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Signs
Not classified 86

Piano & keyboards
Piano solo 111
Piano, Voice 63
Easy Piano 45
Organ 24
Piano, Vocal and Guitar 24

C Instruments 12
1 Piano, 4 hands 7
Piano Quintet: piano, 2 violins, viola, cello 1
Piano Trio: piano, violin, cello 1

+ 4 instrumentations

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Guitars
Guitar notes and tablatures 9
Melody line, (Lyrics) and Chords 9
Guitar 6
Lyrics and Chords 5
Bass guitar 2

Voice
Choral SATB 74
Choral 3-part 13
Choral Unison 8
Voice solo 5
Choral 2-part 3

Choral SSAA 1
Vocal duet, Piano 1
Choral 1
Alto voice, Piano 1
Choral TTBB 1

+ 5 instrumentations

- Retract

Woodwind
Oboe, Piano (duet) 10
Flute and Piano 6
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
Clarinet 2
Saxophone Quartet: 4 saxophones 2

Clarinet Quartet: 4 clarinets 2
Flute Quartet: 4 flutes 2
Descant (Soprano) Recorder 1
Flute, Oboe, Clarinet, Bassoon 1
Recorder 1
Recorder Ensemble 1
Flute ensemble 1
Flute, Clarinet, Piano (trio) 1
Recorder Quartet 1
Flute 1
2 Recorders (duet) 1
Saxophone ensemble 1

+ 12 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 10
Brass quartet : 2 trumpets, trombone, tuba 3
Trombone 1
Trumpet 1
Bass Trombone and Piano 1

Tuba and Piano 1
Brass Quartet: 2 trumpets, horn, trombone 1
2 Trombones (duet) 1
2 Trumpets (duet) 1
Trumpet, Piano 1

+ 5 instrumentations

- Retract

Strings
Violin and Piano 17
Harp 10
String Quartet: 2 violins, viola, cello 7
Cello (band part) 2
String Trio: violin, viola, cello 1

2 Violas (duet) 1
Violin 1
Harp, Flute (duet) 1
Cello 1

+ 4 instrumentations

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Percussion & orchestra
Concert band 13
Orchestra 13
Jazz combo 8
String Orchestra 8
Jazz Ensemble 3

Handbells 3
Percussion Ensemble 3

Marching band 2
Chamber Orchestra 2
Brass ensemble 2
Drums 1

+ 6 instrumentations

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Signs

Percussion Ensemble

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3 sheet music found

Sail

Sail #Percussion Ensemble #BEGINNER #Rock #AWOLNATION #Adam Grim #Sail #Adam B. Grim #SheetMusicPlus

Percussion Ensemble - Level 1 - Digital Download SKU: A0.939379 By AWOLNATION. By Aaron Bruno. Arranged by Adam Grim. Rock. Score and parts. 17 pages. Ad...(+)

Percussion Ensemble - Level 1 - Digital Download SKU: A0.939379 By AWOLNATION. By Aaron Bruno. Arranged by Adam Grim. Rock. Score and parts. 17 pages. Adam B. Grim #6200423. Published by Adam B. Grim (A0.939379). Sail was an impactful electronic rock tune to define an era of mental health issues and struggle in young people of the early 2010's. The song goes through the signs of depression and stress, and connected with the listeners in a way that electronic rock had not done before. This simple arrangement was one of my first for the steel band, (as the copyright shows). Edited in 2020 to be better, but the form and harmony stayed the same, which is original to the song. Very simple lower pan parts, nearly all of the work is on the tenor parts. This would be great for a young band!

$35.00 ≈ 32.51€

One Hour to Madness

One Hour to Madness #Percussion Ensemble #ADVANCED #Contemporary #Dan Heslink # #One Hour to Madness #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitmanâ€™s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second themeâ€™s clear Bb major tonality. The workâ€™s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 Â½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.

$4.99 ≈ 4.64€

Alexandriana for Percussion Ensemble

Alexandriana for Percussion Ensemble #Percussion Ensemble #ADVANCED #Dan Heslink # #Alexandriana for Percussion En #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Greatâ€™s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The musicâ€™s sectional nature parallels the libraryâ€™s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the scoreâ€™s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.

$9.99 ≈ 9.28€