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I Like It Like That
Not classified 957

Piano & keyboards
Piano solo 448
Piano, Voice 305
Piano, Vocal and Guitar 103
Easy Piano 100
C Instruments 26

Organ 21
Piano Trio: piano, violin, cello 7
1 Piano, 4 hands 7
Piano Quartet: piano, violin, viola, cello 4
2 Pianos, 4 hands 2
Piano Quintet: piano, 2 violins, viola, cello 2
Piano Quartet: piano, 2 violins, cello 1
Piano (band part) 1
2 Pianos, 8 hands 1

+ 9 instrumentations

- Retract

Guitars
Guitar notes and tablatures 42
Guitar 36
Melody line, (Lyrics) and Chords 11
Ukulele 9
Lyrics and Chords 5

Bass guitar 4
2 Guitars (duet) 3
Banjo 2
Mandolin, Guitar (duet) 2
Guitar Ensemble 2
Electric Bass (band part) 1
Mandolin 1
4 Guitars (Quartet) 1
Guitar, Violin, Cello (trio) 1

+ 9 instrumentations

- Retract

Voice
Choral SATB 126
Choral 3-part 32
Choral 2-part 19
Choral TTBB 17
Choral SSAA 16

Vocal duet 7
Choral Unison 5
Vocal duet, Piano 4
Soprano voice, Piano 3
Tenor voice 1
Choral SSATTB 1
Voice solo 1
Alto voice, Piano 1

+ 8 instrumentations

- Retract

Woodwind
Saxophone ensemble 94
Saxophone Quintet: 5 Saxophones 86
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 54
Clarinet Ensemble 34
Saxophone Quartet: 4 saxophones 27

Oboe, Piano (duet) 26
Flute and Piano 24
Flute 23
Flute ensemble 18
Flute Quintet : 5 flutes 17
Flute, Oboe, Clarinet, Bassoon 17
2 Saxophones (duet) 16
Saxophone (band part) 15
Clarinet and Piano 12
Clarinet 11
Alto Saxophone and Piano 10
2 Clarinets (duet) 10
Clarinet Quartet: 4 clarinets 9
Soprano Saxophone and Piano 9
Oboe (band part) 8
Tenor Saxophone and Piano 8
Baritone Saxophone, Piano 7
Alto Saxophone 7
Flute Quartet: 4 flutes 6
2 Flutes (duet) 6
English horn, Piano 5
Descant (Soprano) Recorder 4
Flute and Guitar 4
Bass Clarinet, Piano 4
3 Saxophones (trio) 4
Clarinet Quintet: 5 clarinets 3

Flute Trio: 3 flutes 3
Clarinet, Bassoon (duet) 2
3 Clarinets (trio) 2
Saxophone, Clarinet (duet) 2
Treble (Alto) Recorder, Piano 2
Flute, Violoncello 2
2 Oboes (duet) 2
Oboe, Bassoon (duet) 2
Saxophone 1
Clarinet, Violin (duet) 1
English Horn 1
Flute, Clarinet (duet) 1
Clarinet (band part) 1
2 Recorders (duet) 1
Oboe, Guitar (duet) 1
Recorder 1
Flute, Oboe, Clarinet (trio) 1
Tenor Saxophone 1
Oboe, Clarinet (duet) 1
Flute (band part) 1
Clarinet and Viola 1
Treble (Alto) Recorder 1
Flute, Saxophone (duet) 1
Piccolo, Piano 1
Recorder Quartet 1
Clarinet Quintet: Clarinet, String Quartet 1
Oboe, Violin, Piano 1
Flute, Clarinet, Violin (trio) 1
2 Saxophones, Piano 1
Flute, Bassoon, and Piano 1
Clarinet, Guitar (duet) 1

+ 57 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 83
Brass Quintet: 2 trumpets, horn, trombone, tuba 53
Brass Quartet: 2 trumpets, horn, trombone 35
Trombone ensemble 32
Trumpet ensemble 25

Brass Quartet 14
Trumpet 13
Trombone and Piano 12
Tuba 9
Tuba and Piano 8
Trumpet (band part) 7
Trumpet, Piano 7
Trombone 7
French horn 7
2 Trombones (duet) 7
French Horn and Piano 6
2 Trumpets (duet) 6
English horn, Piano 5
Trombone (band part) 5
Euphonium, Piano (duet) 5
Brass Quartet: 4 trombones 4
Horn Ensemble 4
Trumpet, Trombone (duet) 3
Brass Quartet: 4 horns 3
2 Tubas (duet) 2
2 French horns (duet) 2
Brass Trio 2
English Horn 1
Tuba or Euphonium or Saxhorn 1
2 Euphoniums (duet) 1
Tuba (band part) 1
2 Euphoniums and 2 Tubas 1
Trumpet, Euphonium (duet) 1

+ 28 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 131
Violin and Piano 30
Violin 25
Viola ensemble 21
Violin ensemble 20

Harp 19
Violin, Cello (duet) 12
Viola, Piano 12
Cello, Piano 9
String Trio: violin, viola, cello 9
Cello (band part) 8
String Quintet: 2 violins, viola, cello, bass 5
2 Violins (duet) 5
Cello 5
2 Cellos (duet) 5
String Trio: 2 violins, cello 4
Viola 4
String Quintet: 2 violins, 2 violas, cello 4
4 Cellos 4
2 Violas (duet) 4
String quartet: 4 violins 2
Viola (band part) 2
Harp, Voice 2
Double Bass 2
Violin, Viola (duet) 1
Cello Ensemble 1
Cello, Guitar (duet) 1
String Quartet : 4 violas 1
Violin (band part) 1
Harp and Piano 1
Violin, Bassoon (duet) 1
Double bass, Piano (duet) 1
String Trio: 3 violins 1
4 Double Basses 1
Violin, Guitar (duet) 1

+ 30 instrumentations

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Percussion & orchestra
Concert band 58
Orchestra 51
String Orchestra 46
Jazz Ensemble 45
Brass ensemble 25

Chamber Orchestra 15
Jazz combo 14
Percussion Ensemble 11
Marching band 10
Drums 5
Percussion 3
Handbells 2
Marimba 2
Brass Quintet: other combinaisons 1
Piano and Orchestra 1
Conga 1
Xylophone 1

+ 12 instrumentations

- Retract

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I Like It Like That

Clarinet Quintet: 5 clarinets

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3 sheet music found

A Night In Tunisia

A Night In Tunisia #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arran...(+)

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$14.99 ≈ 13.81€

Adagio and Allegro in F minor, K. 594

Adagio and Allegro in F minor, K. 594 #Clarinet Quintet: 5 clarinets #INTERMEDIATE/ADVANCED #Classical #Wolfgang Amadeus Mozart #Chris Blankenship #Adagio and Allegro in F minor, #C Blankenship #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenshi...(+)

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the MÃ¼llersche Kunstgalerie, the wax art gallery and organ museum of Joseph MÃ¼ller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.

$9.99 ≈ 9.21€

Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99 ≈ 13.81€