Download Digital Sheet Music of Piano Sonata No.11 for Bassoon, Piano (duet)

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Piano Sonata No.11
Not classified 9

Piano & keyboards
Piano solo 34
Easy Piano 2

Guitars
Piano, Guitar (duet) 2
Guitar notes and tablatures 2
2 Guitars (duet) 1

Voice

Woodwind
Flute and Piano 8
Flute 5
Clarinet and Piano 5
Soprano Saxophone and Piano 3
Alto Saxophone and Piano 3

Oboe, Piano (duet) 2
2 Flutes (duet) 2
English horn, Piano 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Tenor Saxophone and Piano 2
Baritone Saxophone, Piano 2
Bass Clarinet, Piano 1
Piccolo, Piano 1
Clarinet Quartet: 4 clarinets 1
Clarinet 1
Saxophone Quartet: 4 saxophones 1
3 Clarinets (trio) 1
Clarinet Quintet: 5 clarinets 1
2 Clarinets (duet) 1
2 Saxophones (duet) 1

+ 15 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 3
English horn, Piano 2
French Horn and Piano 2
Trumpet, Piano 2
Trombone and Piano 1

2 Trumpets (duet) 1

+ 1 instrumentations

- Retract

Strings
Violin and Piano 9
Cello, Piano 5
Viola, Piano 5
String Quartet: 2 violins, viola, cello 2
Violin 1

Double bass, Piano (duet) 1
Viola 1
Harp 1
2 Violins (duet) 1
Cello 1

+ 5 instrumentations

- Retract

Percussion & orchestra

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Piano Sonata No.11

intermediate

Bassoon, Piano (duet)

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2 sheet music found

Turkish March for Bassoon and Piano

Turkish March for Bassoon and Piano #Bassoon, Piano (duet) #INTERMEDIATE #Classical #Wolfgang Amadeus Mozart #Diego Marani #Turkish March for Bassoon and #Diego Marani #SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.528086 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,...(+)

Bassoon,Piano - Level 3 - Digital Download SKU: A0.528086 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728461. Published by Diego Marani (A0.528086). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Bassoon with Piano Accompaniment faithfully reproduces the original for piano.

$9.90 ≈ 9.11€

Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano

Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano #Bassoon, Piano (duet) #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthri...(+)

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.36€