Dixieland Classics

Music Minus One Trumpet Deluxe 2-CD Set-Twenty great Dixieland classics presented here in complete versions with trumpet great John Hoffman then as backgrounds to your own performance with the Dixieland All-stars. Contains printed music score and compact disc with accompaniments. Performed by John Hoffman Accompaniment: Dixieland All-Stars: Nat Pierce piano Jim Dahl trombone Hal McKusick clarinet Russ Saunders bass Ted Sommer drums

Tuba-Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society. Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.

Horn-Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society. Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.

Trumpet 1-Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society. Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.

Featuring a front line of trumpet clarinet trombone and tuba here's three classic Dixieland tunes combined in a superb showcase for developing groups. Includes: Five Foot Two Sweet Georgia Brown and Charleston.

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Solos For Classical Guitar. Par HARTOG CEES. Compilation de solos pour guitare classique dans les styles folk, blues, country, latin. Niveau facile et intermédiaire./ Recueil / Guitare

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Mib

But My Baby Don't Love Nobody but Me-This early jazz classic featuring authentic New Orleans Dixieland is an excellent feature for jazz and pop groups! Available separately: SATB SAB SSA ShowTrax CD. Dixieland Combo parts available as a digital download. (tpt 1 tpt2 tsx asx tbn gtr b dm) Duration: ca. 3:30.

When the world goes wrong and I got the blues he's the man who makes me get out both my dancin' shoes.This great King Oliver classic just jumps with joy with or without the Dixieland accompaniment! Irresistible!Available separately: SATB SAB 2-Part ShowTrax and Instrumental Pak (Dixieland). Performance Time: Approx. 2:45.

But My Baby Don't Love Nobody but Me-This early jazz classic featuring authentic New Orleans Dixieland is an excellent feature for jazz and pop groups! Available separately: SATB SAB SSA ShowTrax CD. Dixieland Combo parts available as a digital download. (tpt 1 tpt2 tsx asx tbn gtr b dm) Duration: ca. 3:30.

The Stick Bag Book of Jazz Funk & Fusion is the ultimate resource for drummers and musicians. It features the most influential styles rhythms and techniques—all in one handy easy-to-use reference guide. From bigband to funk each rhythm from over 30 classic styles is presented in standard drum notation including fills and performance tips. Whether you are a percussionist producer arranger or songwriter a strong knowledge ofthese rhythms will add to your overall versatility as a drummer and musician. The Stick Bag Book of Jazz Funk And Fusion covers Big Band Dixieland Funk Fusion Classic Jazz Rhythm and Blues and MORE! Also includesbrush patterns and rudiments!

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do