techniques Moritz Moskowski (1854-1925) was a German pianist composer and mathematician. He was popular in the nineteenth century and composed more than two hundreds pieces for Piano suites andOpera. His famous pieces are 'Serenade Op. 15' 'Études de Virtuosité Op. 72' and 'Boabdil der letzte Maurenkönig Op. 49' .

12 studies on the open strings with first second and third fingers composed by Herbert Kinsey.

Nouvelle Édition: 1. les Eléments Du Mécanisme 2. Premières Etudesdes Gammes et Registre etc.-This Complete Method for Clarinet – Volume 1 by Hyacinthe Klos? (1808-1880) is the first volume of a method for Clarinet beginners written in 5 books and is absolutely essential to develop your speed technique and articulations. This Complete Method for Clarinet – Volume 1 contains the following elements: - The Rudiments of Technique - First Studies of Scales and Registers Articulations Expressions Ornaments and Arpeggios This series of books includes studies and exercises for beginners intermediate and advanced level players with comments and advice. It also has someduets to be played by the student and the professor. Hyacinthe Klos? (1808-1880) is a French Clarinet player composer and professor at the Conservatoire de Paris. He took part in the conception of the Boehm system Clarinet. He became solo Clarinet at the Th?atre Italien in 1847.

Twenty-four studies in the first and third positions for viola. Written by Herbert Kinsey and transcribed from the violin by Margaret Banwell.

Par LINDENMUTH WILLIAM. Tout nouveau pour l\'enseignant de hautbois ! Ce volume comprend une séquence progressive des matériaux pour le hautboïste avec aucun \' limites de leçon \'. Etudiants déterminera leurs taux d\'avancement. Au lieu d\'utiliser des airs familiers, original, réfléchie de compositions musicales par l\'auteur sont inclus. L\'étudiant doit penser à travers les mélodies plutôt que de compter sur la mémoire des airs standards. Bon développement technique est assurée pour le hautboïste début. / Niveau : Débutant / All Styles - Methods / Etude / Hautbois

Easier Piano Pieces 43-Benjamin Godard was a French composer and violinist who wrote a great many pieces for the piano. This is a splendid instructional album of studies that provides some interesting contrasts of styles for Piano solo.

This First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms, key signatures and articulations and to improve accuracy in reading through the use of interesting and mestudies. It may be used either to supplement or to follow any beginning method book.