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You've selected:
Soft Sea Air
Sheetmusic to print
45 sheet music found
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1
26
Soft Sea Air
Soft Sea Air
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Eugene W
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Eugene W
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Soft Sea Air
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Eugene W. Hairston
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SheetMusicPlus
Acoustic Guitar,Alto Saxophone,Bass Flute,Bass Voice,Cowbell,Drum Set,Maracas,Rhythm Instrument,Synthesizer - Level 3 - Digital Download SKU: A0.1348388 ...
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Acoustic Guitar,Alto Saxophone,Bass Flute,Bass Voice,Cowbell,Drum Set,Maracas,Rhythm Instrument,Synthesizer - Level 3 - Digital Download SKU: A0.1348388 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Contemporary,Jazz,Multicultural,New Age,World. Full Performance. Duration 300. Eugene W. Hairston #933163. Published by Eugene W. Hairston (A0.1348388). Song: Soft Sea AirAlbum: A Playful VisionYear: 2022Genre: Adult Contemporary (Easy Listening)Time: 5:00Copyrights: Eugene W. HairstonA gentle,airy medium tempo smooth jazz style song.
$1.99 ≈
1.86€
A floral sea; a cloudless night
A floral sea; a cloudless night
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Flute Quartet: 4 flutes
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ADVANCED
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Contemporary
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Kyle Rowan
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A floral sea; a cloudless nigh
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Penguinman Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - Digital Download SKU: A0.1023048 Composed by Kyle Rowan. Contemporary. 31 pages. Penguinman Music #4...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - Digital Download SKU: A0.1023048 Composed by Kyle Rowan. Contemporary. 31 pages. Penguinman Music #4595909. Published by Penguinman Music (A0.1023048). A floral sea; a cloudless night was adapted from music originally composed for my upcoming hypertext opera, Not Quite a Sunset. Through a combination of guided improvisation and fully composed sections, the four flutists create textures that evoke the dreamworld experienced by the protagonist of the opera. The wind picks up around me, rousing me from sleep, and I open my eyes, but I do not move, only breathe. I am lying on my side in a field of long grass, the brushÂlike ends of which nudge me softly in rhythm with the moving air, encouraging me to get up. Something Â- the floral scent in the air, the chattering of insects around me  seems familiar about this place, though I am not entirely sure where I am.I begin to sit up slowly, first propping myself up on my elbows, taking in my surroundings. The tall grass spreads out in an endless sea around me, shaded black and grey by the darkness, occasionally glinting silver as it sways.  -excerpt from Not Quite a Sunset
$20.00 ≈
18.72€
Softly and Tenderly
Softly and Tenderly
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intertwining this traditional
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Will L
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Alex Mezeritski
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Softly and Tenderly
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Alex Mezeritski
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1456575 Composed by Will L. Thompson. Arranged by Alex Mezeritski. Christian,Classical,Praise & Worship,R...
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Piano Solo - Level 4 - Digital Download SKU: A0.1456575 Composed by Will L. Thompson. Arranged by Alex Mezeritski. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 3 pages. Alex Mezeritski #1035652. Published by Alex Mezeritski (A0.1456575). My arrangement of Softly and Tenderly Jesus Is Calling preserves the essence of Will L. Thompson's cherished hymn, while infusing it with a more modern twist. Crafted with care, it shows a blend of classic and contemporary elements for an authentic musical experience. With each gentle strain of my arrangement of Softly and Tenderly Jesus Is Calling” filling the air, it invites worshippers to heed the tender call of Jesus. Every note tells a story of grace, redemption, and unconditional love. The timeless message of faith in Christ and salvation to all people will uplift listeners, fostering a deep connection to God. This arrangement is designed for churches and religious communities who seek to enrich their worship services with an emotionally resonant rendition of a beloved hymn. It also caters to music directors, choirs, and musicians looking for a piece that integrates tradition with innovation. Congregations, religious communities, and others can be taken on a transcendent musical journey while being captivated with the heartfelt sincerity this arrangement brings. Relevant keywords for online searches may include: Will L Thompson, Softly and Tenderly Jesus is Calling, hymn, piano arrangement, worship music, church choir arrangement, hymn arrangement, modern worship, spiritual music, religious music, Christian hymn, sacred music, reverent arrangement, traditional meets contemporary. By intertwining this traditional melody with more modern harmonies with my arrangement, I am offering a fresh interpretation that both honors the heritage of the original piece, whilst also embracing the contemporary needs of today’s worshippers.
$6.00 ≈
5.61€
Dance of the Fairy Bells - Part 2 - Beyond the Sky
Dance of the Fairy Bells - Part 2 - Beyond the Sky
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Piano solo
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INTERMEDIATE
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Eva Behrens
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Dance of the Fairy Bells - Par
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Eva Behrens
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1305306 By Eva Behrens. By Eva Behrens. 19th Century,Classical,New Age,Romantic Period,Wedding. Score. 2 ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1305306 By Eva Behrens. By Eva Behrens. 19th Century,Classical,New Age,Romantic Period,Wedding. Score. 2 pages. Eva Behrens #894745. Published by Eva Behrens (A0.1305306). Beyond the Sky is part 2 in the Dance of the Fairy Bells Series; It is a solo piano composition that gently envelops the listener in a tranquil embrace. The delicate, cascading melodies evoke a sense of weightlessness, as if floating in a serene dreamscape. The seamless progression of soft, resonant chords creates a soothing atmosphere, gently soothing the mind and inviting a profound sense of peace. With its graceful, unhurried tempo and gentle arpeggios, the music delicately weaves a tapestry of calming, reflective moments, inviting the listener to embark on a meditative journey through a realm of ethereal tranquility.
$5.99 ≈
5.61€
Skye Boat Song
Skye Boat Song
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Choral SSAA
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INTERMEDIATE/ADVANCED
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anonymous/traditional
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Stella Claire ter Hart
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Skye Boat Song
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Con...
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Contest,Festival,Folk,Historic,Irish,Multicultural,World. 14 pages. Stella ter Hart #749496. Published by Stella ter Hart (A0.1163839). A new, exciting arrangement for SSAA choir of this much loved Scottish folk song. Stirring, powerful, harmonically rich and innovative, Skye Boat Song arranged by Stella ter Hart is perfect for advanced high school choirs, community and professional choirs. The words behind this well-known song carry significant historical significance. The piece is actually not just a isn't that a lovely tune folksong. The familiar main chorus Speed bonny boat like a bird on the wing... is repeated between the four verses which tell the story of the brutal battle of Culloden in Scotland and the end of the Highland way of life. The accompanying violin and piano are characters in their own right and use word painting to highlight the emotional text. Scottish snare adds drama! The vocal writing uses different effects to ensure each verse has its own impact and expression. Sure to be a favourite with intermediate and higher level treble choirs!Speed bonny boat like a bird on the wing. Onward! the sailors cry. Carry the lad that is born to be King over the sea to Skye. Loud the winds howl, loud the waves roar. Thunder clouds rend the air. Baffled our foes stand by the shore. Follow they do not dare. Though the waves leap soft shall ye sleep ocean's a royal bed. Rocked in the deep, Flora will keep watch by your weary head. Many's the lad fought on that day. Well the claymore did wield. When the night came silently lay Dead in Culloden's field. Burned are our homes. Exile and death scatter the loyal men. Yet e'er the sword cools in the sheath Charlie will come again. Speed bonny boat like a bird on the wing. Onward! the sailor’s cry. Carry the lad that is born to be King over the sea to Skye.
$2.45 ≈
2.29€
Chinese Spring
Chinese Spring
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Piano solo
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INTERMEDIATE
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Max Potseluiev
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Chinese Spring
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Max Potseluiev
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1255160 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 p...
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Piano Solo - Level 3 - Digital Download SKU: A0.1255160 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848725. Published by Max Potseluiev (A0.1255160). Chinese Spring is a delicate and soft composition that embodies the essence of a blossoming season in China. With its light and airy demeanor, this piece captures the beauty and grace of springtime in a unique blend of influences, featuring a soft syncopated rhythm reminiscent of a quasi-jazz waltz.The composition transports the listener to a tranquil Chinese garden, where cherry blossoms gently sway in the breeze and fragrant flowers fill the air. The melody dances playfully, painting a vivid picture of nature awakening from its winter slumber. The syncopated rhythm adds a touch of liveliness and whimsy, infusing the piece with a sense of joy and spontaneity.Chinese Spring invites the listener to embrace the serenity of the season, as well as the vibrant energy that comes with the blooming of nature. The soft and gentle nature of the composition creates a calming atmosphere, allowing the listener to immerse themselves in the beauty of the moment.As the piece unfolds, it incorporates elements of quasi-jazz waltz, infusing the traditional Chinese-inspired melodies with a subtle modern twist. The rhythmic interplay between the melody and the syncopated accompaniment creates a lively and captivating atmosphere, evoking a sense of celebration and the spirit of springtime festivities.The composition, with its light and soft character, pays homage to the rich cultural heritage of China while embracing a contemporary musical sensibility. It captures the essence of a season of renewal and growth, encapsulating the beauty and optimism that comes with the arrival of spring.Chinese Spring serves as a musical tribute to the harmonious blend of tradition and innovation, inviting the listener to experience the enchantment of a new beginning and the timeless beauty of a season filled with promise.
$4.99 ≈
4.67€
Five Songs for Soprano - Song-Cycle, Op. 14
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voice
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INTERMEDIATE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Ker...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99 ≈
6.54€
Come Thou Fount
Come Thou Fount
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Piano solo
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INTERMEDIATE
#
Sacred music
#
Ginger Fairbanks
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Ginger Fairbanks
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Come Thou Fount
#
Ginger Fairbanks
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.901539 Composed by Ginger Fairbanks. Arranged by Ginger Fairbanks. Christian,Holiday,Praise & Worship,Sac...
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Piano Solo - Level 3 - Digital Download SKU: A0.901539 Composed by Ginger Fairbanks. Arranged by Ginger Fairbanks. Christian,Holiday,Praise & Worship,Sacred. Score. 4 pages. Ginger Fairbanks #3892703. Published by Ginger Fairbanks (A0.901539). Though written in 1757, this hymn by Robert Robinson and John Wyeth continues to resonate with Christians seeking divine grace. Ginger’s powerful arrangement expresses the emotions of the text, with poignant soft sections, a soaring climax, and dissonant notes that reveal the conflict in the phrases, Prone to wander, Lord, I feel it, Prone to leave the God I love. Throughout the song, the arrangement carries an air of hope, then ends triumphantly as the words invite us to turn our will to God and ask him to make us something more than ourselves, saying, Here’s my heart, O take and seal it, Seal it for thy courts above. This melody-centric arrangement for the intermediate pianist is well-suited for worship services and occasions when you want to inspire your listeners.Listen to this song in its entirety on Spotify: https://open.spotify.com/artist/68sJ3cgLo60l50ngysdki2
$4.95 ≈
4.63€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.73€
Almost May Score and Parts
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.39€
Almost May Lead Sheet
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.80€
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
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David Catherwood
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Jack's Journey - A new Musical
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Opus 3 Music
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus ...
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50 ≈
8.89€
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
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David Catherwood
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Jack's Journey - A Musical ins
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Opus 3 Music
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SheetMusicPlus
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score....
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00 ≈
70.19€
Enchanted Lullaby
Enchanted Lullaby
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Easy Piano
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EASY
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Universe Waves
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Alexander Mastelyak
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Enchanted Lullaby
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Alexander Mastelyak
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1422046 By Universe Waves. By Alexander Mastelyak. Arranged by Alexander Mastelyak. 21st Century,Children...
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Easy Piano - Level 2 - Digital Download SKU: A0.1422046 By Universe Waves. By Alexander Mastelyak. Arranged by Alexander Mastelyak. 21st Century,Children,Classical,Multicultural,New Age,World. Score. 2 pages. Alexander Mastelyak #1003387. Published by Alexander Mastelyak (A0.1422046). As the sun sets on the horizon, casting a warm, golden glow over the tranquil beach, the rhythmic melody of crashing waves fills the air. Amidst this serene scene stands a grand piano, its sleek form bathed in the soft light of twilight. Seated at the piano is a woman whose beauty radiates with an ethereal glow. With each graceful movement of her fingers, she breathes life into the instrument, conjuring melodies that echo the peaceful rhythm of the ocean. In this moment of perfect harmony, the beauty of the sunset merges seamlessly with the enchanting music, creating a timeless tableau of tranquility and grace.
$2.50 ≈
2.34€
Sweet are the charms of her love
Sweet are the charms of her love
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Choral SATB
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Healey Willan
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Sweet are the charms of her lo
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Biretta Books
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.879608 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517999. Publis...
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Choral Choir (SATB) - Digital Download SKU: A0.879608 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517999. Published by Biretta Books (A0.879608). Healey Willan's SATB a capella part-song setting of Sweet are the charms of her love exhibits lovely choral writing at its best. The text is by Barton Booth (1681-1733):Sweet are the charms of her love, More fragrant that the damask rose, Soft as the down of turtle dove,Gentle as air when Zephyr blows,Refreshing as descending rains,To sunburnt climes and thirsty plains.True as the needle to the pole,Or as the dial to the sun;Constant as gliding waters roll,Whose swelling tides obey the moon;From ev'ry other charmer free,My life and love follow thee. Love, and his sister fair, the soul,Twin-born, from heav'n together came,Love with the universe control,When dying seasons lose their name.Divine abodes shall own his pow'rWhen time and death shall be no more.A piano reduction is included for use in rehearsal. Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
$2.95 ≈
2.76€
Lost In Love
Lost In Love
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C Instruments
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INTERMEDIATE/ADVANCED
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Air Supply
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John Fries
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Lost In Love
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.521964 By Air Supply. By Graham Russell. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standard...
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C Instrument - Level 4 - Digital Download SKU: A0.521964 By Air Supply. By Graham Russell. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #132528. Published by John Fries (A0.521964). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Lost in Love is a 1980 song recorded by the Australian soft rock group Air Supply. The song was written by group member Graham Russell. Russell travelled to England in 1979, and while there, discovered that the group's Australian record label Big Time Records had sold Lost in Love to Arista Records in the United States for distribution. Soon thereafter, their song became a hit on the music charts in the US.
$3.99 ≈
3.73€
Lost In Love
Lost In Love
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Air Supply
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John Fries
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Lost In Love
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201523 By Air Supply. By Graham Russell. Arranged by John Fries. 20th Century,Pop,Standard...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201523 By Air Supply. By Graham Russell. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #800144. Published by John Fries (A0.1201523). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Lost in Love is a 1980 song recorded by the Australian soft rock group Air Supply. The song was written by group member Graham Russell. Russell travelled to England in 1979, and while there, discovered that the group's Australian record label Big Time Records had sold Lost in Love to Arista Records in the United States for distribution. Soon thereafter, their song became a hit on the music charts in the US.
$4.99 ≈
4.67€
The Storm for choir
The Storm for choir
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Choral SATB
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INTERMEDIATE
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Roland Rogers
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David Warin Solomons
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- Miserere Domine
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The Storm for choir
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. O...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. David Warin Solomons #432529. Published by David Warin Solomons (A0.576776). Transcription of Roland Rogers' victorian choral piece The Storm, with words by Adelaide Anne Procter (who also wrote the words for the famous song by Arthur Sullivan The Lost Chord) An arrangement of this music for woodwind quartet is also available on this site. The sound sample is sung by me (transposed down a fourth). The tempest rages wild and high, The waves lift up their voice and cry Fierce answers to the angry sky, - Miserere Domine. Through the black night and driving rain, A ship is struggling, all in vain To live upon the stormy main; - Miserere Domine. The thunders roar, the lightnings glare, Vain is it now to strive or dare; A cry goes up of great despair, - Miserere Domine. The stormy voices of the main, The moaning wind, the pelting rain Beat on the nursery window pane: - Miserere Domine. Warm curtained was the little bed, Soft pillowed was the little head; The storm will wake the child, they said: Miserere Domine. Cowering among his pillows white He prays, his blue eyes dim with fright, Father save those at sea to-night! Miserere Domine. The morning shone all clear and gay, On a ship at anchor in the bay, And on a little child at play, - Gloria tibi Domine!
$2.99 ≈
2.80€
Sunset
Sunset
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Poem by H
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Sunset
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Λrthvr
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1435522 By Poem by H.P. Lovecraft. By Λrthvr. 20th Century,A Cappella,Chamber,Classical,Contemporary. ...
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C Instrument - Level 3 - Digital Download SKU: A0.1435522 By Poem by H.P. Lovecraft. By Λrthvr. 20th Century,A Cappella,Chamber,Classical,Contemporary. Lead Sheet / Fake Book. 1 pages. Λrthvr #1015610. Published by Λrthvr (A0.1435522). A setting of the poem Sunset by H.P. Lovecraft, for solo female voice or choir upper voice (without accompaniment).Ambitus:B♭3 - D5You are free to transpose the score up or down. If you would like to perform the piece publicly (live concert or internet), please contact me via contact form.You can find the piece and other similar music here:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea.And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed from the noonday glare, the favour’d sightIncreasing grace in earth and sky divines.But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!
$2.99 ≈
2.80€
Jingle Bells and the Carols of Christmas for Beginner Piano
Jingle Bells and the Carols of Christmas for Beginner Piano
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Easy Piano
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BEGINNER
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Christmas
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Traditional Christmas Carols
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SilverTonalities
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Jingle Bells and the Carols of
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1319769 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christ...
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Easy Piano - Level 1 - Digital Download SKU: A0.1319769 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 59 pages. SilverTonalities #908327. Published by SilverTonalities (A0.1319769). Jingle Bells and the Carols of Christmas for Beginner PianoTraditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 1-3BRING A TORCH JEANETTE ISABELLA, is a 17th Century Carol originating in the rural regions of France, 4-6CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 7-9CHRISTMAS STARS ARE SHINING, a late 19th Century Carol by F.W. Dawkins, pages 10-11DING DONG MERRILY ON HIGH, originating from France, it is a 15th Century Carol composed by Jehan Tabourot, pages 12-13EVERYWHERE EVERYWHERE CHRISTMAS TONIGHT!, is an American Carol first published in 1903 by Lewis Henry Redner, pages 14-16FUM FUM FUM ’, is a 16th Century Catalonian Carol, also known as the “Twenty Fifth Day of Decemberâ€, pages 17-19GAUDETE, meaning “Rejoiceâ€, is a well known Catholic Medieval Latin Carol, pages 20-21HAPPY CHRISTMAS MORNING, is a Carol also known as “Be Merry Christian Men and Singâ€, pages 22-24INFANT HOLY INFANT LOWLY, is a traditional Polish Carol from 1908, translated to English in 1921, pages 25-27JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 28-30ON THIS DAY EARTH SHALL RING, this 15th or 16th Latin Carol, perhaps dates back to as early as the year 1360, pages 31-33SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 34-35SILENTLY FALLING SNOW, is an 18th Century Carol, originating from a German Air, pages 36-38THE SNOW LAYS DEEP UPON THE GROUND, a Carol that serves as a reminder of the potential for new beginnings that the holiday season brings, pages 39-41SOFT FALLS THE SNOW, a rare English Carol by A.H. Brown, also known as “Soft Falls the Snow Upon the Groundâ€, pages 42-44STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Inspired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 45-47STILL STILL STILL, a traditional Austrian Christmas Lullaby, pages 48-49TWAS A STARRY NIGHT OF OLD, is an English Hymn written by Jane Elizabeth Leeson who was a hymnwriter and translator, pages 50-51UP ON THE HOUSETOP, is a popular Children’s Carol, written in 1864, pages 52-54THE WEXFORD CAROL, is an Irish Carol that dates back to as early as the 12th Century, sometimes known as the “Enniscorthy Carolâ€, pages 55-57.
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