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You've selected:
Debussy
ORCHESTRA - BAND
Sheetmusic to print
325 sheet music found
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Claude Debussy/Robert Orledge: Prlude L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Mus...
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Full Orchestra - Advanced Intermediate - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
18.62€
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
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Orchestra
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Sarabande
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107....
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Large Ensemble - Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prlude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle rard, played by Ricardo Vies. Maurice Ravel orchestrated the middle movement.
This is my arrangement of that movement.based on Ravel's orchestration.
Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass
Clarinet parts are for clarinets in A
Oboe 2 is for cor anglais
$14.95 ≈
13.95€
Clair de Lune Debussy Alto Trombone Quartet
Clair de Lune Debussy Alto Trombone Quartet
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Brass Quartet: 4 trombones
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BEGINNER
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Classical
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Claude Debussy
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Clair de Lune Debussy Alto Tro
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KrahenfuBlieder
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SheetMusicPlus
Brass Choir or Ensemble, Alto Trombone - Easy/Beginner - Composed by Claude Debussy (1862-1918). 20th Century, Impressionistic, Etudes and Exercises, Classroom...
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Brass Choir or Ensemble, Alto Trombone - Easy/Beginner - Composed by Claude Debussy (1862-1918). 20th Century, Impressionistic, Etudes and Exercises, Classroom, European. Score. 3 pages. Published by KrahenfuBlieder
Debussy's famous Clair de Lune adapted and revised so that beginners of all levels can perform the work, is in a tonally eased and reduced version, giving priority to the main theme of the piece. This version was made for bassoon quartet, for beginners who intend to learn the original work in the future.
$4.99 ≈
4.66€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.33€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
(+)
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
23.33€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.33€
Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
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Chamber Orchestra
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ADVANCED
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Classical
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Claude Debussy
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Yoon Jae Lee
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Debussy
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pag...
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Chamber Orchestra - Level 5 - SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pages. Ondine Press #1911907. Published by Ondine Press (A0.866060). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0 - 1 perc. 1 hrp – str This arrangement of Debussy's ground-breaking masterwork is a welcome addition to the repertoire for chamber orchestras everywhere. Emphasizing the work’s intimate character, it remains faithful to the original without any loss of Debussy's use of instrumental colors. This arrangement is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Can be per performed with approximately 23 to 29 players. View perusal score: http://issuu.com/ondinepress/docs/debussy_prelude Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$30.00 ≈
28.00€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.82€
Debussy: Berceuse heroique for String Orchestra - Score Only
Debussy: Berceuse heroique for String Orchestra - Score Only
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Classical
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Claude Debussy
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James M
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Debussy: Berceuse heroique for
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1300358 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Historic. 7 pages. ...
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String Orchestra - Level 3 - SKU: A0.1300358 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Historic. 7 pages. Jmsgu3 #890084. Published by jmsgu3 (A0.1300358). Berceuse Heroique is a musical composition by Claude Debussy, composed in 1914 as a homage to King Albert I from Belgium and his soldiers. The piece was written for King Albert's Book, a collection of music sponsored by The Telegraph and put together by Hall Caine to raise funds for Belgian war relief. The work opens very dark and somber, with a sense of mourning and loss. The anthem is quoted in the middle of the piece, surrounded by music of gloom and despair. The quote from the Belgian national anthem that is squeezed into Debussy's Berceuse heroique is the first phrase of La Brabançonne by François van Campenhout.The composition expresses the misery of feeling powerless in events, combined with everyday unhappy shortages of necessities, which was a common experience during World War I. The life of French composer Claude Debussy was full of agony and challenges, from surviving in the 1st World War to his battle with cancer.Berceuse heroique is a significant piece in music history for its reflection of the somber and melancholic mood of the time, its tribute to the soldiers and their suffering, and its representation of Debussy's work during the war. The piece is still performed and recorded today, and is considered a significant work in Debussy's oeuvre.
$32.95 ≈
30.75€
Debussy: Berceuse heroique for String Orchestra
Debussy: Berceuse heroique for String Orchestra
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String Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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James M
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Debussy: Berceuse heroique for
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1300432 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Film/TV,Multicultur...
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String Orchestra - Level 3 - SKU: A0.1300432 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Film/TV,Multicultural,Standards,World. Score and Parts. 17 pages. Jmsgu3 #890087. Published by jmsgu3 (A0.1300432). Berceuse Heroique is a musical composition by Claude Debussy, composed in 1914 as a homage to King Albert I from Belgium and his soldiers. The piece was written for King Albert's Book, a collection of music sponsored by The Telegraph and put together by Hall Caine to raise funds for Belgian war relief. The work opens very dark and somber, with a sense of mourning and loss. The anthem is quoted in the middle of the piece, surrounded by music of gloom and despair. The quote from the Belgian national anthem that is squeezed into Debussy's Berceuse heroique is the first phrase of La Brabançonne by François van Campenhout. The composition expresses the misery of feeling powerless in events, combined with everyday unhappy shortages of necessities, which was a common experience during World War I. The life of French composer Claude Debussy was full of agony and challenges, from surviving in the 1st World War to his battle with cancer.Berceuse heroique is a significant piece in music history for its reflection of the somber and melancholic mood of the time, its tribute to the soldiers and their suffering, and its representation of Debussy's work during the war. The piece is still performed and recorded today, and is considered a significant work in Debussy's oeuvre.
$38.95 ≈
36.35€
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ?Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music ...
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Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussy??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puck??s DanceIV: The Sunken CathedralDebussy??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puck??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussy??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes ?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a ??symphonic?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly ??scherzo?? (Puck??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in B? Bass Clarinet in B? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in B? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99 ≈
93.33€
Claude Debussy – La plus que lent (String Orchestra)
Claude Debussy â La plus que lent (String Orchestra)
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String Orchestra
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Classical
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Richard Byrnes
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Richard Byrnes
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Claude Debussy â La plus
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.1111895 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 64 pages. Richard By...
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String Orchestra - SKU: A0.1111895 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 64 pages. Richard Byrnes #714097. Published by Richard Byrnes (A0.1111895). Composed in 1910, “La plus que lent” is originally a waltz for solo piano. The “valse lent” (slow waltz) was the vogue in French society during the time of its composition. This piece was Debussy’s version of that style. As with so many of his works, Debussy has drawn on his ability as a melodist to create another delightfully beautiful piece.In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$54.99 ≈
51.33€
The Girl with the Flaxen Hair, Prelude 8, Book 1 by Claude Debussy (String Nonet)
The Girl with the Flaxen Hair, Prelude 8, Book 1 by Claude Debussy (String Nonet)
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String Orchestra
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Classical
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Claude Debussy
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Richard Byrnes
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The Girl with the Flaxen Hair,
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830709 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 19 pages. Richard Byrnes #34934...
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String Orchestra - SKU: A0.830709 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 19 pages. Richard Byrnes #3493431. Published by Richard Byrnes (A0.830709). The Girl with the Flaxen Hair (La fille aux cheveux de lin), the 8th Prelude in Debussy's Preludes, Book 1 is one of the most famous pieces by Claude Debussy. It's tender melodic and harmonic beauty is unrivaled.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99 ≈
18.66€
Ballet (Mvt. 4 from Debussy's Petite Suite) for String Orchestra
Ballet (Mvt. 4 from Debussy's Petite Suite) for String Orchestra
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String Orchestra
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Classical
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Claude Debussy
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Richard Byrnes
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Bass)
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Ballet
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830690 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 63 pages. Richard Byrnes #3414651. Published by ...
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String Orchestra - SKU: A0.830690 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 63 pages. Richard Byrnes #3414651. Published by Richard Byrnes (A0.830690). Ballet is movement 4 from the Petite Suite by Claude Debussy. This delightful finale displays Debussy's talent in creating dramatic intensity necessary for a finale movement. This arrangement is for string orchestra (6 Violins, 2 Violas, 2 Celli, & Bass). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble. In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.
$59.99 ≈
55.99€
Footprints in the Snow by Debussy arr. for flute choir / ensemble
Footprints in the Snow by Debussy arr. for flute choir / ensemble
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ray-Michael Kauffman , a doRay
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Footprints in the Snow by Debu
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as do Ray meflute studio production
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,C...
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Concert Band - Level 4 - SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,Concert,Contemporary. Score and parts. 21 pages. As do Ray meflute studio production #3927235. Published by as do Ray meflute studio production (A0.874250). Https://youtu.be/_e_043JWML4Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Preludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow . The piece is one of four Debussy preludes in book # 1. Thought to be inspired by the hugely popular French impressionist painting , called Snow at Louveciennes, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a block-like dissonant chord just before the middle part of the piece My own personal touches on this piece, included extended chord progression and formation with small variants on melody and counter melodies, Also, more importantly, the expression of the performers interpretation as well as my own for the creation and musically paint a magical snow scene.Arranged and scored for piccolo, 6 flutes in c, alto flute in g, bass flute , opt. contra bass flute and / or optional cello.Perfect for large and small ensembles. Perfect for winter concerts, prelude services, recitals, concerts. I thought this impressionist piece, much like the the famous french paintings are a perfect pairing for winter, snow days, and environmental effects . Obviously, this is a professional arrangement, and super difficult to find on SHeetMusicPLus , compared to so many other simple and basic , cookie-cutter formatted arrangementsThis arrangement, however is true professionally arranged and definitely will stand out and shine for you ensemble or choir.A must for flute choir libraries!!
$15.00 ≈
14.00€
C. Debussy - 3 Preludes,
C. Debussy - 3 Preludes,
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Orchestra
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Classical
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means of the orchestra, as in
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Claude Debussy
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A
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C. Debussy - 3 Preludes,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. P...
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Full Orchestra - SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). “La Sérénade Interrompue”,#9(I)Sometimes an orchestral transcription of a program piece like this “Interrupted Serenade” turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavine’s clown acts were accompanied by trumpets and drums, often backstage. “Strident,” “spiritual and discreet”: tongue-in-cheek. ”Sec,” a dry sound for staccato chords. Debussy’s transformation of the American popular tune, “Camp town Races.” Sudden dynamic changes suggest the juggling act of “General” Lavine, tossing large and small items at the same time.
$60.00 ≈
56.00€
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
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Orchestra
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Includes complete notes
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Claude Debussy: Rhapsodie Maur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95 ≈
27.95€
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Asya Fateyeva
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Claude Debussy/Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik F...
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Full Orchestra - Level 4 - SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik Fabrik Music Publishing #752612. Published by Musik Fabrik Music Publishing (A0.1152389). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was complete and orchestred for 32(EH)23/2100/timp/1perc/hp/strings by the Debussy Scholar Robert Orledge for the saxophonist Asya Fateyeva. This item is the score plus the solo part. A version for saxophone and piano a the score of the version for saxophone and 17 instruments are available for sale. The parts are on rental from the publishe.
$18.95 ≈
17.69€
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and 17 instruments - Score Only
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and 17 instruments - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Asya Fateyeva
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Claude Debussy/Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1152395 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 31 pages. Musi...
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Chamber Orchestra - Level 4 - SKU: A0.1152395 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 31 pages. Musik Fabrik Music Publishing #752619. Published by Musik Fabrik Music Publishing (A0.1152395). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was completed and orchestrated by the Debussy Scholar Robert Orledge. The chamber version is scored for 21(EH)11/1000/1perc/hp/strings(22221) This item is the full score and the solo part. A version for saxophone and piano and the full score of the full orchestra version are available for sale. The parts are on rental from the publisher.
$15.95 ≈
14.89€
Menuet (Mvt. 3 from Debussy's Petite Suite for String Orchestra
Menuet (Mvt. 3 from Debussy's Petite Suite for String Orchestra
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String Orchestra
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Classical
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Claude Debussy
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Richard Byrnes
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Menuet
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830683 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 40 pages. Richard Byrnes #3414587. Published by ...
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String Orchestra - SKU: A0.830683 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 40 pages. Richard Byrnes #3414587. Published by Richard Byrnes (A0.830683). This Menuet is movement 3 from the Petite Suite by Claude Debussy. The exquisite melody of this piece is not to be missed and it serves well to substantiate Debussy as a gifted melodist. This arrangement is for string orchestra (5Vn,2Va,2Vc,Cb).
$34.99 ≈
32.66€
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