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You've selected:
Fantasia for Duet
Sheetmusic to print
221 sheet music found
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Quantz: Duetto Op. 2 No. 6 for French Horn Duo
Quantz: Duetto Op. 2 No. 6 for French Horn Duo
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2 French horns (duet)
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INTERMEDIATE/ADVANCED
#
Johann Joachim Quantz
#
James M
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Quantz: Duetto Op. 2 No. 6 for
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jmsgu3
#
SheetMusicPlus
French Horn Duet Horn - Level 4 - Digital Download SKU: A0.552600 Composed by Johann Joachim Quantz (1697-1773). Arranged by James M. Guthrie. Baroque,Ho...
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French Horn Duet Horn - Level 4 - Digital Download SKU: A0.552600 Composed by Johann Joachim Quantz (1697-1773). Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score. 29 pages. Jmsgu3 #6405545. Published by jmsgu3 (A0.552600). Duetto Op. 2 No. 6: I. Grave II. Alla breve, ma Presto III. Cantabile IV. Canone infinito. Più tosto VivaceJohann Joachim Quantz, a German flutist and composer, occupies an intermediate position between the Baroque and Classical periods. His Sei Duetti, op. 2, composed in 1759, is an excellent example of his position between the two eras, showcasing elegance, lightness, and tenderness. They illustrate Quantz's craftsmanship and influence on transitioning from the Baroque to the Classical style. Thus, Quantz's music reflects an essential link in the evolution of musical styles from the Baroque to the Classical era. Quantz composed about 300 concerti and 200 other flute pieces for Frederick the Great. His works are for the transverse flute, including sonatas, concertos, trio sonatas, quartets, duets, trios, and unaccompanied caprices and fantasias for the flute. His treatise Versuch einer Anweisung die Flöte traversiere zu spielen (1752) is a valuable source of information on ornamentation and performance practices of the 18th century. Quantz made significant contributions to the development of the flute. He added a second key to the flute and invented the sliding end used to tune the instrument. He also experimented with different woods and configurations to improve the instrument's sound and versatility. Quantz was a renowned flute teacher who significantly influenced the development of flute playing and composition during the 18th century. In summary, Johann Joachim Quantz was a prolific composer, an influential flute teacher, and a key figure in the evolution of the flute and its music during the Baroque period.
$27.95 ≈
26.09€
Quantz: Duetto Op. 2 No. 2 for Violin Duo
Quantz: Duetto Op. 2 No. 2 for Violin Duo
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2 Violins (duet)
#
INTERMEDIATE/ADVANCED
#
Johann Joachim Quantz 1697-177
#
James M
#
Quantz: Duetto Op. 2 No. 2 for
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jmsgu3
#
SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.552515 Composed by Johann Joachim Quantz 1697-1773. Arranged by James M. Guthrie. Baroque,Holiday...
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.552515 Composed by Johann Joachim Quantz 1697-1773. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 24 pages. Jmsgu3 #6365545. Published by jmsgu3 (A0.552515). Duetto Op. 2 No. 2 - I. Allegro assai II. Andantino III. Presto Johann Joachim Quantz, a German flutist and composer, occupies an intermediate position between the Baroque and Classical periods. His Sei Duetti, op. 2, composed in 1759, is an excellent example of his position between the two eras, showcasing elegance, lightness, and tenderness. They illustrate Quantz's craftsmanship and influence on transitioning from the Baroque to the Classical style. Thus, Quantz's music reflects an essential link in the evolution of musical styles from the Baroque to the Classical era.Here are the most essential facts to know about his music:Compositions: Quantz composed about 300 concerti and 200 other flute pieces for Frederick the Great. His works are for the transverse flute, including sonatas, concertos, trio sonatas, quartets, duets, trios, and unaccompanied caprices and fantasias for the flute.Treatise on Flute Playing: His treatise Versuch einer Anweisung die Flöte traversiere zu spielen (1752) is a valuable source of information on ornamentation and performance practices of the 18th century.Innovations in Flute Design: Quantz made significant contributions to the development of the flute. He added a second key to the flute and invented the sliding end used to tune the instrument. He also experimented with different woods and configurations to improve the instrument's sound and versatility.Teaching and Influence: Quantz was a renowned flute teacher who significantly influenced the development of flute playing and composition during the 18th century.In summary, Johann Joachim Quantz was a prolific composer, an influential flute teacher, and a key figure in the evolution of the flute and its music during the Baroque period.
$32.95 ≈
30.76€
Fantasia for Duet
Fantasia for Duet
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2 Guitars (duet)
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Olivier Mayran de Chamisso
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Fantasia for Duet
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Schott Music - Digital
#
SheetMusicPlus
2 guitars - easy to intermediate - Digital Download SKU: S9.Q7175 6 Pieces. Composed by Olivier Mayran de Chamisso. This edition: performance scor...
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2 guitars - easy to intermediate - Digital Download SKU: S9.Q7175 6 Pieces. Composed by Olivier Mayran de Chamisso. This edition: performance score. Downloadable, Performance score. Schott Music - Digital #Q7175. Published by Schott Music - Digital (S9.Q7175). Olivier Mayran de Chamisso, born in Versailles in 1955, is a well-known guitar teacher and composer in France. His compositions comprise numerous concert pieces and didactic works for the guitar among others, always centering on the combination of educational ambition and musical beauty. The new composition, 'Rêveries en duo', adds to the meagre reper-toire for guitar duo. Designed as independent-sounding settings, the two guitar parts are appealing to both players. The musically transparent duo sound promises a special music-making experience. This edition is a wonderful addition to the teaching and performance practice for intermediate players.
$15.99 ≈
14.93€
Bach: Wachet auf for Bassoon & Piano
Bach: Wachet auf for Bassoon & Piano
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Bassoon, Piano (duet)
#
EASY
#
Classical
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Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Bassoon &
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.29€
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duet)
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EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.29€
Bach: Wachet auf for Baritone Horn & Piano
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.29€
Bach: Wachet auf for Oboe & Piano
Bach: Wachet auf for Oboe & Piano
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Oboe, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Oboe & Pi
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.29€
Thirteen Progressive Guitar Duets
Thirteen Progressive Guitar Duets
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2 Guitars (duet)
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Classical
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Georg Philipp Telemann
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Mark Mazzatenta
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Thirteen Progressive Guitar Du
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LudwigMasters Digital
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SheetMusicPlus
Guitar Duet - Grade 2-4 - Digital Download Composed by Georg Philipp Telemann (1681-1767), Johann Sebastian Bach (1685-1750), and George Frideric Hande...
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Guitar Duet - Grade 2-4 - Digital Download Composed by Georg Philipp Telemann (1681-1767), Johann Sebastian Bach (1685-1750), and George Frideric Handel (1685-1759). Arranged by Mark Mazzatenta. Classical. Performance Score. 24 pages. LudwigMasters Digital #50751003. Published by LudwigMasters Digital
ISBN 9781682965658. 9 x 12 inches.
A collection of progressive duets from piano works of Baroque masters Bach, Handel, and Telemann. Includes a nice variety of tempi, keys, and shifting. Air (from French Suite 4); Bourree (from English Suite 1); Bourree (from English Suite 1); Bourree (from French Suite 6); Gavotte (from French Suite 4); Polonaise (from French Suite 6); Allegro (from Suite 7); Aria (from Suite 14); Allegro (from Fantasia 4); Allegro (from Fantasia 2); Minuet (from Fantasia 8); Dance Suite (Minuet/Gigue from Dance Suite in G); Dance Suite (Gavotte/Bouree from Dance Suite in F).
$9.95 ≈
9.29€
Fantasia
Fantasia
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Clarinet, Bassoon (duet)
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ADVANCED
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Contemporary
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Matteo Dal Maso
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Fantasia
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Matteo Dal Maso
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SheetMusicPlus
Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.950991 Composed by Matteo Dal Maso. Contemporary. Score and par...
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Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.950991 Composed by Matteo Dal Maso. Contemporary. Score and parts. 6 pages. Matteo Dal Maso #6865115. Published by Matteo Dal Maso (A0.950991). Fantasia for Solo Bassoon by purchasing this item, you will be able to download the PDF part of the composition.An arrangement for solo Bass Clarinet is available upon request.for more information, please contact:matteodalmasoproduction@gmail.comCOMPOSED AND EDITED BY MATTEO DAL MASO all rights reserved © SIAE, 2020
$34.99 ≈
32.66€
Never Again, Fantasia for Violin and Guitar, Op.23
Never Again, Fantasia for Violin and Guitar, Op.23
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Violin, Guitar (duet)
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ADVANCED
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Contemporary
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Asaad Hamzy in 2015
© 20
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Asaad Hamzy
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Never Again, Fantasia for Viol
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Asaad Hamzy
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.984946 Composed by Asaad Hamzy. Contemporary. Score and parts. 44 ...
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.984946 Composed by Asaad Hamzy. Contemporary. Score and parts. 44 pages. Asaad Hamzy #6108983. Published by Asaad Hamzy (A0.984946). Fantasia for Violin and Guitar, 21min, full score in 44 pages.By Asaad Hamzy in 2015© 2015 Asaad Hamzy All rights reserved.
$26.00 ≈
24.27€
Three Fantasias arranged for Flute Duet
Three Fantasias - Flute Duet
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2 Flutes (duet)
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INTERMEDIATE
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Classical
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George Philip Telemann
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Andrew Middleton
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Three Fantasias - Flute Duet
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Andrew Middleton
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.736032 Composed by George Philip Telemann. Arranged by Andrew Middleton. Baroque. Score. 26 pages. ...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.736032 Composed by George Philip Telemann. Arranged by Andrew Middleton. Baroque. Score. 26 pages. Andrew Middleton #6101739. Published by Andrew Middleton (A0.736032). From Telemann's First Dozen Fantasias, three Fantasias arranged for flute duet. It would be ideal for two flutes in C or Flute and Bass flute duet. This collection includes:Fantasia in D MinorFantasia in G MajorFantasia in A MinorEach Fantasia is also available separately too.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$9.99 ≈
9.33€
Ave Maria by Franz Schubert, Flute and Clarinet Duet
Ave Maria by Franz Schubert, Flute and Clarinet Duet
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Flute, Clarinet (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, F
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587357 Composed by Franz Schubert. Arranged by David McKeown. Pra...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587357 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score and parts. 5 pages. David McKeown #3210665. Published by David McKeown (A0.587357). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for one Flute and one Clarinet. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Ave Maria by Franz Schubert, Duet for two Flutes
Ave Maria by Franz Schubert, Duet for two Flutes
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2 Flutes (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, D
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David McKeown
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.587360 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacr...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.587360 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score. 5 pages. David McKeown #3210671. Published by David McKeown (A0.587360). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Flutes. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Ave Maria by Franz Schubert, Clarinet Duet
Ave Maria by Franz Schubert, Clarinet Duet
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2 Clarinets (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, C
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David McKeown
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.587355 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Perio...
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.587355 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. 2 scores. 5 pages. David McKeown #3210661. Published by David McKeown (A0.587355). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Clarinets. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Ave Maria by Franz Schubert, Violin Duet
Ave Maria by Franz Schubert, Violin Duet
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2 Violins (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, V
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David McKeown
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.587347 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sa...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.587347 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. 5 pages. David McKeown #3210637. Published by David McKeown (A0.587347). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Violins. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with pizzicato and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Ave Maria by Franz Schubert, Viola Duet
Ave Maria by Franz Schubert, Viola Duet
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2 Violas (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, V
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.587350 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacr...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.587350 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score. 5 pages. David McKeown #3210643. Published by David McKeown (A0.587350). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Violas. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with pizzicato and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Ave Maria by Franz Schubert, Alto Saxophone Duet
Ave Maria by Franz Schubert, Alto Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, A
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David McKeown
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.587358 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Ro...
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.587358 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. 2 scores. 5 pages. David McKeown #3210667. Published by David McKeown (A0.587358). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Alto Saxophones. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
Ave Maria by Franz Schubert, Tenor Saxophone Duet
Ave Maria by Franz Schubert, Tenor Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, T
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David McKeown
#
SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.587353 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.587353 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score. 5 pages. David McKeown #3210657. Published by David McKeown (A0.587353). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Tenor Saxophones. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.29€
X.Sanctus: (Early) Fantasia e-Minor [Piano Duet]
X.Sanctus: (Early) Fantasia e-Minor [Piano Duet]
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1 Piano, 4 hands
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INTERMEDIATE
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Instructional
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Christopher Heiling
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X.Sanctus:
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X.Sanctus
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024715 Composed by Christopher Heiling. Instructional. Score and parts. 8...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024715 Composed by Christopher Heiling. Instructional. Score and parts. 8 pages. X.Sanctus #3449521. Published by X.Sanctus (A0.1024715). One of my early Fantasiae for piano duet.
$2.99 ≈
2.79€
Fantasia in D Minor arranged for Flute Duet
Fantasia in D Minor - Flute Duet
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2 Flutes (duet)
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INTERMEDIATE
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Classical
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George Philip Telemann
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Andrew Middleton
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Fantasia in D Minor - Flute Du
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Andrew Middleton
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.736029 Composed by George Philip Telemann. Arranged by Andrew Middleton. Baroque. Score. 10 pages. ...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.736029 Composed by George Philip Telemann. Arranged by Andrew Middleton. Baroque. Score. 10 pages. Andrew Middleton #6100867. Published by Andrew Middleton (A0.736029). From Telemann's First Dozen Fantasias, this Fantasia in D minor has been arranged for flute duet. It would be ideal for two flutes in C or Flute and Bass flute duet.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$5.99 ≈
5.59€
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Fantasia for Duet
