TROMBONE
TROMBONE Not classified 57,339 Piano & keyboards
Guitars
Voice
Woodbrass Trombone (band part) 15,127 Brass Quintet: 2 trumpets, horn, trombone, tuba 7,810 Trombone 7,062 Trombone and Piano 1,320 Brass Quartet: 4 trombones 552 Bass Clef Instruments 477 2 Trombones (duet) 469 Brass Quartet 323 Trombone ensemble 273 Brass Quartet: 2 trumpets, horn, trombone 210 Brass Trio 208 3 Trombones (trio) 153 Trumpet, Trombone (duet) 148 Trumpet, Saxophone (duet) 84 Trombone, Organ 59 Bass Trombone 39 2 Trombones, Piano 31 Bass Trombone and Piano 27 Trumpet, Trombone, Piano 24 Brass Quartet: 2 trumpets, 2 trombones 20 Trombone, Horn (duet) 13 Trombone, Viola (duet) 10 Trombone and Orchestra 8 Trombone, Tuba (duet) 7 Trombone, Violin (duet) 6 Horn, Trumpet, Trombone (trio) 4 Trumpet, Euphonium (duet) 3
Strings
Others
FREE SHEET MUSIC
FOR TROMBONE
SHEET MUSIC LIBRARY
FOR TROMBONE
DIGITAL SHEET MUSIC
FOR TROMBONE
MUSICAL INSTRUMENTS
FOR TROMBONE
INSTRUMENTS :
ACCESSSORIES :
GIFTS :
Digital sheet music, access after purchasing
Sheetmusic to print
37,620 sheet music found He Won't Hold You (Jacob Collier) Trombone Ensemble
He Won't Hold You (Jacob Collier) Trombone Ensemble # Trombone ensemble # Contemporary # Jacob Collier # Michael Pilley # He Won't Hold You # Michael Pilley Musi # SheetMusicPlus
Trombone, Brass Choir or
Ensemble, Trombone Ensemble -
Advanced -
By Jacob Collier. Arranged by
Michael Pilley. Score, Set of
Parts. 55 pages. Publish...(+)
Trombone, Brass Choir or
Ensemble, Trombone Ensemble -
Advanced -
By Jacob Collier. Arranged by
Michael Pilley. Score, Set of
Parts. 55 pages. Published by
Michael Pilley Musi From his acclaimed album Djesse Vol. 3, this is Jacob's favourite track and lends itself beautifully to a trombone ensemble. With a hymn-like chorale and a bluesy solo, along with half the ensemble being bass trombones, this is a great showcase of your ensembles warmth and sensitive playing.
This is an advanced work scored for soloist, six tenor trombones, four bass trombones and a contrabass trombone (playable by a bass trombonist with extreme range). If you are lacking extra bass trombonists, you can substitute tenor trombonists for the top three bass trombone parts.
The soloist part is mostly improvisational and would suit a jazz player. Top two tenor trombones carry more of the melody, with the 2nd playing a higher range. The next four tenor trombones add a lot of colour to the mix with different mutes, and the background effects you can hear on the track, and require agile trombonists.
As played by Super Bone on YouTube.
Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. Three Studies for Trombone Quartet
Three Studies for Trombone Quartet # Brass Quartet: 4 trombones # ADVANCED # Studies # Vladislav
Blazhevich # Karl Lyden # Three Studies for Trombone Qua # Cherry Classics
Music # SheetMusicPlus
Trombone Quartet - Advanced -
Composed by Vladislav
Blazhevich (1881-1942).
Arranged by Karl Lyden. 20th
Century, Romantic Period,
Etudes and Exerci...(+)
Trombone Quartet - Advanced -
Composed by Vladislav
Blazhevich (1881-1942).
Arranged by Karl Lyden. 20th
Century, Romantic Period,
Etudes and Exercises,
Technique Training. Score,
Set of Parts. 39 pages.
Published by Cherry Classics
Music The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.
Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.
Here is a description of the Three Studies by arranger Karl Lynden:
"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich?s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement ?Five Etude?.
Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.
No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light." Two Sacred Pieces for Trombone Ensemble Choir
Two Sacred Pieces for Trombone Ensemble Choir # Trombone ensemble # INTERMEDIATE/ADVANCED # Classical # Heinrich Schutz
# Kenneth Biggs # Two Sacred Pieces for Trombone # Cherry Classics Music # SheetMusicPlus
Trombone Ensemble Choir -
Advanced Intermediate -
Composed by Heinrich Schutz
(1585-1672). Arranged by
Kenneth Biggs. Baroque
Period, Renaissance, E...(+)
Trombone Ensemble Choir -
Advanced Intermediate -
Composed by Heinrich Schutz
(1585-1672). Arranged by
Kenneth Biggs. Baroque
Period, Renaissance, Early
Music, Sacred. Score, Set of
Parts. 32 pages. Published by
Cherry Classics Music Heinrich Schütz (1585-1672) wrote the Musikalische Exequien, opus 7 (SWV 279-281) for the funeral of Prince Heinrich Posthumus von Reuss (1572-1635). Prince Heinrich?s widow and sons commissioned the work upon his death and provided Schütz with Bible verses as the text, which were also inscribed on the prince?s coffin.
Two of the three parts of the Musikalische Exequien have been arranged for 8-part Trombone Ensemble in two different choirs. The first piece, Motet is reminiscent of Gabrieli's Sonatas. The second piece, Canticum Sineonis is dense, rich, and evokes deep spiritual suffering and loss.
Two Sacred Pieces have been exquisitely edited and arranged by Kenneth Biggs for moderately advanced performers and work very well with 2 Alto Trombones, 4 Tenor Trombones, and 2 Bass Trombones. Chaccone for Trombone Quartet
Chaccone for Trombone Quartet # Brass Quartet: 4 trombones # ADVANCED # Classical # Johann Pachelbel
# Mark
LaFratta # Chaccone for Trombone Quartet # Cherry
Classics Music # SheetMusicPlus
Trombone Quartet Ensemble -
Advanced -
Composed by Johann Pachelbel
(1653-1706). Arranged by Mark
LaFratta. Classical Period,
Baroque Period, Renaissa...(+)
Trombone Quartet Ensemble -
Advanced -
Composed by Johann Pachelbel
(1653-1706). Arranged by Mark
LaFratta. Classical Period,
Baroque Period, Renaissance.
Score, Set of Parts. 25
pages. Published by Cherry
Classics Music Ciacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel?s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.
Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.
This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass trombone "Us" for Jazz Trombone Quintet & Rhythm Section
"Us" for Jazz Trombone Quintet & Rhythm Section # Trombone ensemble # ADVANCED # Jazz # Thad Jones # Fletcher, David # "Us" for Jazz Trombone Quintet # Cherry
Classics Music # SheetMusicPlus
Trombone Quintet and Rhythm
Section Jazz - Advanced -
Composed by Thad Jones.
Arranged by Fletcher, David.
Jazz, Blues, Big Band, Rock.
Score, Set o...(+)
Trombone Quintet and Rhythm
Section Jazz - Advanced -
Composed by Thad Jones.
Arranged by Fletcher, David.
Jazz, Blues, Big Band, Rock.
Score, Set of Parts. 45
pages. Published by Cherry
Classics Music Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ?band? (for this version, read: ?trombones?) and intricate saxophone lines which are challenging but very rewardingly playable.
David Fletcher has done a magnificent job of translating the richness of Thad?s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals.
David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar. Ten Selected Hymns for the Performing Duet, Vol. 6 - trombone (euphonium) and bass trombone (tuba)
Ten Selected Hymns for the Performing Duet, Vol. 6 - trombone (euphonium) and bass trombone (tuba) # 2 Trombones (duet) # INTERMEDIATE # Classical # Various # Ten Selected Hymns for the Per # KFS Publishing # SheetMusicPlus
Trombone, Tuba, Euphonium,
Bass Trombone - Intermediate
-
Composed by Various. Arranged
by Kenneth D. Friedrich.
Christian, Gospel, Spiritual,
Sacred, Pra...(+)
Trombone, Tuba, Euphonium,
Bass Trombone - Intermediate
-
Composed by Various. Arranged
by Kenneth D. Friedrich.
Christian, Gospel, Spiritual,
Sacred, Praise and Worship.
Score. 20 pages. Published by
KFS Publishing Volume five of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trombone or euphonium and bass trombone or tuba duet. Difficulty level: 2 to 4
List: Immortal, Invisible, God Only Wise, In the Garden, I've Got Peace Like a River, Jesus Loves Me, Jesus, Lover of My Soul, Joyful, Joyful, We Adore Thee, Just As I Am, Lead On, Eternal King, Leaning On the Everlasting Arms, and Let Us Break Bread Togetherand#65279; The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir # Trombone ensemble # ADVANCED # Contemporary # Charles Ives
# Ross
Holcombe # The Alcotts - from Sonata No. # Cherry Classics Music # SheetMusicPlus
Trombone Choir Ensemble -
Advanced -
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, Set of
Parts. ...(+)
Trombone Choir Ensemble -
Advanced -
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, Set of
Parts. 44 pages. Published by
Cherry Classics Music Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.
Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.
The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.
This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers. Pineapple Rag (Trombone Trio)
Pineapple Rag (Trombone Trio) # 3 Trombones (trio) # INTERMEDIATE/ADVANCED # Ragtime # Scott Joplin
# John
A # Pineapple Rag # John
A. Dempsey # SheetMusicPlus
Brass Trio, Trombone 1,
Trombone 2, Trombone 3 -
Advanced Intermediate -
Composed by Scott Joplin
(1868-1917). Arranged by John
A. Dempsey. Jazz, Ra...(+)
Brass Trio, Trombone 1,
Trombone 2, Trombone 3 -
Advanced Intermediate -
Composed by Scott Joplin
(1868-1917). Arranged by John
A. Dempsey. Jazz, Ragtime,
Movies, Fourth of July,
Recital. Score, Set of Parts.
18 pages. Published by John
A. Dempsey Scott Joplin's effervescent, rollicking "Pineapple Rag" is arranged here as a ragtime brass trio for trombone. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Key: Bb major / modulates to Eb major. 14 pages of music (that includes the score and separate two-page pullout parts for each instrument) Twelve Duos for Trombones based on Armenian Folk Songs
Twelve Duos for Trombones based on Armenian Folk Songs # 2 Trombones (duet) # ADVANCED # Folkloric/Traditional # Petros
Shoujounian # Twelve Duos for Trombones base # Cherry
Classics Music # SheetMusicPlus
Trombone - Advanced -
Composed by Petros
Shoujounian. 21st Century. 23
pages. Published by Cherry
Classics Music...(+)
Trombone - Advanced -
Composed by Petros
Shoujounian. 21st Century. 23
pages. Published by Cherry
Classics Music Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.