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You've selected:
Liszt
OBOE
Sheetmusic to print
22 sheet music found
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1
Petofi Elegy-Liszt-oboe-bassoon duet
Petofi Elegy-Liszt-oboe-bassoon duet
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Oboe, Bassoon (duet)
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INTERMEDIATE
#
Classical
#
Franz Liszt
#
Phil Beaman
#
Petofi Elegy-Liszt-oboe-bassoo
#
Phil Beaman
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.845098 Composed by Franz Liszt. Arranged by Phil Beaman. Romantic Period,Standards....
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.845098 Composed by Franz Liszt. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #6167399. Published by Phil Beaman (A0.845098). Franz Liszt admired his fellow Hungarian poet Sandor Petofi and on several occasions set Petofi's poems to music. At the age of 26 Petofi was killed in battle during the Hungarian Revolution. Franz Liszt composed the Petofi Elegy as a tribute to his friend.
$5.99 ≈
5.59€
Liszt - Consolation No. 3 in D flat; transcribed for oboe and piano
Liszt - Consolation No. 3 in D flat; transcribed for oboe and piano
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Oboe, Piano (duet)
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ADVANCED
#
Classical
#
Franz Liszt
#
Len Rhodes
#
Liszt - Consolation No. 3 in D
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Len Rhodes Music
#
SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.739854 Composed by Franz Liszt. Arranged by Len Rhodes. Contemporary,Holiday,Romantic Period,Wedding. Score and part. 8 p...
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Oboe,Piano - Level 5 - SKU: A0.739854 Composed by Franz Liszt. Arranged by Len Rhodes. Contemporary,Holiday,Romantic Period,Wedding. Score and part. 8 pages. Len Rhodes Music #3025579. Published by Len Rhodes Music (A0.739854). A new transcription for oboe and piano of this famous Liszt piece. This is certainly one of his most popular melodies. The oboe, and piano accompaniment are quite advanced, but this is well worth the effort! Download includes separate part, and score.
$6.95 ≈
6.48€
Liebestraum (Dream Of Love), Franz Liszt, For Oboe & Piano
Liebestraum (Dream Of Love), Franz Liszt, For Oboe & Piano
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Oboe, Piano (duet)
#
BEGINNER
#
Classical
#
Franz Liszt
#
Eugene Egorov
#
Liebestraum
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Eugene Egorov
#
SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.637791 Composed by Franz Liszt. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4847529. Pu...
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Oboe,Piano - Level 1 - SKU: A0.637791 Composed by Franz Liszt. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4847529. Published by Eugene Egorov (A0.637791).
$4.99 ≈
4.66€
Liszt: Liebestraume for Oboe & Piano
Liszt: Liebestraume for Oboe & Piano
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Oboe, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Franz Liszt
#
James M
#
Liszt: Liebestraume for Oboe &
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.550057 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Sco...
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Oboe,Piano - Level 3 - SKU: A0.550057 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592329. Published by jmsgu3 (A0.550057). Duration: 4:25 Score: 11 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95 ≈
23.28€
"Liebesträum No.3" (Asdur) Oboe & Piano
"Liebesträum No.3" (Asdur) Oboe & Piano
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Oboe, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Fr
#
pfkaori
#
"Liebesträum No.3"
#
pfkaorimusic
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1371984 By Fr.Liszt . By Fr.Liszt . Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956170. Publ...
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Oboe,Piano - Level 3 - SKU: A0.1371984 By Fr.Liszt . By Fr.Liszt . Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956170. Published by pfkaorimusic (A0.1371984). Composer: Fr.Liszt Song: Dream of love Liebesträum No.3 Orchestration: Oboe & Piano Tone:Aflat *Part score included full ver.
$6.99 ≈
6.52€
"Liebesträume No. 3" (Asdur) Piano trio / Oboe duet
"Liebesträume No. 3" (Asdur) Piano trio / Oboe duet
#
2 Oboes (duet)
#
INTERMEDIATE
#
Classical
#
Franz Liszt
#
pfkaori
#
"Liebesträume No. 3"
#
pfkaorimusic
#
SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.1373304 By Franz Liszt. By Franz Liszt. Arranged by pfkaori. Classical. Score. 11 pages. Pfkaorimusic #957650. Publis...
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Oboe Duet Oboe - Level 3 - SKU: A0.1373304 By Franz Liszt. By Franz Liszt. Arranged by pfkaori. Classical. Score. 11 pages. Pfkaorimusic #957650. Published by pfkaorimusic (A0.1373304). Composer:Franz Liszt Song: Liebesträume No. 3 Orchestration: Piano trio (Oboe duo) Key: Asdur Full ver. *Part score included.
$8.00 ≈
7.46€
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
#
Oboe, Piano (duet)
#
INTERMEDIATE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.74€
Dreams of Love No. 3 for Oboe and Piano
Dreams of Love No. 3 for Oboe and Piano
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Oboe, Piano (duet)
#
EASY
#
Classical
#
Franz Liszt
#
Diego Marani
#
Dreams of Love No. 3 for Oboe
#
Diego Marani
#
SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1102115 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Sco...
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Oboe,Piano - Level 2 - SKU: A0.1102115 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #705513. Published by Diego Marani (A0.1102115). Liebesträume (German for Dreams of Love) is a set of three solo piano works by Franz Liszt, published in 1850. Liebestraum No. 3 (also called Nocturne) is the last of the three that Liszt wrote and the most popular. This easy/intermediate arrangement for oboe with piano is suitable for classroom, repertoire, recital, wedding or simply for a beautiful encore.
$8.99 ≈
8.39€
Lento placid arranged for Oboe and Piano
Lento placid - Oboe and Piano
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Oboe, Piano (duet)
#
INTERMEDIATE
#
Classical
#
Andrew Middleton
#
Lento placid - Oboe and Piano
#
Andrew Middleton
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.736090 Arranged by Andrew Middleton. Romantic Period. Score and part. 11 pages. Andrew Middleton #6320997. Published by A...
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Oboe,Piano - Level 3 - SKU: A0.736090 Arranged by Andrew Middleton. Romantic Period. Score and part. 11 pages. Andrew Middleton #6320997. Published by Andrew Middleton (A0.736090). From Liszt's Six Consolation's, this arrangement of Lento placido for oboe with piano accompaniment is ideal for the intermediate perform. The simple melodic line allows the performer to focus on the range of the music.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.66€
Liszt - Liebestraum for Oboe and Easy Piano duo
Liszt - Liebestraum for Oboe and Easy Piano duo
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Oboe, Piano (duet)
#
EASY
#
Lais Reis
#
easy oboe and piano.
#
Liszt - Liebestraum for Oboe a
#
Lais Reis
#
SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.500675 Arranged by Lais Reis. Concert,Graduation,Romantic Period,Standards,World. Score and part. 3 pages. Lais Reis #636...
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Oboe,Piano - Level 2 - SKU: A0.500675 Arranged by Lais Reis. Concert,Graduation,Romantic Period,Standards,World. Score and part. 3 pages. Lais Reis #6369329. Published by Lais Reis (A0.500675). Liebestraum for easy oboe and piano.
$7.99 ≈
7.45€
Sullivan: The Lost Chord for Oboe & Piano
Sullivan: The Lost Chord for Oboe & Piano
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Oboe, Piano (duet)
#
INTERMEDIATE/ADVANCED
#
Sir Arthur Seymour Sullivan
#
James M
#
Sullivan: The Lost Chord for O
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95 ≈
25.14€
Ave Maria by Franz Schubert, for Oboe and Piano
Ave Maria by Franz Schubert, for Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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David McKeown
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Ave Maria by Franz Schubert, f
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587389 Composed by Camille Saint-Saens. Arranged by David McKeown. Romantic Period,Sacred,Spiritual,Standards,Wedding. Sc...
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Oboe,Piano - Level 3 - SKU: A0.587389 Composed by Camille Saint-Saens. Arranged by David McKeown. Romantic Period,Sacred,Spiritual,Standards,Wedding. Score and part. 5 pages. David McKeown #3222419. Published by David McKeown (A0.587389). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a solo for Oboe with Piano. The pdf file contains both the piano accompaniment and the separate solo part. The overall performance time is around four and a half minutes. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for the pianist’s finger coordination. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Consolation No. 3
Consolation No. 3
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Franz Liszt
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Timofei Dokshitser
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Consolation No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Oboe & Piano - Grade 3 - SKU: R0.46650 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Oboe & Piano. Score and parts. 6 pages. Duration 3'55. E...
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Oboe & Piano - Grade 3 - SKU: R0.46650 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Oboe & Piano. Score and parts. 6 pages. Duration 3'55. Editions Marc Reift - Digital #46650. Published by Editions Marc Reift - Digital (R0.46650).
$11.95 ≈
11.15€
Saint-Saëns: The Swan for Oboe & Piano
Saint-Saëns: The Swan for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.74€
Mendelssohn: Wedding March for Oboe & Piano
Mendelssohn: Wedding March for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95 ≈
23.28€
Liszt - Liebestraum (Love Dream) Solo Oboe
Liszt - Liebestraum (Love Dream) Solo Oboe
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Oboe (band part)
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EASY
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Lais Reis
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Liszt - Liebestraum
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Lais Reis
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.500677 Arranged by Lais Reis. Concert,Romantic Period,Standards,World. Individual part. 1 pages. Lais Reis #6369353. Publi...
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Oboe Solo - Level 2 - SKU: A0.500677 Arranged by Lais Reis. Concert,Romantic Period,Standards,World. Individual part. 1 pages. Lais Reis #6369353. Published by Lais Reis (A0.500677). Liebestraum for solo oboe.
$3.99 ≈
3.72€
The Wedding Album, for Solo Oboe and Piano
The Wedding Album, for Solo Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Ob
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587628 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part....
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Oboe,Piano - Level 3 - SKU: A0.587628 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594695. Published by David McKeown (A0.587628). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Oboe with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99 ≈
9.32€
Ave Maria
Ave Maria
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Oboe (band part)
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BEGINNER
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Classical
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Franz Schubert
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.1172618 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 p...
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Oboe Solo - Level 1 - SKU: A0.1172618 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772850. Published by Fabio Eduardo (A0.1172618). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.86€
Liebestraum for oboe and piano (simplified)
Liebestraum for oboe and piano (simplified)
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Oboe, Piano (duet)
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EASY
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Classical
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Franz Liszt
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Daniel C
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Liebestraum for oboe and piano
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.810101 Composed by Franz Liszt. Arranged by Daniel C. M. Concert,Romantic Period,Standards. Score and part. 4 pages. Dani...
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Oboe,Piano - Level 2 - SKU: A0.810101 Composed by Franz Liszt. Arranged by Daniel C. M. Concert,Romantic Period,Standards. Score and part. 4 pages. Daniel C. M. #4980591. Published by Daniel C. M. (A0.810101). Also known as Love Dream. This arrangement presents this famous work for oboe and piano in a simpler way, perfect for early intermediate to intermediate students. The key is changed to C major, the fast passages have been eliminated and the broken chords changed as a simple accompaniment for the melody. The structure of the whole piece has been shortened.
$4.59 ≈
4.28€
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.61€
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