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You've selected:
Brazilian Like
Sheetmusic to print
92 sheet music found
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76
Brazilian Like
Brazilian Like
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Piano solo
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Michel Petrucciani
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Daniel White
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Brazilian Like
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Daniel J White
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.484457 By Michel Petrucciani. Arranged by Daniel White. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.484457 By Michel Petrucciani. Arranged by Daniel White. This edition: Interactive Download. Blues,Jazz,Standards,World. Individual part. 13 pages. Duration 406. Published by Daniel J White (A0.484457). Brazilian Like - Michel Petruciani (advanced jazz solo piano).
$7.99 ≈
7.45€
Samba (No.4 of the Brazilian Suite) Transcribed by Luiz Levy (Urtext Edition)
Samba (No.4 of the Brazilian Suite) Transcribed by Luiz Levy (Urtext Edition)
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Piano solo
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INTERMEDIATE/ADVANCED
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Alexandre Levy
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Alexandre Dias (editor)
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Samba
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Instituto Piano Brasileiro - IPB
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1404926 Composed by Alexandre Levy. Arranged by Alexandre Dias (editor). 19th Century,Classical,Latin,Rom...
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Piano Solo - Level 4 - Digital Download SKU: A0.1404926 Composed by Alexandre Levy. Arranged by Alexandre Dias (editor). 19th Century,Classical,Latin,Romantic Period. Score. 23 pages. Instituto Piano Brasileiro - IPB #987958. Published by Instituto Piano Brasileiro - IPB (A0.1404926). This Urtext edition of Alexandre Levy's Samba, the captivating fourth movement from his Brazilian Suite (1890), is the quintessential embodiment of early Brazilian musical nationalism. This edition brings to light Levy's masterful integration of traditional Brazilian melodies, including the iconic Balaio, meu bem, balaio, and lesser-known gems like the Afro-Brazilian song Xô Araúna, within a sophisticated structure. Our meticulously engraved score honors Levy's original composition and enhances accessibility with modern notational clarity. This is a rare and brilliant piano solo transcription by Alexandre Levy's brother, Luiz Levy.Key features include:- A comprehensive critical commentary by Alexandre Dias, shedding light on the Samba's historical significance and Levy's pioneering role in Brazilian music.- A detailed exploration of the Samba's thematic elements, revealing Levy's intricate use of Brazilian folk and Afro-Brazilian melodies.- High-quality musical engraving that provides a meticulously crafted and clear presentation of the score.- Enriched editorial notes, providing a reliable and authoritative foundation for performers. Perfect for pianists seeking to delve into the roots of Brazilian music, this edition showcases Alexandre Levy's genius while serving as a bridge between classical music traditions and the vibrant sounds of Brazil.
$8.99 ≈
8.38€
Brazilian National Anthem
Brazilian National Anthem
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Patriotic
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Francisco Manuel Da Silva
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Flávio Régis Cunha
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Brazilian National Anthem
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Flavio Regis Cunha
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.597209 Composed by Francisco Manuel Da Silva. Arranged by Flávio Régis C...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.597209 Composed by Francisco Manuel Da Silva. Arranged by Flávio Régis Cunha. Concert,Graduation,Latin,World. Score and parts. 16 pages. Flavio Regis Cunha #4413047. Published by Flavio Regis Cunha (A0.597209). Arrangement of Brazilian National Anthem for Brass Quintet (2 Trumpets, Horn, Trombone and Tuba) and percussion. Very functional and powerful arrangement for civic occasions, reception of Brazilian authorities abroad, thematic concerts and events in general.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$8.99 ≈
8.38€
Hino Nacional Brasileiro (Brazilian National Anthem)
Hino Nacional Brasileiro (Brazilian National Anthem)
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Patriotic
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Francisco Manuel da Silva, Oso
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Orlan Charles
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Hino Nacional Brasileiro
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.814598 Composed by Francisco Manuel d...
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Small Ensemble Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.814598 Composed by Francisco Manuel da Silva, Osorio Duque Estrada. Arranged by Orlan Charles. Concert,Instructional,Patriotic,Romantic Period,Standards. Score and parts. 12 pages. ORLAN CHARLES MARCHIORI PRADO #4278525. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814598). Hino Nacional Brasileiro (Brazilian National Anthem)Arranged for Recorder Quintet (Sn, S, A, T, B) by Orlan Charles.I played this score in this video:https://youtu.be/hkynayF-puEIf you want to see other arrangements like this, look for my channel, Orlan Charles on Youtube, or follow my social networks below:Email: orlandagaita@gmail.comInstagram: @orlancharlesFacebook: https://www.facebook.com/orlancharlespage/
$9.99 ≈
9.31€
Cristo, O Fiel Amigo - 08 HC / No, Not One (There's not a friend like the lowly Jesus)
Cristo, O Fiel Amigo - 08 HC / No, Not One (There's not a friend like the lowly Jesus)
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Concert band
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EASY
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Sacred music
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Gospel/Spiritual
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George C
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Adriel Verçosa
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Cristo, O Fiel Amigo - 08 HC /
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Adriel Verçosa
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1004008 Composed by George C. Hugg. Arranged by Adriel Verçosa. Christian,Gospel,Praise & Worship,Sa...
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Concert Band - Level 2 - Digital Download SKU: A0.1004008 Composed by George C. Hugg. Arranged by Adriel Verçosa. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 25 pages. Adriel Verçosa #3451779. Published by Adriel Verçosa (A0.1004008). Cristo, O Fiel Amigo é o hino nº 08 da Harpa Cristã com música composta por George C. Hugg. Sua versão em inglês é chamada No, Not One (Não, nenhum), sendo o começo de sua primeira estrofe There's not a friend like the lowly Jesus (Não há amigo como o humilde Jesus).Este arranjo foi feito em uma estrutura simples de duas partes com repetição, podendo ser repetido por três vezes, sendo a sendo a última parte executada só pelo instrumental, com a congregação entrando no refrão, e finalizando. O arranjo é de fácil execução, possui uma riqueza harmônica muito grande.Instrumentação: banda musical.Para outros tons ou formações, contate meu email: adrielvall@hotmail.comCristo, O Fiel Amigo is the hymn No. 08 of the brazilian hymnal Harpa Cristã with music composed by George C. Hugg. The English version is called No, Not One, and the first verse is There's not a friend like the lowly Jesus.
$3.99 ≈
3.72€
"Brazilian Samba" for Piano
"Brazilian Samba" for Piano
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Piano solo
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INTERMEDIATE
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Fishel Pustilnik
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Fishel Pustilnik
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Pop Piano Paradise
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"Brazilian Samba" for Piano
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F & N Enterprise
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.632217 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 3 pages. F & ...
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Piano Solo - Level 3 - Digital Download SKU: A0.632217 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 3 pages. F & N Enterprise #2347195. Published by F & N Enterprise (A0.632217). Piano piece from famous Volume 3 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99 ≈
1.85€
Brazilian Music for Piano: Part 1 - The Choro
Brazilian Music for Piano: Part 1 - The Choro
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Piano solo
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INTERMEDIATE
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Latin/World Music
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Flavio Henrique Medeiros
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Brazilian Music for Piano: Par
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Flavio Henrique Medeiros. For Keyboard (Piano). Brazilian. 56 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Flavio Henrique Medeiros. For Keyboard (Piano). Brazilian. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744038. This book, the first in a series on a variety of Brazilian musical styles, is completely dedicated to the choro. It contains 12 piano pieces, including 6 original compositions by the authors and 6 arrangements of choros written by some of the greatest Brazilian composers like Pat pio Silva, Joaquim Callado, Anacleto de Medeiros and Satiro Bilhar.
$14.99 ≈
13.97€
Brazilian Electric Guitar
Brazilian Electric Guitar
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Guitar notes and tablatures
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INTERMEDIATE
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Latin/World Music
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Flavio Henrique Medeiros
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Brazilian Electric Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Flavio Henrique Medeiros. For Guitar (Electric). Brazilian. 88 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Flavio Henrique Medeiros. For Guitar (Electric). Brazilian. 88 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112636. The main goal of this book is to present what could be called Brazilian guitar today, working melodically, harmonically and rhythmically in some of the most important Brazilian musical styles. We have chosen to always use two electric guitars in these arrangements (but in the song 'Violeiros e Cantadores', which is for solo electric guitar), so that the essential functions of the guitar - rhythm, melody and harmony - might be expressed in the clearest and best way in each different style.We have made three versions of each piece, for ease of study: a complete one, one without the first electric guitar, and one without the second electric guitar. Therefore the student will be able to listen to the complete version and then practice with the other ones, playing the missing parts of the first guitar and the second guitar. At the end of the book, like an appendix, we have included the bass lines used in the recordings to strengthen the rhythmic and harmonic comprehension of each style.All music is in notation and tablature. Online audio available for download.
$19.99 ≈
18.63€
Je M'en Souviens (Choro) by Roger Davidson
Je M'en Souviens (Choro) by Roger Davidson
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Flute, Violin, Piano
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INTERMEDIATE
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Latin/World Music
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Roger Davidson
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Je M'en Souviens
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SheetMusicPlus
Composed by Roger Davidson. Latin Jazz, Bossa Nova, Smooth Jazz, Latin, Afro-Brazilian. Lead Sheet. 2 pages. Published by Musica Universalis Publishin...
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Composed by Roger Davidson. Latin Jazz, Bossa Nova, Smooth Jazz, Latin, Afro-Brazilian. Lead Sheet. 2 pages. Published by Musica Universalis Publishing
From the CD "Journey To Rio" by Roger Davidson (Soundbrush Records)
Like many Americans, Roger Davidson discovered the bossa nova through the recordings of Stan Getz, and since then, the sounds of Brazil have been especially close to his heart. In four previous CDs – Brazilian Love Song, Bom Dia, Rodgers in Rio, and Bingo – he brought his unique spin to the music of a country that, remarkably, he had never visited. In October 2011, that changed.
Accompanied by his producer, the Argentine bassist and bandleader Pablo Aslan, Roger took his first trip to Brazil. Most of his eight days there, which he spent in Rio de Janeiro, were occupied by six recording sessions. Roger arrived with a hundred of his Brazilian compositions to choose from; the songs he recorded – in addition to several new ones he composed in Rio – comprise these two CDs.
“Journey to Rio features deeply emotional Brazilian love songs alongside Davidson’s French inspired compositions. These compositions enforce a sense of rooted emotion that melds Davidson’s vast life experiences of international culture with the modern expressions of Brazilian jazz.” Latin Jazz Corner
http://soundbrush.com/album/journey-to-rio/
$1.99 ≈
1.85€
Popular Guitar Styles - Samba and Bossa Nova
Popular Guitar Styles - Samba and Bossa Nova
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Latin/World Music
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Burkhard Wolters
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Popular Guitar Styles - Samba
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Burkhard Wolters. For Guitar (Classical). Brazilian. 52 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Burkhard Wolters. For Guitar (Classical). Brazilian. 52 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652810. Popular Guitar Styles: Samba and Bossa Nova reflects recent popular Brazilian styles as played with classical or fingerstyle technique. This collection of original pieces will delight both listeners and guitarists who want to add samba and bossa nova music to their repertoire. The playing level is intermediate to advance. Left-hand difficulties like barres and stretches are minimized to make it easy to make the music groove. Written in standard notation and tablature. Audio download available online.
$14.99 ≈
13.97€
Sitio Do Pica Pau Amarelo
Sitio Do Pica Pau Amarelo
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Gilberto Passos Gil Moreira
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Marcelo Borba
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Sitio Do Pica Pau Amarelo
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Marcelo Borba
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SheetMusicPlus
Percussion Duet - Level 2 - Digital Download SKU: A0.1248666 Composed by Gilberto Passos Gil Moreira. Arranged by Marcelo Borba. Broadway,Latin,Multicult...
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Percussion Duet - Level 2 - Digital Download SKU: A0.1248666 Composed by Gilberto Passos Gil Moreira. Arranged by Marcelo Borba. Broadway,Latin,Multicultural,Musical/Show,Pop,Traditional,World. Score. 8 pages. Marcelo Borba #843164. Published by Marcelo Borba (A0.1248666). This is an arrangement for Marimba and Xylophone of the song Sitio do Pica-pau Amarelo. The arrangement is made for percussion keyboard duet but with chords (harmony).The song SÃtio do Pica-Pau Amarelo was composed by Brazilian musician and composer Gilberto Gil in 1977. The song was written for the soundtrack of the television series of the same name, which was based on the children's books of the same name written by Monteiro Lobato.SÃtio do Pica-Pau Amarelo is a very popular work in Brazilian children's literature, created by Monteiro Lobato. The book series tells the adventures of characters like Narizinho, Pedrinho, EmÃlia (the rag doll that comes to life), and Visconde de Sabugosa (a corn cob doll that also comes to life).Gilberto Gil was invited to compose the theme song for the television adaptation of SÃtio do Pica-Pau Amarelo. He created an animated and captivating song that captured the essence of the story and the characters.The song SÃtio do Pica-Pau Amarelo became a great success, and the television series also gained a legion of fans, both children and adults. The song became a childhood anthem for many generations of Brazilians and is still fondly remembered.SÃtio do Pica-Pau Amarelo and its theme song are considered important landmarks in Brazilian culture as they helped popularize national children's literature and promote interest in reading among children. Furthermore, Gilberto Gil's song is also an example of his talent as a composer and his ability to create engaging and memorable melodies.
$4.99 ≈
4.65€
Sitio Do Pica Pau Amarelo
Sitio Do Pica Pau Amarelo
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Easy Piano
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BEGINNER
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Gilberto Passos Gil Moreira
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Marcelo Borba
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Sitio Do Pica Pau Amarelo
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1251432 Composed by Gilberto Passos Gil Moreira. Arranged by Marcelo Borba. Children,Country,Film/TV,Mu...
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C Instrument - Level 1 - Digital Download SKU: A0.1251432 Composed by Gilberto Passos Gil Moreira. Arranged by Marcelo Borba. Children,Country,Film/TV,Multicultural,Standards,World. Lead Sheet / Fake Book. 4 pages. Marcelo Borba #845716. Published by Marcelo Borba (A0.1251432). This is a lead sheet music arrangement of the song SÃtio do Pica-pau Amarelo. The arrangement is made for any melodic or harmonic instrument and the score accompanies the original chords (harmony) of the music.The song SÃtio do Pica-Pau Amarelo was composed by Brazilian musician and composer Gilberto Gil in 1977. The song was written for the soundtrack of the television series of the same name, which was based on the children's books of the same name written by Monteiro Lobato.SÃtio do Pica-Pau Amarelo is a very popular work in Brazilian children's literature, created by Monteiro Lobato. The book series tells the adventures of characters like Narizinho, Pedrinho, EmÃlia (the rag doll that comes to life), and Visconde de Sabugosa (a corn cob doll that also comes to life).Gilberto Gil was invited to compose the theme song for the television adaptation of SÃtio do Pica-Pau Amarelo. He created an animated and captivating song that captured the essence of the story and the characters.The song SÃtio do Pica-Pau Amarelo became a great success, and the television series also gained a legion of fans, both children and adults. The song became a childhood anthem for many generations of Brazilians and is still fondly remembered.SÃtio do Pica-Pau Amarelo and its theme song are considered important landmarks in Brazilian culture as they helped popularize national children's literature and promote interest in reading among children. Furthermore, Gilberto Gil's song is also an example of his talent as a composer and his ability to create engaging and memorable melodies.
$3.99 ≈
3.72€
Lua para o Epilogo de Verão (Août)
Lua para o Epilogo de Verão (Août)
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Guitar
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ADVANCED
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Contemporary
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by ...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95 ≈
5.55€
Choros No 1
Choros No 1
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Heitor Villa Lobos
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Renato Esteves
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ISBN 0-19-315475-7 (pbk)
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Choros No 1
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Renato Esteves
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.513367 Composed by Heitor Villa Lobos. Arranged by Ren...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.513367 Composed by Heitor Villa Lobos. Arranged by Renato Esteves. Classical,Latin,Multicultural,World. Score and parts. 29 pages. Renato Esteves #124134. Published by Renato Esteves (A0.513367). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro (pronounced [ˈʃoɾu]), means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related. In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros.[1] The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt].[2] This simplicity and the beauty of its composition have made it a favourite with professional guitarists.[3] Footnotes Villa-Lobos 1972, p. 210. Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk). p. 62. Appleby, David. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, MD: Scarecrow Press. ISBN 978-0-8108-4149-9. p. 80. https://en.wikipedia.org/wiki/Ch%C3%B4ros_No._1.
$20.00 ≈
18.64€
Choros No 1
Choros No 1
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Violin
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ADVANCED
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Contemporary
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldan...
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Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99 ≈
7.45€
Choros
Choros
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Thomas Cooman
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Choros
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Thomas Cooman
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SheetMusicPlus
Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.1032700 Composed by Thomas Cooman. Contemporary,Latin,World. Score and parts. 4 pages. Thomas ...
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Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.1032700 Composed by Thomas Cooman. Contemporary,Latin,World. Score and parts. 4 pages. Thomas Cooman #5221545. Published by Thomas Cooman (A0.1032700). It has always been an ambition of mine to write a composition for my guitar quartet. One night, just before I went to sleep, I suddenly had a melody in my head that seemed useful to me. It was sad and rather melancholic and I thought that the whole piece would be like that. After I wrote it down, I went to bed. The following morning it developped in a completely different direction in my head. I heard a lively melody with syncopated rhythms in my mind and it made me think about the Brazilian choroes by the likes of Villa-Lobos for instance. I was actually quite glad that it turned out like that, because now I could use the melancholic part as an introduction to the more lively part. I consider this composition as one of my better works for guitar. I hope that many people will enjoy listening to it.
$16.50 ≈
15.38€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.41€
Aquiles Priester's Top 100 Drum Fills Score Book
Aquiles Priester's Top 100 Drum Fills Score Book
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Aquiles Priester
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Intermediate
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Aquiles Priester's Top 100 Dru
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Percussion - Beginning; Intermediate; Advanced - Digital Download SKU: M0.30398MEB Composed by Aquiles Priester. Percussion: Snare Drum. E-book and onlin...
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Percussion - Beginning; Intermediate; Advanced - Digital Download SKU: M0.30398MEB Composed by Aquiles Priester. Percussion: Snare Drum. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30398MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30398MEB). ISBN 9781619116764. 8.75x11.75 inches.Usually books become movies. The history of the seventh art is so filled with examples that it's not worth citing one specific movie. That is the natural order of things. But what when this natural order is inverted and the movie becomes a book? That is what happened with drummer Aquiles Priester. After releasing two videos where he shows his unbeatable technique, in 2013 he released Aquiles Priester's Top 100 Drum Fills, a selection of fills that he recorded with the various bands he played in - Hangar, Angra, Freakeys. So, during the recording other fills were created and, as they were interesting ideas, they ended up being included in the package. This resulted in 150 fills, 100 of which were selected for the video - 25 ended up being included as bonus tracks, including themes with Hangar, Tony MacAlpine and Midas Fate. Like everything else he does, success was immediate. The video was voted Best Educational DVD of The Year by the renowned North-American magazine Modern Drummer, another feat for a musician used to accumulating similar feats. Now Aquiles Priester's Top 100 Drum Fills has just become a book. Many people asked me for the scores of the fills shown in the video, says Aquiles, and as I had almost everything written down, I decided to make their lives easier. It is another release by a musician used to breaking barriers as in 2011, when he became the only drummer in Brazilian history to enter the ranking of Modern Drummer magazine as 5th best prog metal drummer of the world, next to names like Neil Peart, Mike Portnoy, Gavin Harrison and Marco Minnemann. In 2015 Aquiles was once more nominated to take part of another poll and was elected best drummer in the hard rock category by the North-American magazine Drum!. More than that, he was also the first Brazilian drummer to have signature instruments released by manufactures such as Paiste, Pro-Mark and Mapex, besides having built a solid international career accompanying renowned musicians such as Tony MacAlpine and Vinnie Moore and being part of one of the biggest revelations of Brazilian metal in the last ten years, the band Noturnall. Includes access to online audio.
$19.99 ≈
18.63€
Sexteto Mistico
Sexteto Mistico
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Concert band
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ADVANCED
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Heitor Villa Lobos
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John Ivor Holland
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Sexteto Mistico
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1284635 Composed by Heitor Villa Lobos. Arranged by John Ivor Holland. 20th Century,Classical,Multicult...
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Concert Band - Level 5 - Digital Download SKU: A0.1284635 Composed by Heitor Villa Lobos. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. Score and Parts. 99 pages. John Ivor Holland #875810. Published by John Ivor Holland (A0.1284635). Heitor Villa-Lobos was a prolific Brazilian composer, conductor, ‘cellist, and classical guitarist, and was probably the most significantly inventive individual in 20th-century Brazilian art music. He wrote over 2,000 orchestral, chamber, and vocal works. Central to Villa-Lobos’s compositional language is Brazilian folk music – he spent his formative musical years playing popular songs on the streets of Rio de Janeiro – but also using elements of European classical works and influenced by French music, creating his unique sound world. Sexteto Mistico is a unique composition in one movement, consisting of short sections, each bringing unexpected richness, strangeness, virtuosity and polyrhythms. The opening is diaphanous and other-worldly; instruments enter in turn as if introducing themselves, continually weaving their dreamlike harmonies. In the next segment we’re taken into a dark, atmospheric oboe solo; this, to rippling accompanying arpeggios, twists and turns with lyrical eeriness. In the final section the theme, that the repeated motif had been hinting at, clearly emerges, leading us to a bright conclusion. Reimagined for symphonic band from the original sextet of flute, oboe, alto saxophone, guitar, celesta and harp.
$99.99 ≈
93.19€
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