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You've selected:
IN THE BEGINNING WAS THE WORD Flute
Sheetmusic to print
23 sheet music found
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1
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99 ≈
2.75€
IN THE BEGINNING WAS THE WORD - Flute
IN THE BEGINNING WAS THE WORD - Flute
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Flute
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EASY
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Flute Solo - Level 2 - Digital Download SKU: A0.926669 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588447....
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Flute Solo - Level 2 - Digital Download SKU: A0.926669 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588447. Published by M.A. Morizio (A0.926669). Flute Part for - IN THE BEGINNING WAS THE WORD .
$1.99 ≈
1.83€
Fauré: Élégie Op. 24 for Flute & Piano
Fauré: Élégie Op. 24 for Flute & Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Fl
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romant...
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Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95 ≈
30.35€
Sonata for Flute (or Violin) And Piano - Opus 6
Sonata for Flute (or Violin) And Piano - Opus 6
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Daniel Carr
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Sonata for Flute
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Daniel Carr
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SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score a...
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Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00 ≈
9.21€
Pastoral Symphony from Messiah for Low Flute Choir
Pastoral Symphony from Messiah for Low Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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George Frideric Handel
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Lisa Ochoco
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Pastoral Symphony from Messiah
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1164626 Composed by George Frideric Handel. Arranged by Lisa Och...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1164626 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 14 pages. Lisa L Ochoco #764960. Published by Lisa L Ochoco (A0.1164626). Pastoral Symphony is the 13th movement in Handel's Messiah. Â This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus. Â The word pastorale in baroque music is a melody in thirds over a drone bass. Â Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari - Â who used to play their instruments in the streets of Rome at Christmastime. Â Scored for 2 altos, bass, optional contra alto in G, and contrabass flutes. Â There is an optional cello part that doubles the contrabass.Duration: 2.5 minutes.
$5.00 ≈
4.61€
Pastoral Symphony from Messiah for Flute Choir
Pastoral Symphony from Messiah for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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George Frideric Handel
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Lisa Ochoco
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Pastoral Symphony from Messiah
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Och...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 12 pages. Lisa L Ochoco #737388. Published by Lisa L Ochoco (A0.1137187). Pastoral Symphony is the 13th movement in Handel's Messiah. This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus. The word pastorale in baroque music is a melody in thirds over a drone bass. Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari - who used to play their instruments in the streets of Rome at Christmastime. Scored for 2 C, alto, and bass flute. If your choir has a contrabass flute, it can double the bass part. There is an optional cello part that doubles the bass an octave lower. Duration: 2.5 minutes.
$5.00 ≈
4.61€
Hava Nagila, Klezmer tune for Flute Duet
Hava Nagila, Klezmer tune for Flute Duet
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2 Flutes (duet)
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.588870 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. Da...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.588870 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. David McKeown #6020745. Published by David McKeown (A0.588870). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Flutes. Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
$3.99 ≈
3.68€
Hava Nagila, Klezmer tune for Flute and Alto Flute Duet
Hava Nagila, Klezmer tune for Flute and Alto Flute Duet
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2 Flutes (duet)
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INTERMEDIATE
#
Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588848 Composed by Traditional. Arranged by David McKeown. Jewish,Mul...
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Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588848 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6020735. Published by David McKeown (A0.588848). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Alto Flute.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Nights In White Satin
Nights In White Satin
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The Moody Blues
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Diane L
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issue(vol
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Nights In White Satin
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Diane L. Correa
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. ...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop,Rock. 13 pages. Diane L. Correa #675354. Published by Diane L. Correa (A0.1071669). #DianaFlutist Are you performing this piece? This is a Flute Ensemble arrangement of the of the Moody Blues classic. In the words of Justin Hayward, (Performing Songwriter Magazine; issue(vol.)13, “Nights in White Satin was about a very romantic set of white satin sheets, about Love, about the end of one big affair and the beginning of another. It was about real things that were happening in my life.†“It sort of had that double meaning, which was intentional, sort of medieval knights as well..†Justin Hayward (Performing Songwriter magazine: issue (vol.)13. This is a flute choir ensemble arrangement of the interpretation of a romantic set of white satin sheets, that has a strong thread of Love weaved in and out throughout the piece if you listen with extra care, wrapped up carefully in unrequited Love. Additional note: In the original album where Nights in White Satin first debuted is a concluding poem written by the group’s drummer Graeme Edge. The poem was called “Late Lament†which gave Nights in White Satin it’s carefully written ornamental completion. The original album was called Days of Future Passed, and the beginning lines of the poem Late Lament goes like this…â€Breathe deep the gathering gloom, Watch lights fade from every room,..please enjoy performing this flute choir ensemble arrangement of Nights in White Satin, it was arranged with Love.
$19.99 ≈
18.41€
Fauré: Élégie Op. 24 for Bass Flute & Piano
Fauré: Élégie Op. 24 for Bass Flute & Piano
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Ba
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.549731 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contempora...
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Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.549731 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and individual part. 22 pages. Jmsgu3 #3531443. Published by jmsgu3 (A0.549731). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend.  Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95 ≈
30.35€
Hava Nagila, Klezmer tune for Flute and Trumpet Duet
Hava Nagila, Klezmer tune for Flute and Trumpet Duet
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Flute, Trumpet (duet)
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INTERMEDIATE
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588796 Composed by Traditional. Arranged by David McKeown. Jewish,...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588796 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020741. Published by David McKeown (A0.588796). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Trumpet. Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Hava Nagila, Klezmer tune for Flute and Violin Duet
Hava Nagila, Klezmer tune for Flute and Violin Duet
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Flute, Violin
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INTERMEDIATE
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588844 Composed by Traditional. Arranged by David McKeown. Jewish,W...
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588844 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020747. Published by David McKeown (A0.588844). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Violin.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Hava Nagila, Klezmer tune for Flute and Viola Duet
Hava Nagila, Klezmer tune for Flute and Viola Duet
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Flute, Viola (duet)
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.588821 Composed by Traditional. Arranged by David McKeown. Jewish,We...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.588821 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020743. Published by David McKeown (A0.588821). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Hava Nagila, Klezmer tune for Flute and Clarinet Duet
Hava Nagila, Klezmer tune for Flute and Clarinet Duet
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Flute, Clarinet (duet)
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588769 Composed by Traditional. Arranged by David McKeown. Jewish...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588769 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020733. Published by David McKeown (A0.588769). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Clarinet.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Hava Nagila, Klezmer tune for Flute and Alto Saxophone Duet
Hava Nagila, Klezmer tune for Flute and Alto Saxophone Duet
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Flute, Saxophone (duet)
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588747 Composed by Traditional. Arranged by David McKeown. ...
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588747 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020739. Published by David McKeown (A0.588747). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Alto Saxophone.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Hava Nagila, Klezmer tune for Flute and Oboe Duet
Hava Nagila, Klezmer tune for Flute and Oboe Duet
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Oboe, Flute
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588792 Composed by Traditional. Arranged by David McKeown. Jewish,Mul...
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Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588792 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6020737. Published by David McKeown (A0.588792). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Oboe.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.68€
Psalm 19 - The Heavens Declare
Psalm 19 - The Heavens Declare
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Contemporary
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Psalm 19 - The Heavens Declare
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Stephen R Dalrymple
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.818344 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalr...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.818344 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 110 pages. Stephen R Dalrymple #6318201. Published by Stephen R Dalrymple (A0.818344). Psalm 19 – The Heavens Declare - Quintet for Winds and Piano ♫ transcribed for brass, woodwind, and string ensembles ♫ This composition was written for 5 music educators to perform at a fundraiser for music programs in our school district. It has been transcribed with flexible instrumentation so that it could be performed by brass, woodwind, or string quartets (plus piano), a creative mix of instruments (choose an instrumentation for each of the 5 parts) or a small band. ♫ The text comes from the beginning verses of Psalm 19 that point out that the skies bear witness to the glory and creative power of YHWH (sometimes represented by the LORD, Yahweh, or Jehovah) the God who created heaven and earth. The laws of nature, The laws of nature controlling the uncounted stars spread across almost limitless space, the vast number of light years to the closest star, … a person doesn’t need the words of religious instruction to see evidence of God’s work. [Psalm 19:1-6 paraphrased by the composer] ♫ quintet composition © 2017 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Psalm 19:1-6 paraphrased by the composer ♫ sequenced by the composer ♫ This .pdf file includes 25 files (110 pages): ♫ Letter size scores for Original, Woodwind, Brass, and String Ensembles (with piano); ♫ Small page format for performing from a 10 inch tablet of Scores for Original, Woodwind, Brass, and String Ensembles (with piano); ♫ Letter size Individual Parts: Flute Part 1, Clarinet Part 1, Trumpet Part 1, Violin Part 1, Oboe Part 2, Clarinet Part 2, Trumpet part 2, Violin Part 2, Clarinet Part 3, Alto Sax Part 3, French Horn Part 3, Viola Part 3, Bassoon Part 4, Euphonium (Trombone, E Bass) Part 4, Tuba Part 4, Cello Part 4, Part 5: Piano ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ The YouTube video contains the full recording.
$9.00 ≈
8.29€
Voicedance
Voicedance
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Greg Jasperse
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Lisa Ochoco
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Voicedance
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559776 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Conte...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559776 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Contemporary. 17 pages. Lisa L Ochoco #4776251. Published by Lisa L Ochoco (A0.559776). This beautiful and rhythmic piece was written by vocal jazz composer and singer, Greg Jasperse. While he wrote this for the voice, it translates well to an instrumental piece.This arrangement is scored for 5 C flutes, alto, and bass.The rhythms may seem a little scary at first, but most of them are repetitive in each part. Therefore, once the correct rhythms are achieved at the beginning of the song, it will not take much more to perfect the rest of it. It is said that VoiceDane was written for a friend's wedding as a processional piece. Jasperse said, I kept coming back to the word 'joy' when writing the piece and wanted that to come through in the writing.
$14.00 ≈
12.89€
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
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Choral Unison
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EASY
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Adrienne Inglis
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Oure Light in Oure Night for v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instruction...
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Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute. Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Asà vi y comprendà que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro dÃa sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.†The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/
$1.99 ≈
1.83€
A Festival Chime: Flute
A Festival Chime: Flute
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Concert band
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Gustav Holst
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Douglas E
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A Festival Chime: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017578_F1 Flute. Composed by Gustav Holst. Arranged by Douglas E. Wagner. Masterwork Arrangement. P...
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Concert Band - Digital Download SKU: AX.00-PC-0017578_F1 Flute. Composed by Gustav Holst. Arranged by Douglas E. Wagner. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017578_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017578_F1). UPC: 038081523033.The third movement of Opus 34 (Three Festival Choruses), which Gustav Holst penned in 1916, was originally scored for chorus with piano, orchestra, or military band. The easily recognized melody is a nineteenth century Welsh ballad, known to most as the hymn tune St. Denio, set to the words of English poet, Clifford Bax. In 3/4, this characteristically delightful Holst theme has been freely arranged to incorporate elements of his original score with additional material included to heighten musical interest for contemporary concert bands and audiences alike. As the title implies, chimes are an integral part of this arrangement; however, there are alternate options provided in the program notes if a suitable instrument is unavailable. This musical setting is complete with a variety of teaching and performance opportunities and a perfect fit for beginning concert bands. (2:00)Concert/Contest; Festival.
$3.00 ≈
2.76€
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IN THE BEGINNING WAS THE WORD Flute
