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You've selected:
The Shape Of Water Score Only
Sheetmusic to print
5 sheet music found
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1
The Shape Of Water - Score Only
The Shape Of Water - Score Only
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Orchestra
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Film/TV
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Alexandre Desplat
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Brandon C Stanley
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The Shape Of Water - Score Onl
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Brandon C Stanley
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SheetMusicPlus
Full Orchestra - SKU: A0.1303271 By Alexandre Desplat. By Alexandre Desplat. Arranged by Brandon C Stanley. Film/TV. 10 pages. Brandon C Stanley #892853...
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Full Orchestra - SKU: A0.1303271 By Alexandre Desplat. By Alexandre Desplat. Arranged by Brandon C Stanley. Film/TV. 10 pages. Brandon C Stanley #892853. Published by Brandon C Stanley (A0.1303271). **SCORE ONLY**Track #1 from academy award winning Alexandre Desplat's Original Motion Picture Soundtrack for the 2017 film The Shape of Water directed by Guillermo del Toro. This arrangement gives the orchestra everything it needs to sound like the OST. With whistling, alto flute, bowed vibraphone, and accordian, this arrangement will sound just as it is heard on the big screen.Transposing Reduced ScoreSolo Voice (whistle)FluteAlto FluteVibraphone (bowed)Percussion 1HarpPianoAccordianViolin 1Violin 2ViolaCelloContrabass.
$9.99 ≈
9.21€
A Hymn of Beginnings
A Hymn of Beginnings
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Bassoon, Piano (duet)
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INTERMEDIATE
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Sacred music
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Traditional Gaelic Melody
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Robert Myers
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A Hymn of Beginnings
#
WheatMyer Music
#
SheetMusicPlus
Piano Accompaniment, Bassoon - Intermediate - Composed by Traditional Gaelic Melody. Arranged by Robert Myers. Contemporary Classical, Sacred, General...
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Piano Accompaniment, Bassoon - Intermediate - Composed by Traditional Gaelic Melody. Arranged by Robert Myers. Contemporary Classical, Sacred, General Worship, Christmas, Easter. Score, Solo Part. 11 pages. Published by WheatMyer Music
The tune BUNESSAN is a traditional Gaelic melody firstprinted in 1888 as the setting of Mary MacDonald's carol "Child in theManger." The tune was named after Mary's birthplace on the Isle of Mulloff Scotland's western coast. BUNESSAN is commonly associated with hymnscelebrating new beginnings: the aforementioned "Child in the Manger,"then the 1931 creation-celebrating hymn "Morning Has Broken," and themore recent but lesser-known 1982 hymn “Baptized in Water.” The title of this piece, “A Hymn of Beginnings,”recognizes that association.
Sacred bassoon solos aren’t common and those that exist tendto be quite pedestrian. With a new bassoonist in our church orchestra whosetalents go well beyond the pedestrian it seemed opportune to try something newand thus, “A Hymn of Beginnings” took shape. The music has a conventional feelbut with a palpable dash of the unfamiliar, achieved through subdued bi-tonalcoloring, matching the major-key melody with a minor-key harmonization thatmoves by descending thirds. Still, it remains quite accessible to the casuallistener with its familiar melody and obvious tonality.
“A Hymn of Beginnings” is suitable for intermediate leveland above musicians and works well at any time of the church year with itscontemplative yet varied moods. Its association with new beginnings makes itparticularly suited to Christmas, Easter, baptismal services, weddings, andothers.
Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic
$7.99 ≈
7.37€
Reveille, for instruments in six parts - Score and Parts
Reveille, for instruments in six parts - Score and Parts
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Paul Burnell
#
Reveille, for instruments in s
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Paul Burnell
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SheetMusicPlus
Level 4 - SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0....
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Level 4 - SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0.1426124). Reveille by Paul Burnell.Composed 2002, with minor revisions to the score in 2023.For instruments in six parts, reading treble clef.Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on EDuration 7:00 approx.Score in CThe instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.
$3.99 ≈
3.68€
The Devil's Millhopper for piano solo
The Devil's Millhopper for piano solo
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Piano solo
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ADVANCED
#
Contemporary
#
Joseph Dillon Ford
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The Devil's Millhopper for pia
#
David Warin Solomons2
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.958462 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons2 #3691515. Publish...
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Piano Solo - Level 5 - SKU: A0.958462 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons2 #3691515. Published by David Warin Solomons2 (A0.958462). The Devil's Millhopper is north Florida's most famous sinkhole, a 120-foot-deep bowl-shaped concavity formed in soluble limestone by the erosive action of water over millennia. This geological formation got its name because fossilized shark teeth, marine shells, and the shattered remains of extinct land animals have all been discovered in its depths, as if these hapless creatures, trapped in a gigantic hopper, had served as grist for the Evil One's mill. In this fiendishly difficult short piece, I have attempted to evoke not only the erosive forces of water and earth but also the buzzing of mosquitoes and other insects that invariably accompany those hardy enough to attempt the 232-step descent on a hot, humid summer day. Tonal ambiguity is intentionally maintained until just before the movement ends with a gentle chromatic cascade, by which point the terra firma of G Major is firmly established.
$7.00 ≈
6.46€
English Autumn
English Autumn
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James Marshall
#
English Autumn
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James Marshall Music
#
SheetMusicPlus
Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Musi...
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Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99 ≈
18.44€
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1
The Shape Of Water Score Only
