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103 sheet music found Modern Meat
Modern Meat # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # INTERMEDIATE/ADVANCED # Animals As Leaders # James Smith # Modern Meat # James Smith # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1265046 By Animals As Leaders. By Tosin Abasi. Arranged by James...(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1265046 By Animals As Leaders. By Tosin Abasi. Arranged by James Smith. Classical,Grunge,Multicultural,Rock,World. 16 pages. James Smith #857887. Published by James Smith (A0.1265046). Originally written for 7-string guitar, Modern Meat is an unusual classical style track produced by the progressive metal band Animals as Leaders. An eclectic piece and ballad for a woodwind quintet concert.View other selections in my catalog at linktr.ee/jamessmithmusic. Three Modern, Unaccompanied, Intermediate Flute Solos
Three Modern, Unaccompanied, Intermediate Flute Solos # Flute # INTERMEDIATE # Phil Rawle # Three Modern, Unaccompanied, I # Phillip Rawle # SheetMusicPlus
Flute Solo,Soprano Flute - Level 3 - SKU: A0.1377773 Composed by Phil Rawle. Chamber,Classical,Contemporary,Jazz. Individual part. 3 pages. Phillip Rawl...(+)
"The Willow Tree" A Modern Medieval Aria for Flute, Clarinet and Piano
"The Willow Tree" A Modern Medieval Aria for Flute, Clarinet and Piano # Flute, Clarinet, Piano (trio) # EASY # Grant Horsley # Grant Horsley # "The Willow Tree" A Modern Med # Grant Horsley # SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1256826 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley...(+)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1256826 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Folk,Medieval,Wedding. 18 pages. Grant Horsley #850212. Published by Grant Horsley (A0.1256826). The Willow Tree is in 5/4 time which has a few bars of 3/4 for variety. It is quite modal at times and representative of a medieval tone.It is in Concert D minor and Ternary form, I have set it at early intermediate as the instrumental ranges are around 2 octaves and a dotted crotchet quaver is the most complicated rhythm. On the youtube link there is the full score for you to assess suitability. It is around 4 minutes in length and very suitable for a number of situations. Flute Duet, Clarinet Duet and Violin duet versions available. Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano # Flute and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for F # jmsgu3 # SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Wind Quintet "All That Is Solid Melts Into Air"
Wind Quintet "All That Is Solid Melts Into Air" # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # ADVANCED # Dan Cook # Wind Quintet "All That Is Soli # Pecan Valley Music # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 5 - SKU: A0.1177076 Composed by Dan Cook. Chamber,Classical,Contempo...(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 5 - SKU: A0.1177076 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pages. Pecan Valley Music #777086. Published by Pecan Valley Music (A0.1177076). Wind quintet inspired by “All That Is Solid Melts Into Air” by Marshall Berman. I) alla marcia (the heroism of modern life)II) declamando (nakedness: the unaccommodated man)III) animato, en pressant (the mire of the macadam)IV) pastorale (pastoral and counter-pastoral modernism)V) animato, en retenant (the twentieth century: the city rises, the city fades). Conflusion - Suite - Wind Ensemble - Flute 1
Conflusion - Suite - Wind Ensemble - Flute 1 # Flute (band part) # Thomas Graf # Thomas Graf # Conflusion - Suite - Wind Ense # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary Classical, Post-Romantic, Modern, Post-Modern, Jazz. Individual Part, Score, Solo Part. 8 pages. ...(+)
Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary Classical, Post-Romantic, Modern, Post-Modern, Jazz. Individual Part, Score, Solo Part. 8 pages. Published by Thomas Graf - the-hit-factory.com (S0.114259). - Individual Part,Score,Solo Part - Contemporary Classical,Post-Romantic,Modern,Post-Modern,Jazz - Thomas Graf - the-hit-factory.com Sammartini: Sonata Op. 1 No. 2 for Alto Flute Duo
Sammartini: Sonata Op. 1 No. 2 for Alto Flute Duo # 2 Flutes (duet) # EASY # Giuseppe Sammartini # James M # Sammartini: Sonata Op. 1 No. 2 # jmsgu3 # SheetMusicPlus
Flute Duet Flute - Level 2 - SKU: A0.1082316 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festiv...(+)
Flute Duet Flute - Level 2 - SKU: A0.1082316 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #686468. Published by jmsgu3 (A0.1082316). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles. Sammartini: Sonata Op. 1 No. 2 for Bass Flute Duo
Sammartini: Sonata Op. 1 No. 2 for Bass Flute Duo # 2 Flutes (duet) # EASY # Giuseppe Sammartini # James M # Sammartini: Sonata Op. 1 No. 2 # jmsgu3 # SheetMusicPlus
Instrumental Duet Bass Flute,Instrumental Duet - Level 2 - SKU: A0.1082331 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Ba...(+)
Instrumental Duet Bass Flute,Instrumental Duet - Level 2 - SKU: A0.1082331 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686481. Published by jmsgu3 (A0.1082331). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles. Elements: Suite for Flute and Cello
Elements: Suite for Flute and Cello # Flute, Violoncello # Contemporary # Fiona Coulter # Elements: Suite for Flute and # Fiona Coulter # SheetMusicPlus
Composed by Fiona Coulter. 21st Century, Baroque Period, Early Music, Contemporary Classical, Post-Modern. Score, Set of Parts. 33 pages. Published by Fiona Cou...(+)
Composed by Fiona Coulter. 21st Century, Baroque Period, Early Music, Contemporary Classical, Post-Modern. Score, Set of Parts. 33 pages. Published by Fiona Coulter (S0.80807). - Score,Set of Parts - 21st Century,Baroque Period,Early Music,Contemporary Classical,Post-Modern - Fiona Coulter