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It's Not Unusual
Not classified 49

Piano & keyboards
Piano solo 20
Piano, Vocal and Guitar 9
Easy Piano 5
Piano, Voice 3
Big Note Piano 3

C Instruments 2
Piano Quartet: piano, violin, viola, cello 2
Accordion 1

+ 3 instrumentations

- Retract

Guitars
Guitar 9
Ukulele 6
Melody line, (Lyrics) and Chords 3
Guitar notes and tablatures 2
Banjo 1

4 Guitars (Quartet) 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 12
Choral TTBB 2
Choral Unison 1
Vocal duet 1
Choral SSAA 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 13
Saxophone Quartet: 4 saxophones 11
Flute, Oboe, Clarinet, Bassoon 5
Clarinet Quartet: 4 clarinets 4
Saxophone Quintet: 5 Saxophones 4

Oboe, Piano (duet) 3
Flute Quartet: 4 flutes 3
Clarinet and Piano 2
Flute and Piano 2
Baritone Saxophone, Piano 1
Alto Saxophone and Piano 1
Flute and Guitar 1
Clarinet Ensemble 1
English horn, Piano 1
Clarinet Quintet: 5 clarinets 1
Soprano Saxophone and Piano 1
Clarinet 1
3 Saxophones (trio) 1
Bass Clarinet, Piano 1
Tenor Saxophone and Piano 1
2 Saxophones (duet) 1
Saxophone ensemble 1

+ 17 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 9
Brass quartet : 2 trumpets, trombone, tuba 3
Euphonium, Piano (duet) 2
Trumpet 1
English horn, Piano 1

Brass Quartet: 2 trumpets, horn, trombone 1
Brass Quartet: 4 trombones 1
Brass Trio 1
Brass Quartet 1
Trumpet, Piano 1

+ 5 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 16
Viola, Piano 2
Violin and Piano 2
Cello, Piano 2

String Trio: 2 violins, cello 1

Violin (band part) 1
4 Cellos 1
Harp, Flute (duet) 1
Harp 1
String Trio: 3 cellos 1

+ 5 instrumentations

- Retract

Percussion & orchestra
Orchestra 8
Jazz Ensemble 8
Jazz combo 4
Brass ensemble 3
Handbells 3

Chamber Orchestra 2
Concert band 2
String Orchestra 2
Drum (band part) 1
Drums 1

+ 5 instrumentations

- Retract

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It's Not Unusual

Cello, Piano

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2 sheet music found

Scriabin: Prelude Op. 11 No. 2 for Cello & Piano

Scriabin: Prelude Op. 11 No. 2 for Cello & Piano #Cello, Piano #INTERMEDIATE #Aleksandr Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romanti...(+)

Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Â Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$26.95 ≈ 24.82€

Rêverie - Claude Debussy, for Cello and Piano

Rêverie - Claude Debussy, for Cello and Piano #Cello, Piano #ADVANCED #Classical #Len Rhodes #Len Rhodes #Rêverie - Claude Debussy, for #Len Rhodes Music #SheetMusicPlus

Cello,Piano - Level 5 - Digital Download SKU: A0.1238542 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. ...(+)

Cello,Piano - Level 5 - Digital Download SKU: A0.1238542 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. 9 pages. Len Rhodes Music #833977. Published by Len Rhodes Music (A0.1238542). In 1890, Debussy sold five piano pieces of which some may have been composed much earlier. These pieces were: â€˜RÃªverieâ€™, â€˜Ballade Slaveâ€™, â€˜Tarentelle Styrienneâ€™, â€˜Valse Romantiqueâ€™ and â€˜Nocturneâ€™. The actual publication of â€˜RÃªverieâ€™ did not occur until April 1905 at which time, Debussy wrote to the publisher Fromont: â€œIt was a mistake to bring out the â€˜RÃªverieâ€™. It is an unimportant work which was written in a hurryâ€¦It is a work of no consequence and I absolutely consider it no good.â€ To this day, many listenerâ€™s first â€œencounterâ€ with the music of Claude Debussy has been through the hearing of his â€˜RÃªverieâ€™!In this new arrangement for cello and piano, Len Rhodes brings out the beauty of the melody of â€˜RÃªverieâ€™, assigned to the cello; whilst the piano reveals the composerâ€™s unusual harmonies.Download contains piano score and separate cello part.

$5.99 ≈ 5.52€