Erik Satie : Gymnopedie No. 1

Erik Satie's ever popular Gymnopodie No.1 has been tastefully arranged for String Quartet by Roy Slack and includes an optional double bass part.

The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes. / Trompette Et Piano

La scène musicale a pris connaissance d'Erik Satie (1866-1925) tout d'un coup: La première mondiale de 'Parade' son ballet le 18 mai 1917 [siehe dt. Texte!] Causé tout un scandale. La production qui a impliqué Serge de Diaghilev avec son 'Ballets Russes', Pablo Picasso (décors et costumes), Jean Cocteau (histoire) ainsi que Léonide Massine (chorégraphie) divisé la scène musicale de Paris, mais fait le compositeur bien connu. Satie qui avait à peine une solide formation musicale et a vécu à Paris pendant presque toute sa vie au point un nouveau style musical, le rejet délibéré de l''Wagnérisme de son époque. Modèles de forme classique, des harmonies nouvelles, la facilité stylistique, méditatives et des éléments fusionnés clownesques d'une manière originale, l'exemple parfait étant '3 ses Gymnopédies 'de 1888, le premier ayant été disposées ici pour instrument solo avec accompagnement de piano: Ainsi, il est désormais possible, même pour les non-pianistes, de jouer à ce célèbre miniature de Satie. Merci à sa jouabilité facile, il peut également être utilisé à des fins éducatives. / Violoncelle Et Piano

for Cello and Piano-Erik Satie Three Gymnopedies arranged for Cello and Piano by John Arkell.

Mit einem Paukenschlag wurde die Musikwelt auf Erik Satie (1866-1925) aufmerksam: Als am 18. Mai 1817 sein Ballett ?Parade' uraufgeführt wurde, kam es zum Skandal. Die Produktion, an der auch Sergei Djagilew mit seinen ?Ballets Russes', Pablo Picasso (Bühnenbild und Kostüme), Jean Cocteau (Handlung) sowie Léonide Massine (Choreographie) beteiligt waren, entzweite die Pariser Musikwelt, machte den Komponisten aber weithin bekannt. Satie, der kaum eine fundierte musikalische Ausbildung genossen hatte und fast zeit seines Lebens in Paris lebte, entwickelte einen neuen musikalischen Stil, in bewusster Abkehr vom ?Wagnérisme' seiner Zeit. Klassische Formmodelle, neue Harmonik, Leichtigkeit im Stil, Meditatives und Clowneskes verschmolzen originell. Zum Musterbeispiel dafür sind seine ?3 Gymnopédies' von 1888 geworden, deren erste hier für ein Soloinstrument mit Klavierbegleitung arrangiert wurde: Das Musizieren dieser berühmtesten Miniatur von Satie wird damit auch Nicht-Pianisten ermöglichst - die einfache Spielbarkeit erlaubt den Einsatz auch für pädagogische Zwecke. / Saxophone Et Piano

Erik Satie who was an important French composer from the Debussy generation. This piece for one piano four hands has been arranged by Tadamasa Sakai.

These three short melodious pieces by the French composer Eric Satie are ideally suited for the sound of the flute and will bring delight to both performers and audiences. Compositeur : Erik Satie Arrangeur : Robin de Smet Instrumentation : Flute Édition musicale : Fentone Music

Erik Satie's Trois Gymnopédies which has been expertly arranged for Oboe and String Quartet by Hans Abrahamsen (after Debussy). Set of parts. Manuscript copy.

The renowned pianist Hans-Günter Heumann has arranged these 30 contemporary Piano classics which are some of the greatest hits of modern composers, inspired by minimalism and drawing on many other genres. Including arrangements of Einaudi, Yiruma and Yann Tiersen among many others, Piano Pur features many songs to soothe the soul. The most acclaimed composers of the genre like Dustin O'Halloran, Ludovico Einaudi, Yann Tiersen and Philip Glass are represented here, with beautiful arrangements by Heumann. The repetitive structures build rhythms and melodies that envelop the listener, resulting in wonderful pieces of music that are as enjoyable to play as they are simply to listen to. The juxtaposition of patterns and motifs create relaxing and joyful music that may come under the genre of 'miminalism', but is far from simplistic. Featuring songs like River Flows In You, Nightbook, Metamorphosis One and Three as well as Erik Satie's masterful Gymnopédie #1, Piano Pur is a wonderful selection of the most beautiful contemporary classical pieces, as well as three original compositions by Heumann himself. Featuring a unique MP3 CD with full demonstrations as well, this songbook has everything you might need to learn how to play these fantastic songs on Piano./ Recueil / Piano

Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composersâ??J. S. Bach Beethoven Brahms Mendelssohn Mozart Rimsky-Korsakov Rachmaninoff Tchaikovsky and othersâ??are represented by several pieces each some newly adapted for the piano. Composers and works not usually featured in beginner's books include pieces by Borodin Gluck Rameau and Tallis.Well-known classics include Bach's Brandenburg Concerto No. 3 Debussy's Claire de Lune Moussorgsky's Pictures at an Exhibition Satie'sGymnopedie No. 1 Schumann's Child Falling Asleep and 'Spring' from Vivaldi's Four Seasons. Several orchestral pieces have been newly adapted for the piano including 'Dance of the Swan' from Swan Lake 'Aquarium' from Carnival of the Animals 'Largo' from Xerxes and 'Waltz of the Flowers' from The Nutcracker.Dover Original.

Par SATIE ERIK. Erik Satie was an influential composer of the Parisian avant-garde in the early 20th century. His most treasured works for piano are found here in one book. Each of the three Gymnopédies is written in two sections, with a melodic line formed from a modal scale placed over a rhythmically static accompaniment. There is no motivic or harmonic development. The three Gnossiennes are experimental in form, rhythm, and chordal structure. All are notated in ?free time? (i.e., lacking time signatures and bar lines), although each can easily be considered metric (4/4 time signature). / Date parution : 2022-02-10/ Recueil / Piano

Over 50 Favorite Repertoire Pieces Written in Standard Notation and Tablature. Over 50 favorite repertoire pieces culled and arranged as an aid to the working professional and semi-professional guitarist who finds him- or herself in a variety of playing situations, such as weddings, restaurants, and other social gatherings that present live music. Amateurs and students will also find a wealth of non-traditional recital and audition pieces to impress their colleagues! Each piece is written in standard notation and tablature. Selections include: Air on the G String (J.S. Bach) ? Bianco Fiore (Cesar Negri) ? Bridal Chorus (Richard Wagner) ? Come Away (John Dowland) ? Gymnopédie No. 1 (Erik Satie) ? In Dulci Jubilo ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Ode to Joy (Ludwig van Beethoven) ? Plaisir d'amour (Jean Paul Martini) ? Pomp and Circumstance (Sir Edward Elgar) ? Recuerdos de Alhambra (Francisco Tarrega) ? Rondeau (Jean-Joseph Mouret) ? Wedding March (Felix Mendelssohn-Bartholdy) ? and more