Matériel : Conducteur et Parties séparées
Voir toutes les partitions de Aram Ilyich Khachaturian
SKU: CY.CC2678
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Ten is a four-voice, double fugue with use of stretto. A new theme is introduced that combines with the original Art of Fugue theme, this time inverted. Double counterpoint is used at the interval of a 10th. About 3 minutes in length.
SKU: CY.CC2682
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Fourteen is a four voice, double fugue that is an earlier version of Number Ten. It was included in the first edition of The Art of Fugue. About 3 minutes in length.
SKU: HL.50541050
8.25x11.75x0.097 inches.
SKU: BR.OB-5294-26
The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.
ISBN 9790004338032. 9 x 12 inches.
The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.
SKU: CY.CC3181
ISBN 9790530119099. 8.5 x 11 in inches.
The Four Duets, BWV 802-805 are part of a larger collection, the Clavier-ubung III sometimes called the German Organ Mass. They were first published in 1739, mostly likely intended to be performed on the organ, as they have a range from C2 to C6; playable on almost any organ from that era. However, they could have been performed on any keyboard of the time. Musically they are more complex than the Two Part Inventions, and their purpose was most likely to take two-part counterpoint to the max. * Fugue 1 is a double fugue in E minor * Fugue 2 is a fugue in F major written as a da capo aria (ABA) * Fugue 3 in G major is light and dance-like * Fugue 4 in A minor is a fugue in strict counterpoint Ralph Sauer has once again done an extraordinary job of finding great music for our instrument and transcribing it in the most beautiful way possible. Appropriate for advanced performers. Each player has their own part as well as a study score. The 2nd part may be performed on a tenor with f-attachment or a bass trombone.
SKU: BR.OB-5293-26
ISBN 9790004338001. 9 x 12 inches.
I am presently collecting the fugues of Bach - not only of sebastian, but also of Emanuel and friedeman, wrote Mozart to his father in April 1782. This could be a hint that the Six Three-Part Preludes and Fugues were derived from this collection: Mozart wrote string-trio arrangements of two preludes and five fugues by Johann Sebastian Bach, and of one fugue by Wilhelm Friedemann Bach. This apparently plunged him into such a creative mood that he simply wrote the missing preludes himself. It is to Johann Nepomuk David that we owe the first edition of this work, which introduced this unique document to a broad public for the first time. The present edition has retained David's basic editorial decision to adapt the divergent passages of Mozart's arrangement to Bach's original music text.Contents:No. 1 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier I, Fuga 8 in D# minor BWV 853No. 2 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 14 in F# minor BWV 883No. 3 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 13 in F# major BWV 882.
SKU: AP.33688S
UPC: 038081376998. English.
From Book I of Bach's The Well-Tempered Klavier, this lively reworking of the Prelude and Fugue in B-flat minor, No. 22 provides students the wonderful experience of playing Baroque counterpoint in a minor key. Though rhythms are not complex, counting skills will be honed. The piece remains mainly in first position, yet also includes melodic augmented seconds. In the five-part fugue, the double basses have their own independent line, so let them shine.
SKU: HL.49045626
ISBN 9790001161664. UPC: 841886028500. 9.0x12.0x0.869 inches.
Much has been speculated on the instrumentation of this contrapuntal masterpiece since Bach's death. For a long time, the fragmentary work was regarded as a piano work but since the early 20th century musicians have experimented with various instrumentations. This arrangement by Hans-Eberhard Dentler, who has carried out scientific research on The Art of Fugue for decades, manages through the choice of instrumentation not to use any kind of transposition. It also ensures the best possible transparency and faithfulness to the score through the soloistic rendering of the individual parts: the combination of bassoon and double bass as well as the assignment of the violoncello to the tenor part are the key to the faithful reproduction of all parts without any intervention of the arranger.
SKU: CA.3001549
ISBN 9790007204020. Key: G major. Language: German.
This motet for double choir, based on the well-known Christmas text of Isaiah 9, 5-6, is a sample from the motets by Johann Ludwig Bach, Kappellmeister of Meiningen, which are available from Carus as a complete edition. After a more homophonic first part with many dialogs, the second part follows with an alla breve fugue that expands to a double fugue to close out the work. Score and part available separately - see item CA.3001500.
SKU: SU.50005740
Flute, Vibraphone (or Alto Saxophone or Clarinet), Double Bass Alternate parts included in set Published by: Seesaw Music.
SKU: CA.3321514
ISBN 9790007051709. Language: Latin.
C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.
