Download Digital Sheet Music of Songs of England for Baritone Saxophone, Piano

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Songs of England
Not classified 47

Piano & keyboards
Piano, Voice 48
Piano solo 15
Piano, Vocal and Guitar 11
Piano Trio: piano, violin, cello 2
C Instruments 1

Piano Quartet: piano, violin, viola, cello 1
Big Note Piano 1

+ 2 instrumentations

- Retract

Guitars
Ukulele 2
Mandolin 2
Guitar notes and tablatures 1
Dulcimer 1

Voice
Choral 3-part 13
Choral SATB 8
Soprano voice, Piano 5
Mezzo-Soprano voice, Piano 2
High voice 2

Choral 2-part 1
Voice solo 1
Choral Unison 1
Tenor voice, Piano 1
Vocal duet, Piano 1

+ 5 instrumentations

- Retract

Woodwind
Alto Saxophone and Piano 12
Soprano Saxophone and Piano 10
Tenor Saxophone and Piano 3
Clarinet and Piano 3
Baritone Saxophone, Piano 3

Recorder 3
Clarinet Quartet: 4 clarinets 3
Clarinet 2
2 Saxophones (duet) 2
Oboe, Piano (duet) 2
2 Clarinets (duet) 2
Flute and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
Saxophone (band part) 1
Saxophone Quartet: 4 saxophones 1
Flute 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Recorder Quartet 1
Flute Quintet : 5 flutes 1
Piccolo, Piano 1
Wind ensemble 1
Bass Clarinet, Piano 1
English horn, Piano 1
Flute Quartet: 4 flutes 1
2 Flutes (duet) 1
Flute ensemble 1

+ 21 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Trumpet 3
Brass quartet : 2 trumpets, trombone, tuba 3
French Horn and Piano 2
Euphonium, Piano (duet) 2

Trombone and Piano 2
Tuba and Organ 1
2 Trombones (duet) 1
Trumpet (band part) 1
Trumpet, Trombone (duet) 1
English horn, Piano 1

+ 6 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 3
Harp 3
Cello, Piano 3
Viola, Piano 3
Violin and Piano 3

Violin 1
2 Cellos (duet) 1
2 Violins (duet) 1
2 Violas (duet) 1
Cello 1
Violin, Cello (duet) 1
Violin, Viola (duet) 1

+ 7 instrumentations

- Retract

Percussion & orchestra
Concert band 32
String Orchestra 6
Orchestra 3
Chamber Orchestra 2

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Songs of England

Baritone Saxophone, Piano

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3 sheet music found

Sullivan: The Lost Chord for Baritone Sax & Piano

Sullivan: The Lost Chord for Baritone Sax & Piano #Baritone Saxophone, Piano #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for B #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instru...(+)

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 24.79€

Fauré: Élégie Op. 24 for Baritone Sax & Piano

Fauré: Élégie Op. 24 for Baritone Sax & Piano #Baritone Saxophone, Piano #INTERMEDIATE/ADVANCED #Classical #Gabriel Faure #James M #Fauré: Élégie Op. 24 for Ba #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicu...(+)

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 30.31€

Jingle Bells for Baritone Sax & Piano

Jingle Bells for Baritone Sax & Piano #Baritone Saxophone, Piano #BEGINNER #Christmas #James Pierpont #James M #piano #Jingle Bells for Baritone Sax #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score an...(+)

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850â€™s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 ≈ 22.95€