Matériel : Conducteur d'étude / Miniature
SKU: GH.GE-11271
ISBN 9790070112710. A4 inches. Text: Olov Hartman.
Motet No. 5 for mixed double chorus a cappella.
SKU: PR.312410560
UPC: 680160045013.
SKU: HL.49015743
ISBN 9790220125744. UPC: 884088161507. 9.0x12.0x0.145 inches.
For Double Bass and Piano Reduction, with optional bass chorus.
SKU: HL.48185174
UPC: 888680861452. 6.75x10.5 inches.
“Comp osed by Heinrich Schütz, Psalm 150, SWV 38 is taken from 'Psalmen Davids, Dresden 1619' and is a piece for Double Chorus, Double Brass Choir and Organ. This Baroque Dramatic Concertato is one of the first choral compositions by the author which was initially in German. This religious piece features both German and English lyrics and is also titled 'Praise ye the Lord'. Heinrich Schütz (1585-1672) was a German composer and Organist, often regarded as the greatest composer before J.S. Bach.&rdquo.
SKU: HL.49005367
ISBN 9790001057790. German.
Jazz ist Rhythmus und Improvisation. Diese Anleitung will den Weg weisen, wie sich jeder das Improvisieren aneignen kann. Von der einfachen Ubung bis zum vollendeten Chorus sind alle Schwierigkeitsgrade berucksichtigt. Daruber hinaus konnen zwei oder mehr Spieler verschiedener Instrumente sich durch gemeinsames Uben mit der Kollektiv-Improvisation vertraut machen. Fur diesen Zweck weisen die Ubungen gleicher Nummer bei allen Instrumenten dieselbe Harmoniefolge und dieselbe (klingende) Tonart auf.Der Erfolg wird sich einstellen, wenn die Besonderheiten des Rhythmus, die Regeln der Melodiebildung und die harmonischen Grundlagen des Jazz in den Schriften Geschichte und Rhythmus und Harmonielehre aus der JAZZ-STUDIO-Reihe beachtet werden. - Die Melodiensammlung Old Folks at Home bietet zusatzlich fur das Uben der Improvisation vierzig bekannte Songs und Spirituals.
SKU: GH.SK-795
185 x 262 mm inches. Text: Catholic prayer.
For double mixed chorus a cappella.
SKU: HL.49004713
ISBN 9790001049467. German.
SKU: CA.2719314
ISBN 9790007200862. Language: Latin/German.
The Te Deum, that was composed in 1832, is a convincing work with quick changes of expression and warm orchestral colors. Choruses, including a double chorus, alternate with arias and soloist ensembles, smooth woodwind sounds and an obbligato solo violin with orchestral tuttis and special sound combinations, e.g., in Tibi gloriosus for male voices, bassoons, contrabassoon and three trombones. Score and part available separately - see item CA.2719300.
SKU: SU.91480580
The text is by the English poet, Joseph Addison (1672-1719), and was originally titled, Hymn. The father of English hymnody, Issac Watts, thought highly of Addison, calling him the most authentic judge of fine thought and language that our age has produced. This Addison hymn first appeared in print in the August 23, 1712, issue of The Spectator, at the end of an article by Addison entitled, An Essay on the Proper Means of Strengthening and Confirming Faith in the Mind of Man. It is based on Psalm 19, vs. 1–6. My setting of Addison’s words is full of dialogue throughout between the divided choirs. A relatively short middle section at the words, What though in solemn silence all, briefly stills the vibrant pace. However, the rhythmic energy soon returns, propelling the anthem toward its climax at the hymn’s final line, The Hand that made us is divine.SATB Double Chorus, a cappella Duration: 3' Text: Joseph Addison Composed: 2009 Published by: Subito Music Corporation Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusi c.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: BA.BA07569
ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac.
Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08858
ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.
SKU: CA.2719300
ISBN 9790007095789. Language: Latin/German.
The Te Deum, that was composed in 1832, is a convincing work with quick changes of expression and warm orchestral colors. Choruses, including a double chorus, alternate with arias and soloist ensembles, smooth woodwind sounds and an obbligato solo violin with orchestral tuttis and special sound combinations, e.g., in Tibi gloriosus for male voices, bassoons, contrabassoon and three trombones.
SKU: SU.80300120
This very easy double chorus piece, with Chorus I-II echoes, is a wonderful introduction to the world of more than four parts. The text, based on the parable of the wise and foolish virgins, is suitable for Advent. Chosen for the 1997 ACDA National Convention women's chorus reading session. SSAA/SSAA (double chorus) a cappella; Latin. Easy. SSAA/SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.