Matériel : Singpartitur
/ 4 Parties Mixtes / Partition
SKU: BA.BA05050-01
ISBN 9790006462674. 33 x 26.5 cm inches. Language: German. Preface: Emil Platen / Marianne Helms.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08961
ISBN 9790006559237. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Schellevis, Hans.
Cherubini owes his fame as a church composer primarily to the “Requiem in C minor” of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with “spartitino” (additional instruments written in by hand) but also the first edition and a copyist’s manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
SKU: BA.BA09038
ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.
Beethoven described his grandly conceived ??Missa solemnis? as ??my greatest work? and sold manuscript copies to some of the subscribers even before it had appeared in print.This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the ??Sanctus?, where the choir enters instead of the soloists, rather than coming in at ??Pleni sunt coeli?. No less worthy of mention is the addition of the soloists to the choir in most of the ??Credo?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).The appendix contains Beethoven??s arrangement of the Gregorian chant ??Tantum ergo? for the first time. This was composed at the same time as the ??Missa solemnis? and most probably stands in a close relation to it.This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.
SKU: BA.BA09594
ISBN 9790260107526. 31 x 24.3 cm inches. Text language: Czech, English, German. Preface: Stockigt, Janice B. / Luks, Václav.
The ??Missa Divi Xaverii? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the uvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.The first performance to use the present new edition took place in the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, has been released by the label Accent (ACC 24301).
SKU: BA.BA09188
ISBN 9790006565092. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.
Mozart s magnificent unfinished “Great Mass in C minor K. 427” is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- The “Kyrie” and “Gloria”, both of which survive complete in Mozart’s hand, are edited in accordance with scholarly standards.- The first two sections of the “Credo” have been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the aria “Deh vieni non tardar” from “The Marriage of Figaro” and paying attention to a stylistically appropriate and transparent sound.- The “Sanctus” and “Benedictus” (with the “Hosanna”), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger’s new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
SKU: BA.BA04659-02
ISBN 9790006565368. 31 x 24.3 cm inches. Key: B-flat major. Text Language: Latin. Preface: Lippmann, Friedrich / Raab, Armin.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA04661-02
ISBN 9790006565382. 31 x 24.3 cm inches. Key: B-flat major. Text Language: Latin. Preface: Thomas, Gunter / Raab, Armin.
Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag Munchen.
SKU: BA.BA04656-02
ISBN 9790006565351. 31 x 24.3 cm inches. Key: B-flat major. Text Language: Latin. Preface: Andreas Friesenhagen.
Urtex t aus/from: Joseph Haydn Werke, G. Henle Verlag Munchen.
SKU: BA.BA04660-02
ISBN 9790006565375. 31 x 24.3 cm inches. Text Language: Latin. Preface: Gunter Thomas.
Haydn's Missa in Angustiis, also known as theNelson Mass, was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with The Creation and The Seasons. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA05621
ISBN 9790006472871. 31 x 24.3 cm inches. Key: B-flat major. Preface: Rossana Dalmonte.
Urtext der Neuen Schubert-Ausgabe.
SKU: BA.BA05576
ISBN 9790006575954. 31 x 24.3 cm inches. Key: E-flat major. Text Language: Latin.
We know relatively little about the genesis of Schubert??s Mass in E-flat major (D 950) which he completed in 1828, a few months before his death. The work was not performed during his lifetime and we can only speculate what might have caused the composer to write this Missa solemnis.In the preface to this volume of the New Schubert Edition, editor Rudolf Faber assembles all documented facts. Furthermore, he focuses on the accents, which are such a characteristic element of Schubert??s autograph scores, and explains how Schubert used them in a very differentiated manner, in particular in the Mass in E-flat major. In order to do justice to these subtle differences, the New Schubert Edition has introduced a new symbol: an accent which is flexible with regard to its length and which makes it possible to visualize Schubert??s sophisticated employment of emphasis and accentuation.The work is scored for large orchestra (without flutes), chorus, and one soprano as well as two tenors as soloists. In Schubert??s autograph the organ is not explicitly called for, but Ferdinand Schubert added an organ part for the posthumous premiere on 4 October 1829 at the Dreifaltigkeitskirche of Vienna Alservorstadt.
