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You've selected:
Better Written Off
Piano solo
Sheetmusic to print
5 sheet music found
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1
Better Written Off (than Written Down)
Better Written Off (than Written Down)
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Leisure Society
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Martin Jones (jonesandjonesmus
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Better Written Off
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Mr Martin Jones
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.767997 By Leisure Society. By Nicholas James Hemming. Arranged by Martin Jones (jonesandjonesmusic.com). ...
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Piano Solo - Level 4 - Digital Download SKU: A0.767997 By Leisure Society. By Nicholas James Hemming. Arranged by Martin Jones (jonesandjonesmusic.com). Contemporary. Score. 5 pages. Mr Martin Jones #6204819. Published by Mr Martin Jones (A0.767997). Piano arrangement of the toe tapping song Better Written Off (than Written Down) by The Leisure Society.
$6.99 ≈
6.43€
For James: a kind of lullaby (1993)
For James: a kind of lullaby (1993)
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Piano solo
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INTERMEDIATE
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Bill Whitley
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Bill Whitley
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For James: a kind of lullaby
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Musica Semplice
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1283969 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Chamber,Classical,Contem...
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Piano Solo - Level 3 - Digital Download SKU: A0.1283969 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Chamber,Classical,Contemporary. Score. 3 pages. Musica Semplice #875142. Published by Musica Semplice (A0.1283969). For James: a kind of lullaby (1993)Built in 1898 the James Monaghan Mansion--now, and since 1942 the home of Gonzaga University's music department--was for many years believed to be haunted. In addition to reports of disembodied footsteps, doors dramatically opening themselves, and sudden appearances of hostile presences, there was also reports of the organ playing itself......which is where I, primarily an organ student at the time, spent a majority of my time. This piece was written entirely at the organ, on that organ while an organ and piano student at Gonzaga. Written in four layers as if for organ, in the end I found that it sounded much better on the piano. It has never been performed or recorded on organ.The working title was Excorsising Monaghan. Â The finished piece sounded less ghostly and more like a lullaby. Whether or not it was James doing the haunting, I thought it best to offer the lullaby to him.--Bill Whitley, 2023.
$4.99 ≈
4.59€
Lo, How a Rose E'er Blooming
Lo, How a Rose E'er Blooming
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Michael Praetorius
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Laura Glassel
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Lo, How a Rose E'er Blooming
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Laura Glassel
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1093599 Composed by Michael Praetorius. Arranged by Laura Glassel. Christmas,Holiday,Sacred. Score. 5 pag...
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Piano Solo - Level 4 - Digital Download SKU: A0.1093599 Composed by Michael Praetorius. Arranged by Laura Glassel. Christmas,Holiday,Sacred. Score. 5 pages. Laura Glassel #697670. Published by Laura Glassel (A0.1093599). This is an early advanced piano arrangement of the hymn tune to Lo! How a Rose E’er Blooming. Is written entirely in F major. Almost the entire range of the piano keyboard is used. The first stanza involves a lot of triplets for the left hand. 5 pages long. Perfect in a church music setting as a prelude or offertory piece. Would also be a nice piece for a Christmas recital. Dedication: For my dad, whose job took us to Germany, which changed my life forever and for the better.
$3.99 ≈
3.67€
Introspection 1
Introspection 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99 ≈
3.67€
Beauty And The Beast
Beauty And The Beast
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Piano solo
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EASY
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Celine Dion & Peabo Bryson
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Catriona Ailts
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Beauty And The Beast
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Catriona Ailts
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1346934 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Catriona Ailts. Broa...
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Piano Solo - Level 2 - Digital Download SKU: A0.1346934 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Catriona Ailts. Broadway,Children,Contemporary,Film/TV,Instructional,Musical/Show. Score. 4 pages. Catriona Ailts #931716. Published by Catriona Ailts (A0.1346934). Written for beginner to intermediate pianists, this arrangement of Beauty and the Beast offers better playability to younger or less experienced musicians while still holding true to the original tune. Musicians will be able to improve their skills with movement in the right and left hand separately and simultaneously along with small dynamic changes and lyrical cues that help to keep the pianist on track. Young and old musicians will enjoy learning and playing this arrangement that upholds the magic and heart of the story without discouraging their abilities.
$6.99 ≈
6.43€
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