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Robert E
Not classified 500

Piano & keyboards
Piano, Voice 706
Piano solo 152
Piano (band part) 91
Easy Piano 44
Organ 25

Piano, Vocal and Guitar 23
Big Note Piano 12
Piano Accompaniment 11
C Instruments 4
All Instruments 1
Accordion 1
2 Organs (duet) 1
2 Pianos, 4 hands 1
Piano Quartet: piano, violin, viola, cello 1
Piano Trio: piano, violin, cello 1

+ 10 instrumentations

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Guitars
Guitar notes and tablatures 40
Guitar (band part) 35
Guitar 34
Ukulele 13
Electric Bass (band part) 9

Melody line, (Lyrics) and Chords 6
Bass guitar 5
Mandolin 5
2 Guitars (duet) 4
Lyrics and Chords 4
Piano, Guitar (duet) 1
Baritone Ukulele 1
Guitar Ensemble 1
Guitar, Orchestra 1

+ 9 instrumentations

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Voice
Choral SATB 177
Choral 2-part 24
Choral TTBB 21
Choral SSAA 14
Choral 3-part 12

Choral Unison 11
Voice solo 10
Mezzo-Soprano voice, Piano 6
Vocal duet, Piano 5
Baritone voice, Piano 4
Medium voice, Piano 3
Soprano voice, Piano 3
Choral SSAATTBB 3
Choral SSATTB 2
Choral 2
Tenor voice, Piano 2
Vocal duet 2
Alto voice, Piano 1
Choral SSATB 1
Tenor voice 1

+ 15 instrumentations

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Woodwind
Saxophone (band part) 1,695
Clarinet (band part) 1,532
Flute (band part) 422
Oboe (band part) 323
Flute and Guitar 57

Clarinet 24
Clarinet and Piano 21
Bass Clarinet 21
Alto Saxophone and Piano 20
Flute and Piano 17
Tenor Saxophone and Piano 14
Oboe, Piano (duet) 12
Flute 8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Clarinet Quartet: 4 clarinets 7
Clarinet Ensemble 7
Alto Saxophone 7
Flute, Oboe, Clarinet, Bassoon 6
2 Flutes (duet) 5
Soprano Saxophone and Piano 5
2 Saxophones (duet) 5
2 Clarinets (duet) 4
3 Saxophones (trio) 4
Saxophone Quartet: 4 saxophones 4
Saxophone Quintet: 5 Saxophones 3
Clarinet Quintet: 5 clarinets 3
Baritone Saxophone, Piano 3
Flute Quartet: 4 flutes 2
Tenor Saxophone 2
Descant (Soprano) Recorder 2
Descent (Soprano) Recorder, Piano 1
Flute ensemble 1
Recorder Ensemble 1
Recorder 1
Saxophone 1
Oboe 1
Clarinet, Guitar (duet) 1
Bass Clarinet, Piano 1
Saxophone ensemble 1

+ 34 instrumentations

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Woodbrass
Trombone (band part) 1,152
Trumpet (band part) 948
French horn (band part) 631
Tuba (band part) 421
Tuba 24

Brass Quintet: 2 trumpets, horn, trombone, tuba 20
French horn 18
Trombone and Piano 9
Trumpet 7
Brass quartet : 2 trumpets, trombone, tuba 7
Trumpet, Piano 7
Trombone 4
French Horn and Piano 3
2 Euphoniums and 2 Tubas 2
Tuba and Piano 2
Euphonium (band part) 2
2 Trumpets (duet) 2
2 Trombones (duet) 2
4 Tubas 2
Tuba ensemble 1
Brass Quartet: 4 trombones 1
Euphonium 1
Brass Quartet 1
2 French horns (duet) 1

+ 19 instrumentations

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Strings
Violin (band part) 1,035
Cello (band part) 346
Doublebass (band part) 303
Viola (band part) 165
String Quartet: 2 violins, viola, cello 27

Violin 18
Violin and Piano 17
Cello, Piano 11
Violin, Cello (duet) 11
Viola, Piano 9
Harp (band part) 7
Harp 6
Double bass, Piano (duet) 6
Cello 5
String Trio: violin, viola, cello 4
4 Cellos 4
Viola 4
String Trio: 2 violins, cello 3
2 Cellos (duet) 3
2 Violins (duet) 3
Cello, String Bass (duet) 1
Violin, Guitar (duet) 1
Violin, Viola (duet) 1

+ 18 instrumentations

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Percussion & orchestra
Percussion (band part) 1,109
Concert band 649
Timpani (band part) 257
Drum (band part) 49
Orchestra 37

String Orchestra 28
Jazz Ensemble 8
Handbells 7
Percussion Ensemble 5
Chamber Orchestra 5
Brass ensemble 3
Jazz combo 3
Marching band 2
Percussion 1
Vibraphone (band part) 1
Drums 1
Orchestra, Violin 1

+ 12 instrumentations

- Retract

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Robert E

Orchestra, Violin

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Nocturne for violin and orchestra

Nocturne for violin and orchestra #Orchestra, Violin #Classical #Nocturne for violin and orches #Schott Music - Digital #SheetMusicPlus

Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (18...(+)

Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).

We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.

My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.

$19.99 ≈ 18.44€