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For Unto Us a Child Is Born from Messiah for Brass Quintet and Organ
For Unto Us a Child Is Born from Messiah for Brass Quintet and Organ
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Sacred music
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George Frideric Handel
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Charles Decker
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For Unto Us a Child Is Born fr
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.817139 Composed by George Frideric Handel. Arranged...
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Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.817139 Composed by George Frideric Handel. Arranged by Charles Decker. Baroque,Christmas,Easter,Holiday,Praise & Worship. 48 pages. Charles Decker Music Press #3898203. Published by Charles Decker Music Press (A0.817139). This spectacular tour de force for brass quintet and organ of Handel's famous chorus from his beloved Messiah oratorio is guaranteed to excite audiences and the performers. Set in the original key, it features the first trumpet on piccolo B-flat trumpet with alternative piccolo trumpet parts in A and C, the second trumpet on D trumpet with an alternate part in C., a flugelhorn/trumpet substitute part is included for horn, trombone in bass clef, tuba, and organ. The audio file is an actual brass quintet and organ performance of the entire arrangement and not a computer playback of the score. Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.  Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$16.95 ≈
¥119.77
My Ragtime Baby for Brass Quintet
My Ragtime Baby for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Fred S
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Charles Decker
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My Ragtime Baby for Brass Quin
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Multicultural,Pop,World. 24 pages. Charles Decker Music Press #837904. Published by Charles Decker Music Press (A0.1242857). My Ragtime Baby was the 1898 mega hit featured in the Sousa Band European 1900 tour that introduced European audiences to American Ragtime. Fred Stone was a prominent African-American composer and conductor in the early Ragtime movement. The rag is arranged for two B-flat trumpets, horn in F, trombone and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99 ≈
¥91.79
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Herbert L
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Geoffrey Bergler
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Herbert L. Clarke - The Southe
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and part...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.
$20.00 ≈
¥141.32
DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Capp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00 ≈
¥63.59
Bridges, Op. 136 (for Brass Quintet and Chimes)
Bridges, Op. 136 (for Brass Quintet and Chimes)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World...
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95 ≈
¥176.29
Saboly: Noël Provencal "Un Flambeau, Jeanette, Isabelle!" - wind quintet
Saboly: Noël Provencal "Un Flambeau, Jeanette, Isabelle!" - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Nicolas Saboly
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Ray Thompson
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Saboly: Noël Provencal "Un Fl
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1155564 Composed by Nicolas Saboly. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1155564 Composed by Nicolas Saboly. Arranged by Ray Thompson. Christian,Christmas,Religious,Romantic Period. 15 pages. RayThompsonMusic #755861. Published by RayThompsonMusic (A0.1155564). Arranged standard wind quintet. Un Flambeau, Jeanette, Isabelle! is a Provençal Christmas song from the 17th century. This song was first published in 1553 in France. The music is attributed to Nicolas Saboly and the text to Émile Blémont. The song tells the story of two farmers, Jeannette and Isabelle, who are going to milk their cows in a crib in Bethlehem, and find Jesus sleeping in hay. The two women run to Bethlehem to announce to the inhabitants the coming of Christ and the inhabitants come with their torches to see this for themselves. The painter Georges de La Tour painted a Nativity called The Newborn Inspired by the Song. Originally, the song was not a Christmas song but a dance song for the nobles. Little known in France today, it is most often interpreted by Anglo-Saxons on the occasion of the Christmas holidays, especially in the United States. The English version is entitled Bring a torch, Jeanette, Isabella!. This arrangement for wind quintet (in the key of Bb) has 5 verses (with different arrangements) There is a bridge passage at the start, end and between each verse. It is based on a version of the carol found in book of French Carols collected by Julien Tiersot. (Noëls Français) published by Heugel
$9.95 ≈
¥70.31
Satie: La Belle Excentrique - Grand ritournelle - wind quintet
Satie: La Belle Excentrique - Grand ritournelle - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1298050 Composed by Erik Satie. Arranged...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 12 pages. RayThompsonMusic #887972. Published by RayThompsonMusic (A0.1298050). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello.1. Grande ritournelle (Grand Ritornello) (This one)2. Marche franco-lunaire (Franco-Lunar March)3. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)4. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet with piccolo,but could be played on flute if no piccolo available.
$7.95 ≈
¥56.17
Satie: La Belle Excentrique - wind quintet
Satie: La Belle Excentrique - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Co...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 31 pages. RayThompsonMusic #893257. Published by RayThompsonMusic (A0.1303701). Arranged standard wind quintet.Flute doubles on piccolo in the Ritournelle.La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Great fun to perform.
$29.95 ≈
¥211.62
Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique II
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 17 pages. RayThompsonMusic #892863. Published by RayThompsonMusic (A0.1303281). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye) (This one)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$14.95 ≈
¥105.63
A QUI L TOUR
A QUI L TOUR
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Bass guitar
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Gospel/Spiritual
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SIMON PIERRE MESSELA
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SIMON PIERRE MESSELA
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A QUI L TOUR
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Simon Pierre Messela
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SheetMusicPlus
Brass Quartet,Percussion Ensemble,String Quartet Bass Guitar - Digital Download SKU: A0.1072639 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERR...
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Brass Quartet,Percussion Ensemble,String Quartet Bass Guitar - Digital Download SKU: A0.1072639 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,Musical/Show,World. Accompaniment. Duration 405. Simon Pierre Messela ( FIFI RIBANA) #4274799. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1072639). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY.
$1.99 ≈
¥14.06
Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,March. 11 pages. RayThompsonMusic #888706. Published by RayThompsonMusic (A0.1298857). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) (This one)2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$9.95 ≈
¥70.31
Jacques Dussouil: "Pastouroux et Pastourelles" from Quatre Noëls for SATB mixed chorus
Jacques Dussouil: "Pastouroux et Pastourelles" from Quatre Noëls for SATB mixed chorus
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Choral SATB
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INTERMEDIATE
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Jacques Dussouil
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Jacques Dussouil: "Pastouroux
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535408 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabri...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535408 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4285279. Published by Musik Fabrik Music Publishing (A0.535408). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.4. Pastoureaux et Pasturelles1. Pastoureaux et pastourelles, Arrivent très vitementEt volant à tire d’aile, Des anges chantent gaiement.Gloria in excelsis, In excelsis Deo!2. Quelle est dans cette nouvelle, Qui s’lève jusqu’aux cieux?Pastoureaux et pastourelles, Que faites-vous en ce lieux?Gloria in excelsis, In excelsis Deo!3. Je viens voir ce bel enfantQu’en dit couché sur la pailleNous voulons dès maintenant, Le voir avant qu’il s’en aille.Gloria in excelsis, In excelsis Deo!4. On dit que dans une étableDans Bethléem assoupi, Un petit enfant aimableEst né puis s’est endormi.Gloria in excelsis, In excelsis Deo!5. Le monde entier qui l’ignoreSaura demain pour toujours.Que le ciel entier l’adore, L’enfant Dieu source d’amour.Gloria in excelsis, In excelsis Deo!
$1.99 ≈
¥14.06
Tourbillon d?âmes I et II
Tourbillon d?âmes I et II
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Guitar
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INTERMEDIATE
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Contemporary
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José-Luis Narvaez
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Tourbillon d?âmes I et II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4267 Composed by José-Luis Narvaez. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4267. Publi...
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4267 Composed by José-Luis Narvaez. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4267. Published by Les Productions d'OZ - Digital (ZZ.DZ-4267). «Tourbillon d'âmes I» est un éloge à la danse, avec ses notes staccato qui font penser au «tourbillon» mécanique de l'horloge.Le Tourbillon II, plus développé avec son rythme 6/8, invite à la danse amoureuse, à la fuite du temps...Ces Tourbillons d'âmes sont dédiés à la personne qui les a inspirés.Tourbillon d'âmes I is a eulogy to dance, with its staccato notes which are reminiscent of the mechanical whirlwind of the clock.The Tourbillon II, more developed with its 6/8 rhythm, invites you to a love dance, to escape time...These Soul Swirls are dedicated to the person who inspired them.
$5.95 ≈
¥42.04
Jacques Leguerney: Heureux qui, comme Ulysse for voice and piano
Jacques Leguerney: Heureux qui, comme Ulysse for voice and piano
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Piano, Voice
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INTERMEDIATE
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Jacques Leguerney
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Jacques Leguerney: Heureux qui
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.533325 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.533325 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publishing #2343155. Published by Musik Fabrik Music Publishing (A0.533325). A setting by Leguerney of a poem by Joachim de Bellay: Range is Eb3-G2Heureux qui, comme Ulysse, a fait un beau voyage,Ou comme cestuy-là qui conquit la toison,Et puis est retourné, plein d'usage et raison,Vivre entre ses parents le reste de son âge !Quand reverrai-je, hélas, de mon petit villageFumer la cheminée, et en quelle saisonReverrai-je le clos de ma pauvre maison,Qui m'est une province, et beaucoup davantage ?Plus me plaît le séjour qu'ont bâti mes aïeux,Que des palais Romains le front audacieux,Plus que le marbre dur me plaît l'ardoise fine :Plus mon Loire gaulois, que le Tibre latin,Plus mon petit Liré, que le mont Palatin,Et plus que l'air marin la doulceur angevine.
$7.74 ≈
¥54.69
Two Wrongs Don't Make A Right by Oliver Johnson
Two Wrongs Don't Make A Right by Oliver Johnson
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Dwight Leroy Quinn
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Two Wrongs Don't Make A Right
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D.L. Quinn Music Publishing Company
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SheetMusicPlus
Baritone Saxophone,Bass Guitar,Drum Set,Organ,Piano,Trumpet,Voice - Digital Download SKU: A0.1072570 Composed by Dwight Leroy Quinn. Blues,R & B. Full Pe...
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Baritone Saxophone,Bass Guitar,Drum Set,Organ,Piano,Trumpet,Voice - Digital Download SKU: A0.1072570 Composed by Dwight Leroy Quinn. Blues,R & B. Full Performance. Duration 330. D.L. Quinn Music Publishing Company #4580371. Published by D.L. Quinn Music Publishing Company (A0.1072570). Who threw that,ROCK in my BLUES, well it looks like Oliver Johnson did. The guy that brought the trumpet to soul, he have kicked 2019 off to a hot-rock start with his new CD Single Two Wrongs Don't A Right written and composed by Dwight Quinn. Oliver has for long time been wanting to do a Hot Bluesy Rock style song like ,Two Wrongs Don't A Right ,Oliver soon found a little time off from his busy touring schedule last year 2018,and he got with Dwight and they made it happen.Oliver has enjoyed an awesome career growth on his big hit,Daydreaming Again. Two Wrongs Don't A Right will be Oliver's 9th album on the Quinn Records TM Label.
$1.99 ≈
¥14.06
Adolphe Danhauser | L'Escarpolette | for Brass Trio [High Register]
Adolphe Danhauser | L'Escarpolette | for Brass Trio [High Register]
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Adolphe Danhauser
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Andrew Lamb
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Adolphe Danhauser | L'Escarpol
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Andrew Lamb
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SheetMusicPlus
Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1473205 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by A...
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Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1473205 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Romantic Period. 24 pages. Andrew Lamb #1050899. Published by Andrew Lamb (A0.1473205). 🎺 Brass Trio Arrangement of L'Escarpolette by Adolphe Danhauser 🎺 🎵 About the Composer: Adolphe-Léopold Danhauser (26 February 1835 – 9 June 1896) was a prominent French musician, educator, music theorist, and composer. Born in Paris, he studied at the Paris Conservatoire with distinguished teachers such as François Bazin, Fromental Halévy, and Napoléon Henri Reber. In 1863, he won the prestigious Second Prix de Rome and developed a keen interest in early music education. His Theory of Music, published in 1872, remains a cornerstone in music education. Danhauser served as the chief inspector of instruction in singing in Parisian schools and later became a professor of solfeggio at the Paris Conservatoire. He also conducted tours to study music pedagogy in the Netherlands, Belgium, and Switzerland, and his notable students include Charles Malherbe.🎼 Arrangement Details: This exquisite arrangement of L'Escarpolette by Adolphe Danhauser is crafted for a Brass Trio, offering flexibility in instrumentation. The parts are scored as follows: Part 1: Trumpet / Cornet / Flugel in Bb Part 2: Trumpet / Cornet / Flugel in Bb Part 3: Trumpet / Cornet / Flugel in Bb / French Horn / Tenor Horn / Baritone / Trombone / Euphonium (Bass and Treble Clef) This flexibility allows performers to choose the combination of instruments that best suits their ensemble's strengths and preferences.✨ Level of Difficulty: Advanced✨ Potential Uses: Ideal for concert or recital performances.Experience the enchanting melodies and intricate harmonies of Danhauser's L'Escarpolette in this sophisticated brass trio arrangement. Perfect for showcasing technical prowess and musical expression, this piece will captivate audiences and performers alike.Please like and subscribe for more videos and music arrangements. 🌟
$5.00 ≈
¥35.33
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