Early Songs, 7 (G

SKU: BR.OB-5534-15

Awarded the German Music Edition Prize 2016. Song; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5534-15. Published by Breitkopf and Haertel (BR.OB-5534-15).

ISBN 9790004341766. 10 x 12.5 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: BR.OB-5534-27

Awarded the German Music Edition Prize 2016. Song; Early modern. Part. 4 pages. Duration 16'. Breitkopf and Haertel #OB 5534-27. Published by Breitkopf and Haertel (BR.OB-5534-27).

ISBN 9790004341803. 10 x 12.5 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: BR.OB-5534-19

Awarded the German Music Edition Prize 2016. Song; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5534-19. Published by Breitkopf and Haertel (BR.OB-5534-19).

ISBN 9790004341780. 10 x 12.5 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: BR.PB-5567-07

ISBN 9790004213773. 6.5 x 9 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: BR.OB-5534-16

Awarded the German Music Edition Prize 2016. Song; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5534-16. Published by Breitkopf and Haertel (BR.OB-5534-16).

ISBN 9790004341773. 10 x 12.5 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: BR.OB-5534-30

Awarded the German Music Edition Prize 2016. Song; Early modern. Set of parts. 78 pages. Duration 16'. Breitkopf and Haertel #OB 5534-30. Published by Breitkopf and Haertel (BR.OB-5534-30).

ISBN 9790004341810. 10 x 12.5 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: BR.OB-5534-23

Awarded the German Music Edition Prize 2016. Song; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5534-23. Published by Breitkopf and Haertel (BR.OB-5534-23).

ISBN 9790004341797. 10 x 12.5 inches.

Written early, orchestrated lateThe cycle Seven Early Songs on texts by Lenau, Rilke, Storm and other poets was put together in 1928, more than 20 years after the composition of the individual songs. From the large amount of songs for voice and piano that he had written in his early years, Alban Berg selected seven of them which he then orchestrated. After serious consideration, he laid down a definitive sequence in which the tempo constantly alternates while the orchestral instruments symmetrically recede before picking up again. Once the piano and orchestral editions were printed, the Seven Early Songs quickly conquered concert halls in both scorings. They are still at home on the concert stages of the world today which is reason enough to present this work by Alban Berg in an Urtext edition following the Violin Concerto. The orchestral material can now be purchased for the first time.

Awarded the German Music Edition Prize 2016.

SKU: PR.UE035741

ISBN 9783702472702. UPC: 803452069829.

Dr. Claudia Maurer Zenck, currently Professor at the University of Hamburg, has assembled the definitive collection of the Early Songs of Ernst Krenek. She provides an excellent overview of the songs and their sources, then discusses the various versions and the individual songs. Critical notes are included in the back of each volume. Krenek, perhaps best known for his opera Jonny Spielt Auf, earned his place among the best composers of the 20th Century, and Dr. Zenck's compilation provides an excellent study of his early output.

SKU: HL.14043012

ISBN 9788759829271.

Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.

SKU: HL.14043011

ISBN 9788759829288. 9.7x14.0x0.079 inches.

Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Parts. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.

SKU: HL.14011531

ISBN 9788759877104. 10.25x14.25x0.44 inches. Danish.

Hans Abrahamsen 's Flowersongs (1973) for three Flutes. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of the new simplicity,minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word: but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.

SKU: HL.14037178

UPC: 884088441760. 8.25x11.75x0.099 inches. English.

These five part-songs were composed over ten years from 1903 to 1913, but only the first was published in the composer's lifetime. Bridge's early works - those written before the first World War - were more late Romantic in style, warmly expansive, than his mature works. These songs display Bridge's skill and craftsmanship.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher - his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge's pieces for String quartet.