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11,394 sheet music found Chicago [Chicago + big band] (full score & set of parts)
Chicago [Chicago + big band] (full score & set of parts) # Big band # ADVANCED # Rock # Chicago # Patrick Sheehan # Chicago [Chicago + big band] # SheetMusicPlus
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 75 pages. Published
by Patrick Sheehan...(+)
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 75 pages. Published
by Patrick Sheehan Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, ElectricGuitar, Bass, Drumset.
BIGBAND: Alto Saxophone I (Eb), AltoSaxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, BassTrombone (IV).
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com. Goody Goody [Chicago + big band] (full score & set of parts)
Goody Goody [Chicago + big band] (full score & set of parts) # Big band # ADVANCED # Jazz # Chicago # Patrick Sheehan # Goody Goody [Chicago + big ban # Patrick Sheehan # SheetMusicPlus
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 139 pages.
Published by Patrick Sheeha...(+)
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 139 pages.
Published by Patrick Sheehan Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, BackgroundVocal IV, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, KeyboardII, Keyboard III, ElectricGuitar, Bass, Cowbell, Drumset.
BIGBAND: Alto Saxophone I (Eb), AltoSaxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV(Bb), Trombone I, Trombone II, TromboneIII, Bass Trombone (IV).
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com. Dream a Little Dream of Me [Chicago + big band] (full score & set of parts)
Dream a Little Dream of Me [Chicago + big band] (full score & set of parts) # Big band # ADVANCED # Contemporary # Chicago # Patrick Sheehan # Dream a Little Dream of Me [Ch # SheetMusicPlus
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 80 pages. Published
by Patrick Sheehan...(+)
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 80 pages. Published
by Patrick Sheehan Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II,Background Vocal III, Background Vocal IV, Background Vocal V, Background VocalVI, Background Vocal VII, Background Vocal VIII, Background Vocal IX, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, ElectricGuitar, Bass, Drumset.
BIGBAND: Alto Saxophone I (Eb), Alto SaxophoneII (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV(Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV).
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com. Caravan [Chicago + big band] (full score & set of parts)
Caravan [Chicago + big band] (full score & set of parts) # Big band # ADVANCED # Rock # Chicago # Patrick Sheehan # Caravan [Chicago + big band] # Patrick Sheehan # SheetMusicPlus
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 121 pages.
Published by Patrick Sheeha...(+)
Rock band + big band -
Advanced - Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 121 pages.
Published by Patrick Sheehan INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard, Electric Guitar I, ElectricGuitar II, Bass, Drumset.
BIGBAND: Piccolo, Flute, Alto Saxophone I(Eb), Alto Saxophone II (Eb), Tenor Saxophone I (Bb), TenorSaxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb),Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, BassTrombone (IV), Vibraphone, Cabasa, Claves, Cowbell, Conga Drums, Timbales.
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com. Set Free to go Home - grade 3 concert band
Set Free to go Home - grade 3 concert band # Concert band # EASY # Gregory Fritze # Set Free to go Home - grade 3 # Musica Nova USA # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. ...(+)
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida. Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band # Concert band # EASY # Gregory Fritze # Sinfonietta - A Symphony in Th # Musica Nova USA # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score a...(+)
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida. Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
Sing, Sing, Sing [Chicago + big band] (full score & set of parts) # Big band # ADVANCED # Rock # Chicago # Patrick Sheehan # Sing, Sing, Sing [Chicago + bi # SheetMusicPlus
Rock Band - Advanced -
Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 87 pages. Published
by Patrick Sheehan ...(+)
Rock Band - Advanced -
Digital Download
By Chicago. Arranged by
Patrick Sheehan. Score, Set
of Parts. 87 pages. Published
by Patrick Sheehan Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Lead Vocal III, Background Vocal I, BackgroundVocal II, BackgroundVocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb),Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Solo Flamenco Guitar,Acoustic Guitar II, Bass, Shaker, Whistle, Sleigh Bells, BongoDrums, Conga Drums, Drumset.
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com. Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series) # Orchestra # INTERMEDIATE # Patriotic # Manuel de
Espinosa de los Mo # Keith Terrett # Spanish National Anthem for Sy # Music
for all Occasions # SheetMusicPlus
Full Orchestra - Intermediate
- Digital Download
Composed by Manuel de
Espinosa de los Monteros
(1730-1810). Arranged by
Keith Terrett. Classical
Per...(+)
Full Orchestra - Intermediate
- Digital Download
Composed by Manuel de
Espinosa de los Monteros
(1730-1810). Arranged by
Keith Terrett. Classical
Period, European, Patriotic.
30 pages. Published by Music
for all Occasions The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Situation Update - Suite in Three Movements for Solo Trombone and Band
Situation Update - Suite in Three Movements for Solo Trombone and Band # Trombone and Orchestra # ADVANCED # Classical # Fetter, David # Situation Update - Suite in Th # Cherry Classics
Music # SheetMusicPlus
Trombone, Concert Band -
Advanced - Digital Download
Composed by Fetter, David.
21st Century, Contemporary
Classical. Score, Set of
Parts, Solo Part. 1...(+)
Trombone, Concert Band -
Advanced - Digital Download
Composed by Fetter, David.
21st Century, Contemporary
Classical. Score, Set of
Parts, Solo Part. 149 pages.
Published by Cherry Classics
Music David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Concert Band is written in three contrasting movements totalling almost 11 minutes in length:
1. Swift
2. Longing
3. Exit Music
Swift is marked "Intense" and is very rhythmic and angular. Longing is a beautiful lyrical movement marked "Cantabile" and Exit Music is marked "Lively" mixing chromatic, lyrical and syncopated segments, ending in a giant climax.
Both the solo and accompaniment parts are written for advanced performers.
The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach.
Here is what Mr. Ewazen has said about Situation Update:
"I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, "Situation Update”. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with
energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and
rightly deserves to take its place as a significant addition to the Trombone repertoire." Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only # Orchestra # INTERMEDIATE/ADVANCED # Classical # Claude
Debussy/Robert Orledg # Claude Debussy/Robert Orledge: # Musik Fabrik Music Publishing # SheetMusicPlus
Full Orchestra - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic.
Score. 19 pages. ...(+)
Full Orchestra - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic.
Score. 19 pages. Published by
Musik Fabrik Music Publishing Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
How Firm A Foundation - Blended Worship - Band, Orchestra, and Congregation
How Firm A Foundation - Blended Worship - Band, Orchestra, and Congregation # Chamber Orchestra # Sacred music # Andrew Duncan # How Firm A Foundation - Blende # Andrew Duncan # SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.764357 Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 44 pages. Andrew Dunca...(+)
Chamber Orchestra - Digital Download SKU: A0.764357 Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 44 pages. Andrew Duncan #4896133. Published by Andrew Duncan (A0.764357). This exciting setting of How Firm A Foundation is for congregational singing use in worship with orchestra, band, and congregation. Key: Eb-FInstrumentation: 2120/2221 percussion, organ, and strings (2 flutes, 1 oboe, 2 clarinets, 2 french horns, 2 trumpets, 2 trombones, 1 tuba, percussion, lead, rhythm, violin 1 and 2, viola, cello, bass). A Hard Day's Night - Beatles for Orchestra
A Hard Day's Night - Beatles for Orchestra # Orchestra # INTERMEDIATE # Rock # The Beatles # Javier Martínez Maya # A Hard Day's Night - Beatles f # Arte Nova Music
Lab # SheetMusicPlus
Full Orchestra, String
Orchestra - Intermediate -
Digital Download
By The Beatles. Arranged by
Javier Martínez Maya. Score,
Set of Parts. 41 pag...(+)
Full Orchestra, String
Orchestra - Intermediate -
Digital Download
By The Beatles. Arranged by
Javier Martínez Maya. Score,
Set of Parts. 41 pages.
Published by Arte Nova Music
Lab A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
The album includes the song "A Hard Day's Night", with its distinctive opening chord, and "Can't Buy Me Love", both transatlantic number-one singles for the band. Several of the songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that was influential on the Byrds and other groups in the folk rock movement. Let It Be - Beatles for Orchestra
Let It Be - Beatles for Orchestra # Orchestra # INTERMEDIATE # Rock # Kris Allen, The Beatles # Javier Martínez
Maya # Let It Be - Beatles for Orches # Arte Nova
Music Lab # SheetMusicPlus
Full Orchestra - Intermediate
- Digital Download
By Kris Allen, The Beatles.
Arranged by Javier Martínez
Maya. Score, Set of Parts. 42
pages. Pu...(+)
Full Orchestra - Intermediate
- Digital Download
By Kris Allen, The Beatles.
Arranged by Javier Martínez
Maya. Score, Set of Parts. 42
pages. Published by Arte Nova
Music Lab "Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership. The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more-aggressive guitar solo and the orchestral sections mixed higher.
At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single "The Long and Winding Road" were released after McCartney's announced departure from and the subsequent break-up of the group.
Taken from https://en.wikipedia.org/wiki/Let_It_Be_(Beatles_song)