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99 sheet music found DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi # Brass quartet : 2 trumpets, trombone, tuba # EASY # Giuseppe Verdi # Alessandro Macrì # DIES IRAE from REQUIEM by G. V # Music Macri Editions # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso. Tuba Mirum Fanfare from Verdi Requiem for Trumpet Ensemble
Tuba Mirum Fanfare from Verdi Requiem for Trumpet Ensemble # Trumpet ensemble # INTERMEDIATE # Giuseppe Verdi # Charles Decker # Tuba Mirum Fanfare from Verdi # Charles Decker Music Press # SheetMusicPlus
Trumpet Ensemble Trumpet - Level 3 - SKU: A0.817123 Composed by Giuseppe Verdi. Arranged by Charles Decker. 19th Century,Historic,Multicultural,Religiou...(+)
Trumpet Ensemble Trumpet - Level 3 - SKU: A0.817123 Composed by Giuseppe Verdi. Arranged by Charles Decker. 19th Century,Historic,Multicultural,Religious,Romantic Period,World. 33 pages. Charles Decker Music Press #3545549. Published by Charles Decker Music Press (A0.817123). One of the most dramatic and impressive fanfares ever composed for trumpets is this Tuba Mirum movement from Verdi's monumental Requiem of 1874. With four on-stage trumpets and two pairs of trumpeters positioned in the concert hall, this surround sound experience is guaranteed to impress audiences and inspire performers. Two complete sets of trumpet parts are provided one for B-flat trumpets and an alternate set for C trumpets. Beyond brass ensemble programs and special events, begin your next band concert featuring your trumpet section with this accessible and brilliant fanfare. Timpani is optional but adds to the drama of the fanfare movement. The audio file is an actual trumpet ensemble performance of the complete work and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato. AVE MARIA - Scala enigmatica - G. Verdi - Arr. for Brass Quartet: Bb Tpt, Hn, Tbn, Tuba
AVE MARIA - Scala enigmatica - G. Verdi - Arr. for Brass Quartet: Bb Tpt, Hn, Tbn, Tuba # Brass quartet : 2 trumpets, trombone, tuba # Classical # Giuseppe Verdi # Renato Tagliabue # AVE MARIA - Scala enigmatica - # Renato Tagliabue # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.724633 Composed by Giuseppe Verdi. Arranged by Renato Tagliabue. Romantic Period. Score and parts. 9...(+)
Monteverdi - The Seventh Book of Madrigals (1619) - 28. Chiome d'oro
Monteverdi - The Seventh Book of Madrigals (1619) - 28. Chiome d'oro # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # Classical # Claudio Monteverdi # Mike Lyons # Monteverdi - The Seventh Book # Lyons Music Services # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767365 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767365 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3545853. Published by Lyons Music Services (A0.767365). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Chiome d'oro, bel tesoro tells of golden tresses of hair, strings of pearls and roses that all charm and bind the lover to his love. It's a typical slushy romantic poem of the time and Monteverdi gives it some special treatment indeed. Originally for 'two voices (unspecified) two violins and basso continuo (now a standard part of any accompaniment) I have chosen to arrnage it for Two horns, Two Trumpets/Cornets, two trombones (baritone/euphonium) and tuba.The range of the violin parts is quite small, so it fits rather well on the trumpets. Of course, we are in the era when music was apt to be composed to fit any combination of instruments and so all the ranges would have to be similar to enable this to happen. I decided to give the duet lines to the horns.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass. Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7
Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7 # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE # Classical # Claudio Monteverdi # Mike Lyons # Monteverdi - The Seventh Book # Lyons Music Services # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 48 pages. Lyons Music Services #3543491. Published by Lyons Music Services (A0.767360). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Parlo miser o taccio is a trio for two sopranos and bass. I have set this for trumpets/cornets and euphonium/trombone, leaving the accompaniment in the hands of the horns and tubas, but with an extra high Bb part. The title translates as Should I, poor wretch, speak out or hold my tongue? Yet again our young man is in a romantic (lustful) state, and the words of the lyrics carry many double entendres in rspect of what he and his lady are getting up to! The strong dissonances followed by long drawn out resolutions and suspensions were a common device in this type of song to indicate how matters were progressing. At 6 and a half minutes, this is quite a long song, compared to the 2 or 3 minutes of most of the book. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass. Ave Maria for 13-part Brass Ensemble
Ave Maria for 13-part Brass Ensemble # Brass ensemble # INTERMEDIATE/ADVANCED # Classical # Giuseppe Verdi
# Denis Jiron # Ave Maria for 13-part Brass En # Cherry
Classics Music # SheetMusicPlus
Brass Choir or Ensemble -
Advanced Intermediate -
Composed by Giuseppe Verdi
(1813-1901). Arranged by
Denis Jiron. Romantic Period,
Opera, Sacred, G...(+)
Brass Choir or Ensemble -
Advanced Intermediate -
Composed by Giuseppe Verdi
(1813-1901). Arranged by
Denis Jiron. Romantic Period,
Opera, Sacred, General
Worship. Score, Set of Parts.
23 pages. Published by Cherry
Classics Music Ave Maria, composed in 1889 is the first movement of Verdi's Quattro pezzi sacri for a cappella chorus. Verdi was inspired to compose this work, prompted by the challenge put forth to harmonize the Enigmatic Scale (Scala Enigmatica Armonizzata) by composer Adolfo Crescentini. The rather bizarre scale is passed around to all the parts throughout the entire work and is part of the mystery of this sacred work.
This 4-minute piece has been brilliantly arranged by Denis Jiron for 13-part Brass Ensemble with the following instrumentation: Cornet in B-flat, 3 Flugelhorns, 4 Horns, 2 Trombones, Bass Trombone, Euphonium, and Tuba.
This work may be performed by moderately advanced performers.